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Episode Transcript
[00:00:00] Speaker A: Hey, did you hear? I'm a slug lord now?
[00:00:02] Speaker B: No, I didn't. I'm so jealous. I'm not a slug anything.
[00:00:07] Speaker A: Well, you too can become a slug something. Just head to tinyurl.com supportpfd and subscribe to Pork Fried Dice on Ko Fi.
[00:00:18] Speaker C: Awesome.
[00:00:20] Speaker A: You're listening to the show about sex windows. It's Pork Fried Dice.
I'm Eric and I'm the dungeon master.
[00:00:31] Speaker D: I'm Abby and I play Rafina.
[00:00:34] Speaker E: I'm Alex and I play Batwack.
[00:00:37] Speaker B: I'm KT and I play Will.
[00:00:41] Speaker C: I'm Adam and I play Roscoe.
[00:00:46] Speaker A: Hold on to your haversacks. Let's roll.
[00:00:52] Speaker C: Can you read?
[00:00:54] Speaker A: No.
[00:00:55] Speaker C: Yes. So memorize it.
[00:00:59] Speaker A: That's a good point.
You can't be a book when you can't read.
[00:01:05] Speaker C: Oh no, right. Exactly.
[00:01:07] Speaker A: Hey, that's one of those old sayings in theater.
[00:01:11] Speaker C: You can't be on. Let's say it at the same time. Say the same thing.
You can't be on book if you can't read.
[00:01:23] Speaker D: Well, they did pretty well when you do it. Right.
[00:01:26] Speaker C: Listen, I wouldn't. Don't be.
[00:01:28] Speaker A: When we had the line ahead of time. It helps. Yeah. Yeah.
[00:01:31] Speaker B: Right.
[00:01:33] Speaker C: Not that special. Mo. Don't be too nervous. So much of what we've prepared here is based on things that you said to me is in our preparatory interview.
[00:01:48] Speaker A: Yeah, sure.
Don't worry. I. I don't think I ever been nervous in life.
[00:01:56] Speaker C: Oh really?
[00:01:58] Speaker A: No. I mean, yes, really.
What is it like.
[00:02:09] Speaker C: Being nervous?
[00:02:10] Speaker A: Uh huh.
[00:02:14] Speaker C: How do I put this in terms you could understand?
[00:02:19] Speaker A: Use big words. I try to learn.
[00:02:21] Speaker B: Oh, I love that.
[00:02:25] Speaker C: You know how it feels when you stab somebody?
[00:02:32] Speaker A: Yeah, I do.
[00:02:34] Speaker C: How's it feel?
[00:02:37] Speaker A: Well, it depends on the somebody. Sometimes it's very like slippery. Sometimes it's very like.
You got to really like, like, like, like a. Like a boar. It's very grizzly. And you have to like really like, you know, it's usually one or other, not much in between.
So slippery or grisly.
[00:03:05] Speaker C: Sure. So nevis is how it would feel if there was constantly all of that in between and that at any given moment you don't know whether you're gonna stab or be stabbed. And either way, where on the spectrum of slippery to it's gonna be?
Does that make sense?
[00:03:42] Speaker A: Sure.
[00:03:45] Speaker C: Yeah.
Anyway.
All right, we've got our notes. You've got, you've got your. You know, just review the answers. That and the, the. That was in our conversation that we had.
[00:04:02] Speaker A: Yeah.
[00:04:02] Speaker C: And I'll. Now I'LL I'll make sure. I'll make copies of the script for everybody. And I think.
I think we're gonna have. We're gonna do pretty great in the talent show.
[00:04:15] Speaker A: Oh, I think so. Now. We might win.
[00:04:18] Speaker C: We might win. And I think. I think that was the other logistical decision that was interesting was that we. It is open to everybody on the ship. Sure. Not only open, but required mandatory participation.
[00:04:32] Speaker A: Upon pain of death.
[00:04:35] Speaker C: Yeah, you taught me that phrase.
[00:04:36] Speaker A: I like that phrase.
[00:04:38] Speaker C: What was the phrase again?
[00:04:39] Speaker A: Upon pain of death.
[00:04:41] Speaker C: Oh, yeah.
[00:04:41] Speaker B: I like hearing that voice.
[00:04:43] Speaker C: Found your se. Voice real good, huh?
[00:04:47] Speaker A: Do you remember when, a long time ago, someone used to say that you and I sound same?
[00:04:53] Speaker C: Yeah. What the fuck are they talking about?
[00:04:55] Speaker A: I don't know.
[00:04:56] Speaker C: You sound totally different.
[00:04:58] Speaker A: I do, too.
All right.
So, Will.
[00:05:11] Speaker B: Oh, okay.
[00:05:12] Speaker A: You've cast some spells.
[00:05:14] Speaker B: Mm.
[00:05:15] Speaker A: Is it your last spell slot, too?
[00:05:19] Speaker B: Oh, well.
Is it? No, it's not. It's funny. For as many, like, fights and things as we've been in, I don't think I've been in many of the fights.
[00:05:28] Speaker A: It's hilarious.
[00:05:32] Speaker B: So I guess creation probably doesn't. I don't know what to call it. Stack. Like, if I cast it at a higher level.
[00:05:40] Speaker A: I don't know.
[00:05:41] Speaker B: Let's see. Oh, wait. When you cast this. I bet it does higher. The cube increases by five feet for each slot.
[00:05:46] Speaker A: Oh, bigger.
[00:05:47] Speaker B: Above fifth. Yeah. So that. So I guess I don't need a bigger. The hole is.
[00:05:53] Speaker A: No, you're. You're within that.
[00:05:55] Speaker B: Okay. All right. So. But basically, I feel like I'm going to have to.
I'm trying to, like, explain how I'm doing this, but, like, I think I'm mending various points of the wall. Then I'm going to cast the creation spell to try to make a pane of glass in that place and then mend more of it to try to look like it's.
[00:06:16] Speaker A: My idea was that you were able to. With mending, you're able to clean up the edges, basically, right?
[00:06:22] Speaker B: Yeah.
[00:06:23] Speaker A: So it's not this jagged hole. It's a nice uniform.
[00:06:28] Speaker B: Well, so. So forgive me, but, like, you know how I've learned how walls work? And, like, I know these are not ship walls, but, like, how there's a space with the ship. Is there any space in between? Because what I was saying was I would mend. I would mend things, and then, like, that space is where the glass would sit. So I would mend various parts and then create the. The glass.
God, this is probably, like There are probably some people that would think this is probably not doable with these spells.
[00:06:56] Speaker A: Well, those people probably fight.
[00:06:57] Speaker D: We're going to get some letters, listen to portrait Surprise.
[00:07:00] Speaker B: Okay. All right.
[00:07:02] Speaker A: Have an issue?
[00:07:03] Speaker B: No. Nobody does.
[00:07:04] Speaker A: Everyone spell.
[00:07:05] Speaker B: Nobody has ever leave us a five star review.
[00:07:07] Speaker A: Subscribe and make sure you subscribe to the complaints that we listen to. Tier.
[00:07:14] Speaker C: That is a high tier.
[00:07:17] Speaker B: Oh, my goodness.
[00:07:20] Speaker D: I'm gonna subscribe. I have some complaints.
[00:07:23] Speaker A: All right, if you do, I'll listen.
[00:07:26] Speaker D: Why say we could do whatever we want and we can.
[00:07:32] Speaker B: Why doesn't my call lightning spell work when I'm in a small room?
Why doesn't my tiny hut roll like a sphere?
[00:07:41] Speaker D: That is definitely.
[00:07:42] Speaker B: Those are the two.
I love it.
[00:07:50] Speaker A: Sorry. Leonid's tiny hamster ball.
[00:07:53] Speaker B: Yeah, so I'm sorry, because, like, I'm so. I'm being so specific. I just want to be. Fair enough. Like, if there's a gap between, like, if it's wood and wood, like, and there's insulation or some kind of sound barrier in between these, maybe we want to tear out all the sound barriers.
[00:08:07] Speaker A: This hole was made by a sword so you can heal it with magic.
[00:08:11] Speaker B: Okay. Okay. So, yeah, I'm trying to, like, fit it all together so that it at least stays together.
[00:08:17] Speaker A: Yeah.
[00:08:18] Speaker B: For a presentation of the window.
[00:08:20] Speaker A: Yeah. The sex window.
[00:08:21] Speaker B: Yeah. Yes, it's a flirting window. I don't know what it is.
[00:08:25] Speaker A: I mean, with it being like, close to the ground like this. Is that like part of the.
[00:08:29] Speaker B: Yes, you don't. You know, like, you could. You could. There's. There could be a curtain. Listen, all these things are things I can say to the ferret. But, like, there's a curtain. You can come over, just display in the gate.
[00:08:39] Speaker A: I didn't mean to jump.
[00:08:40] Speaker B: Or maybe you're just bending over. That's all you can see. Like, there could be. You know what I mean? There could be a long rod that you move the curtain for it.
[00:08:49] Speaker A: I love. It's like the. It's like the start of the. The first idea of a peep show. But it was like way back and just to show the ankles.
[00:08:56] Speaker B: Yes, it's just ankles. I thought that was the size of the hole we were dealing with.
[00:09:01] Speaker A: Wow, Will, that looks really good, eh?
[00:09:04] Speaker B: Does it? Yeah. No. You know, please, dm. Please tell me what it looks like. What does it.
[00:09:10] Speaker A: So, like, first, Will, I. Like how like, the edges is like this, like, kind of frame that like, matches the rest of the walls. Like, it looks seamless. And then this is like the glass it's not like this perfect, clear, invisible glass.
No. Like, it's got like this, like, kind of like, it's almost like it's a crystal kind of. And I could see that being very tantalizing.
[00:09:39] Speaker B: Yeah, thanks.
[00:09:41] Speaker A: But, like, if you get up close, then you can see clearly through it. It's like that faceted.
[00:09:46] Speaker B: Whoa. I didn't even realize that. That's why I wanted the description before you said it in character. Oh, all right. Wow. Yeah, you're right.
[00:09:54] Speaker A: It does look like you're too hard on yourself. Like, take a step back, remove your ego from the work and just view it on its own.
Should I go around to the other side and show you my ankle?
[00:10:05] Speaker B: He does the biggest eye roll in the world. Yeah, there's deadly animals in there. Okay. Like, they're disgusting.
[00:10:12] Speaker A: Go all in there.
[00:10:13] Speaker B: There. It stinks in there. I. We gotta do the presentation from this side because it smells like what, I presume a bat cave smells like. Wait, have we been in a bat cave? You weren't there. I was in a wolf cave. They're probably bad.
[00:10:26] Speaker A: I don't know. But I consider myself your robin.
[00:10:31] Speaker B: Well, okay, that's weird.
But, yeah, no, I've been in a wolf den. It was disgusting. It smells like that over there.
[00:10:38] Speaker A: You mean that place where Batwack threw a head at you?
[00:10:41] Speaker B: Yeah, I think that is where that was. But you weren't talked about that earlier. Yes, I have. I have mentioned that it was in a disgusting, dirty, dank cave.
[00:10:49] Speaker A: You didn't mention that part at all. It was just all about the head.
[00:10:52] Speaker B: Yeah, because what, a human head?
[00:10:54] Speaker A: I'm not saying it shouldn't have been all about the head. I'm just saying you left out the smell part.
[00:11:01] Speaker B: Listen, everywhere I've been, so many places I've been are so stinky in the past couple weeks.
[00:11:08] Speaker A: Tivoli smell.
[00:11:10] Speaker B: It's like home. Okay, stop talking about it. Don't. I can't. I need to get back there. God damn it. Everything is going wrong.
[00:11:19] Speaker A: I know. Like, you and control are like everything. Like, do you control how things smell?
[00:11:24] Speaker B: I mean, in some ways. Certainly things can't smell certain ways when I'm there, it better still smell good.
He just takes a deep breath and looks at. No. Closes his eyes, looks at nothing. All right.
Sex window is done.
[00:11:43] Speaker A: Great. Do you think everybody else is done, too?
[00:11:46] Speaker B: I don't know. How long have we been in here? D.M. you answer that.
[00:11:51] Speaker A: Four minutes.
[00:11:53] Speaker D: Really?
[00:11:54] Speaker A: I don't know.
[00:11:55] Speaker B: I assumed. It took me a while. I've never really. I don't. I've never done any work like that. I'm not a window.
[00:12:00] Speaker D: Never built a sex window.
[00:12:02] Speaker B: I've never. Yeah. I've specifically also never built a sex window.
[00:12:05] Speaker A: So you have to do a lot of instances of casting mending.
[00:12:09] Speaker B: Right. Yeah, I get it.
[00:12:11] Speaker A: Yeah.
[00:12:11] Speaker B: I'm probably tired.
[00:12:12] Speaker A: Yeah. Okay, well, let's. Should we see how everybody else is doing, or do you just want to stay here?
[00:12:22] Speaker B: Will just still has his eyes closed.
[00:12:24] Speaker A: I can try to clear out some of this crate for you if you want.
[00:12:31] Speaker B: I think he looks at Shimi and just nods and then just still stands there and closes his eyes again. Just.
[00:12:39] Speaker A: I'll try to do it quietly.
I go sit on a bed, pulling the crate out bit by bit.
[00:12:46] Speaker B: Amazing. I have a servant. This is fantastic.
[00:12:51] Speaker D: Dream come true.
[00:12:53] Speaker A: So, Bathwack and Rafina, we're headed back. Okay.
[00:13:00] Speaker D: We have seen the albatross. Wait, maybe I should just discuss that with Bathwhack. I just assumed he'd want to go back.
[00:13:06] Speaker B: Bathwack.
[00:13:07] Speaker E: Oh, yeah.
Yeah.
[00:13:10] Speaker D: Our work here is kick. Our work here is done.
[00:13:13] Speaker E: Yeah. I'm going to picture that fish one last time that I was going to get for the albatross.
[00:13:18] Speaker A: Okay.
[00:13:19] Speaker E: And see if I could reel it up.
[00:13:21] Speaker A: All right. Give me a nature check. Is that what we used before or survival? I think survival.
[00:13:26] Speaker E: I don't remember.
[00:13:27] Speaker A: I think it was survival.
[00:13:29] Speaker E: It's pretty hard to catch a fish that doesn't exist. It is.
[00:13:32] Speaker A: Well, let's see how hard.
[00:13:35] Speaker C: Oh, that's really good.
[00:13:37] Speaker A: That is really good. What is it, 19?
[00:13:40] Speaker B: Hell, yeah.
[00:13:41] Speaker D: Imaginary fish.
[00:13:42] Speaker A: So what was the description of the fish? You have it somewhere. I know.
[00:13:45] Speaker B: Oh, I'm sure. Spiny. Spiny.
[00:13:48] Speaker A: It was in your recap.
[00:13:49] Speaker B: Yeah. Totally iridescent.
[00:13:50] Speaker D: Right?
[00:13:50] Speaker B: Yeah. Give me a word from it. I think that is one of the words.
Okay.
[00:13:55] Speaker A: Penis. Monster.
[00:13:56] Speaker B: Close your eyes, but don't, because we're walking rain. No, that's where he was describing it. This is the first description. He says it's like a rainbow with spikes. It wiggles, iridescent. And the rainbow has a mouth on it. Imagine that he made it up. He hopes it's real.
[00:14:15] Speaker A: Okay.
[00:14:16] Speaker B: And the captain says, good luck, son. And that. That's when he put the pin on you.
That's so great.
[00:14:25] Speaker E: Oh, yeah, yeah. Trying to catch. Yeah. Catch a rainbow with spikes. Iridescent, wiggling. With a mouth so he can catch it.
[00:14:32] Speaker B: Yeah. So funny.
[00:14:34] Speaker A: All right, so you got something on the line, and you start to reel it in and you're fighting it. Seems like it's got quite a heft to it. In and out.
It's a struggle, but eventually you're able to pull it up and flop it onto the deck. Basically, you can picture. Do you guys know what a blobfish looks like?
[00:14:55] Speaker D: Yes. Yes.
[00:14:57] Speaker A: It's like a rainbow blobfish.
There's no spikes, dude, but it's kind of iridescent and it has a mouth.
[00:15:07] Speaker D: Aw.
I will name it Blobby.
[00:15:11] Speaker B: He put it in the terrarium, but there's no water in there. I'm just kidding.
[00:15:16] Speaker D: The scorpion eats it immediately.
[00:15:19] Speaker A: One. One gulp.
[00:15:21] Speaker E: Oh, but it can't be out of the water very long.
[00:15:24] Speaker D: Are we gonna put it back? All right. I respect that.
No one will ever believe you.
[00:15:29] Speaker E: Can you put water in your terrarium?
[00:15:31] Speaker D: Of course.
[00:15:33] Speaker E: Wait, do you have your terrarium?
[00:15:35] Speaker D: It's right behind us. It's been trotting.
[00:15:37] Speaker A: Yep. Do you still have create water in your stylist that has been there for, like, five years?
[00:15:43] Speaker C: No.
[00:15:44] Speaker D: Yeah, exactly. No, I don't think I have create water.
[00:15:46] Speaker A: That was one of your go tos, like, very early on.
[00:15:50] Speaker D: That's before I knew how to D and D.
[00:15:55] Speaker E: Oh, now we can't create water when we need it.
[00:15:58] Speaker A: You're gonna need it.
[00:15:59] Speaker D: But I. I do have my tea in my little flask also.
[00:16:04] Speaker B: Aren't we on the ocean? Or is the fresh one salt water tea? It's already probably depressurized like that poor blobfish is. Did you know that that's not how it looks underwater? It's all messed up.
[00:16:16] Speaker D: Really?
[00:16:16] Speaker B: So sad. Yeah. So you already killed, like, messed it up, and now you're pouring fresh water on it.
[00:16:22] Speaker A: You're trying to help it. All I'm saying is it looks like a depressurized blobfish. I'm not saying it is depressurized.
[00:16:29] Speaker B: Okay, cool.
[00:16:30] Speaker A: Maybe that's just what it looks like.
[00:16:31] Speaker B: It's cute.
[00:16:32] Speaker A: Yeah.
[00:16:33] Speaker B: Yay. Okay.
[00:16:34] Speaker A: But you did catch it out of salt water.
[00:16:37] Speaker E: Okay.
[00:16:37] Speaker D: Yeah, well, there's salt in the tea. It's fine.
[00:16:41] Speaker A: There's more salt in the tea than in the ocean.
[00:16:45] Speaker E: It's okay, Rafina, really. I'm gonna put it back.
[00:16:49] Speaker D: No one's gonna believe you that you caught it. Even when I tell them, they don't believe anything.
[00:16:56] Speaker E: We'll take a picture. Draw. Draw a picture of it.
[00:17:00] Speaker D: Okay, I'm drawing a picture.
[00:17:01] Speaker E: All right, good. I'm gonna pet it. I hope it's not poisonous.
[00:17:05] Speaker D: It bites you.
[00:17:05] Speaker B: Just kidding.
[00:17:06] Speaker A: And then you feel like, it kind of looks at you, but you might be imagining it.
[00:17:12] Speaker E: Whoa. I, like, I see it look at me, and then I look at it, and it's not looking at me.
[00:17:17] Speaker A: Uh huh.
It's kind of disconcerting to pet. It's almost like you can't touch it. Like you can, but, like, it, like, it's so blobbly that, like, you try to put pressure on it to pet it, and it, like, the body underneath it, like, like, shoots out from under your hands a little bit.
[00:17:35] Speaker B: Amazing.
[00:17:36] Speaker E: I was gonna feed this to the albatross, but that guy was a j. I don't think he's an albatross. I think he's Randy.
[00:17:43] Speaker D: He's Randy, the pretend albatross.
[00:17:47] Speaker E: So let's put the blobfish back. But it exists, Rafina.
It's really there. See?
[00:17:53] Speaker D: I think I believe you.
[00:17:55] Speaker E: I didn't make it up.
[00:17:56] Speaker B: Think I believe you.
[00:17:59] Speaker E: This is exactly how I pictured it.
And then I'll throw it back in.
[00:18:08] Speaker A: Okay. You chuck it over the railing, it tumbles down. Oh, no, not along the side. Like, it doesn't clip the railing.
[00:18:18] Speaker B: Ow.
Oh, my gosh. You talked about Titanic before, so. Oh, no, Adam mentioned Titanic. The ship turns and the blobfish hits every rung on the way down. Like that guy that falls against the big pole.
[00:18:32] Speaker A: There's a garbage barge going past as you throw. It just lands on an old, dirty diaper upside down.
[00:18:42] Speaker D: Perfect.
[00:18:43] Speaker A: No, it tumbles through the air. Not gracefully, but not painfully either.
[00:18:53] Speaker C: So it's not a sequel to our as you fit.
[00:18:59] Speaker B: Amazing.
[00:19:01] Speaker A: And in your mind bathwack, you hear. Thanks, Spoosh.
[00:19:07] Speaker E: Whoa.
[00:19:10] Speaker D: Thank you, man, I wish Blobby were a God. We could use a God like Blobby.
[00:19:13] Speaker E: Maybe he was grafina.
It talked to me.
[00:19:19] Speaker D: It talked to you? What did it say?
[00:19:22] Speaker E: It said, I'm just like you imagined me.
[00:19:32] Speaker B: Sort of. Truth.
[00:19:37] Speaker A: Batwack would have cast it just instinctually with you screaming out at him. But he doesn't have the spell slot.
[00:19:43] Speaker D: He doesn't have it left. He.
[00:19:44] Speaker B: Yep. Yep.
[00:19:46] Speaker E: Thanks. It said thanks.
[00:19:48] Speaker D: It said thanks. And that's when I say the part about I wish Blobby were a God.
[00:19:55] Speaker A: Don't we all?
[00:19:57] Speaker D: Don't we all?
[00:19:59] Speaker A: All right, so you've all accomplished your separate tasks.
Do any of you feel the need to debrief each other with any of the goings on that have occurred?
[00:20:14] Speaker D: Oh, we definitely have to.
[00:20:15] Speaker E: Yeah, we would tell everybody.
[00:20:18] Speaker A: Okay.
[00:20:20] Speaker E: Although, maybe I'll discuss with Fina on the way up that we forgot to do something important.
[00:20:26] Speaker D: What did we forget?
[00:20:28] Speaker E: We forgot to ask the albatross what the right direction is.
[00:20:34] Speaker B: Oh, shit.
[00:20:35] Speaker D: Well, you're the one who was like, oh, we gotta stop talking to this bird.
[00:20:40] Speaker E: I thought he was onto us.
[00:20:43] Speaker D: It doesn't matter.
[00:20:45] Speaker E: Yeah, but now we don't know the direction to the one Will loves.
[00:20:51] Speaker D: Oh, I thought you were talking about how to get to Gully's end.
[00:20:54] Speaker E: No, I know how to get to Gully's end.
[00:20:59] Speaker D: The one that Will loves.
Well, maybe if you think really hard, you'll remember what he said, or you'll understand it better than we did before.
[00:21:16] Speaker C: What? Nice euphemism for retconning.
Which, don't get me wrong, I think should be an option.
[00:21:26] Speaker D: Seriously?
All right, well, let's go tell everyone.
[00:21:31] Speaker A: Okay, Do. Did you guys set a rendezvous point?
[00:21:35] Speaker B: Speaking of rendezvous point, I'm just sitting in the room.
[00:21:39] Speaker E: Let's meet on this ship.
[00:21:40] Speaker D: We also didn't set a watch.
[00:21:42] Speaker B: Rosco went to his room.
Yeah, I debrief about.
[00:21:48] Speaker C: Anyway.
[00:21:49] Speaker A: Good point.
All right, you guys, try to find everyone. Roscoe's in his room. Mo's in his room.
Will is in that new room. Shimi is chucking bits of crate off the side of the boat.
So that's where they all are.
[00:22:12] Speaker E: I would guess we would go to Roscoe's room because that's where Roscoe and Moe were before.
[00:22:17] Speaker A: No, they were not there.
[00:22:18] Speaker C: In Mo's room. No, we were in Mo's room.
[00:22:21] Speaker E: Oh, I'd guess we go to Roscoe's room. Cause that's where I thought they were.
[00:22:31] Speaker D: Rafina remembered.
[00:22:33] Speaker C: Yeah, you go in the Moe's room.
[00:22:35] Speaker A: Pepperidge Farm remembers.
[00:22:37] Speaker D: No, it's Smuckers. No, you're right. It's Pepperidge Farm.
[00:22:41] Speaker B: Smuckers remembers.
[00:22:42] Speaker A: That's kind of funny.
[00:22:48] Speaker D: Okay, yeah, we go to Mo's room with Rafina. I mean, we go to Roscoe's room with Rafina protesting that we should be going to Moe's room.
[00:22:55] Speaker A: Well, they're, like, right across the hall from each other, so if you want to go to both, you can.
[00:22:59] Speaker D: So our arguing is heard through the doors of both of these rooms?
[00:23:02] Speaker A: Yep. Moe pokes out. What's wrong? I tried to rest.
[00:23:08] Speaker D: I forgot you can actually rest. I apologize.
[00:23:12] Speaker A: There ain't no rest for Rafina.
[00:23:15] Speaker D: It's so true.
We have a lot of news, but we want to share it only once.
[00:23:20] Speaker A: Okay?
[00:23:21] Speaker D: So go find everybody if you can.
[00:23:23] Speaker B: What?
[00:23:23] Speaker A: I'm trying to rest.
[00:23:26] Speaker C: That's amazing.
That is so good.
[00:23:32] Speaker B: And the delivery was.
[00:23:34] Speaker C: I've never heard Moe express such disbelief, such incredulity, like an exasperation.
[00:23:42] Speaker B: He's like, I am stabbing machine. I know that's all I am to you. So let me rest and get. Get my stabbing powers back.
[00:23:52] Speaker D: I hit my teeth on the microphone thing.
[00:23:56] Speaker A: You have no idea how much stabbing is in script.
[00:23:59] Speaker D: Let's just take a mom to recognize that the NPCs are actually like. There's been a lot of growth for them in this session. They, you know, Jimmy has been pushing up, has been pushing back to Will, and now Mo is taking a stand for his rest.
[00:24:17] Speaker B: Wow.
[00:24:18] Speaker D: Well, do you know where they are before you go back to sleep?
[00:24:21] Speaker A: I think Roscoe's in his room.
[00:24:23] Speaker D: Well, that was gonna be too easy.
[00:24:26] Speaker A: Fine. I mean, Will and she me were fixing hole. Did you check at whole room?
[00:24:32] Speaker D: Oh, well, let's go to the whole room.
The Wiz Palace. Let's go to the whole palace. But, Mo, you need to know these news, too. Can you be awake for five minutes so we can tell you?
[00:24:43] Speaker B: Please?
[00:24:44] Speaker A: Okay, I can hear these news too.
[00:24:46] Speaker D: Okay. Okay, let's go.
We're off to see the Wiz Palace. Oh, wait, that's not right. The whole palace? I can't even get my own joke right. Hey, guys, where are you? Hey, which one is the whole room?
[00:25:02] Speaker A: It's down there, remember?
[00:25:04] Speaker D: Thank you.
[00:25:04] Speaker A: It's the one where Shimi got stabbed in high.
[00:25:08] Speaker B: Yeah.
[00:25:08] Speaker D: All right.
It's me all turned around. I'm sorry. I'm dissatisfied with the quality of gods we keep bumping into, and it's really shaking my faith.
[00:25:20] Speaker A: We've been on this boat for, like, seven hours.
[00:25:27] Speaker D: Not the. Not even relevant point, Moe.
[00:25:29] Speaker A: Oh, okay.
Roscoe, come on. There's news.
Yeah, come on.
He opens the door and tries to drag you out.
[00:25:42] Speaker C: Roscoe's in the middle of snorting brown treat because he's got multiple copies of a script to write by hand.
What is happening? But I gotta write. God damn it. God damn it.
[00:25:59] Speaker B: It's okay.
[00:25:59] Speaker A: They only resting. No, I know I have to rest. You have to write. But Rafina only wants to say this once.
[00:26:06] Speaker C: Oh, this better be important.
[00:26:08] Speaker D: It's huge.
[00:26:10] Speaker A: Oh, it's huge.
[00:26:12] Speaker D: Okay, just wait till you hear what the Albatross's real name is.
[00:26:17] Speaker C: All right, hold on. Hey, Mo.
[00:26:18] Speaker A: Yeah?
[00:26:18] Speaker C: You want some of this?
Okay, just snort it up into you. Do you have a.
[00:26:28] Speaker D: He's got nostrils.
[00:26:31] Speaker C: Yeah, yeah, I put some on the. On my finger.
[00:26:34] Speaker A: Okay.
Okay.
[00:26:43] Speaker C: How's it feel?
[00:26:45] Speaker A: I mean, I, I, I still feel, like, generally positive about life in the world.
[00:26:57] Speaker D: We gotta find Will.
[00:26:58] Speaker C: And she was supposed to make you feel more like creative, huh?
More like an artist, you know, with like a gaping hall of despair at the center.
[00:27:11] Speaker A: Oh, like the whole thing. That's where we're going.
[00:27:15] Speaker C: All right, good.
[00:27:16] Speaker A: Yeah.
[00:27:16] Speaker C: Come on, let's go.
[00:27:18] Speaker A: Okay.
All right, Will.
[00:27:23] Speaker D: Knock, knock, knock.
[00:27:24] Speaker A: A whole group of.
[00:27:29] Speaker B: I thought it was nice and quiet and Hiroshima did all that work. And then everyone comes in the room.
I just like, I don't even move. I open my eyes. I was sitting on the bed with my eyes closed. And then I just, I, with my hands like this, like, just with my, my head in my hands.
[00:27:45] Speaker A: Uhhuh.
[00:27:46] Speaker B: I just open my eyes and I look up at everybody.
[00:27:49] Speaker A: Well, big news. Rafina has big news. She can only say one time, and then it's self destruct.
[00:27:58] Speaker D: That part was added by. See, Mo has become a creative artist. And that's what happens when he's a creative artist.
Had Mo just had some brown treat.
And second of all, the window looks surprisingly tantalizing. Well done.
And third of all, the albatross. We got him to come back and we cast Zone of Truth. By we, I mean bathwack. But it was my idea. And the albatross is not called the cross albatross. He's called Randy.
[00:28:39] Speaker B: What?
[00:28:41] Speaker D: And the person that you love is not dead, and that's you, Will. And the owl bear was just making him sad because it was making a noise and Pathwack. Help me out here. There was one more thing.
Oh, gully's end. Better got. It's better to get there by land.
[00:29:06] Speaker B: What?
[00:29:08] Speaker D: Because they're watching the ports.
[00:29:13] Speaker B: Okay, so I am not a seafarer. What?
[00:29:16] Speaker E: I think they mean the place where the, where the boat docks, not the portholes.
[00:29:22] Speaker B: Okay. Oh, okay. Yeah. All right.
Can't we take a. Can we can maybe we could use a small boat once we kind of get who's they. Who's. Who's watching the ports.
[00:29:37] Speaker D: Here's my idea.
[00:29:38] Speaker B: Like the guy.
[00:29:39] Speaker D: Like he didn't specify.
Probably. Probably. But we didn't specify. We didn't get him to specify that. And we also forgot to specify exactly where your love is. So I apologize.
[00:29:54] Speaker B: Talking about my love, because whatever that message is is probably for Roscoe because that doesn't even apply to me. So I don't know what sounds like.
[00:30:02] Speaker C: This might be about Tanya.
[00:30:03] Speaker B: Yeah. Because I don't have a dead love or whatever that means that is doesn't apply.
[00:30:09] Speaker C: I'M so glad.
[00:30:12] Speaker D: Maybe it is.
It's possible. The pronouns are very confusing, but what were the pronouns?
[00:30:21] Speaker A: What is pronoun.
[00:30:24] Speaker B: Yeah, exactly.
[00:30:26] Speaker D: Do you have memories of exactly what he said?
[00:30:30] Speaker E: Nope.
[00:30:33] Speaker D: I cannot work under these conditions. All right.
[00:30:35] Speaker B: Anyway, back to getting off of the ship in a way that nobody will notice.
[00:30:40] Speaker D: Here's my idea. At the end of the talent show, we can sing a goodbye song where each of us slowly leaves, one at a time, Sound of Music style.
[00:30:54] Speaker B: So long farewell Our feet are saying.
[00:30:57] Speaker D: Goodbye and they'll never know we're gone until they can't find us.
[00:31:04] Speaker B: I don't think. Wait. Who?
[00:31:06] Speaker E: I remember now.
And then kick closes his eyes like he's channeling the albatross.
I was going to tell him that the person he thinks about a lot is alive, and I was going to point him in the right direction. And then he opens his eyes and he shakes his head like, whoa, what just happened here?
[00:31:30] Speaker D: The one who was rude to him. He said the one who was disrespectful.
[00:31:33] Speaker B: Roscoe was disrespectful to the albatross.
[00:31:36] Speaker D: But it could have been you.
[00:31:38] Speaker B: What do you mean? I love the gods.
[00:31:41] Speaker A: I.
[00:31:41] Speaker B: Look. My eyes. My eyes.
[00:31:44] Speaker E: Oh, yeah. He's alive.
That was the confusing pronoun.
[00:31:48] Speaker D: Yeah. But also, Rafina probably doesn't really have a good sense of who, if anybody. I mean, other than the fact that she had some memories of him, like, you know, vision into his earlier life. She's not gonna. And all she really knows about Will's love life is that he doesn't really like to have a love life.
[00:32:05] Speaker B: Yeah. Yeah. Yeah. Bathwack knows the most about anything.
[00:32:09] Speaker D: Oh, yeah.
[00:32:11] Speaker B: About that stuff, I guess.
Yeah.
[00:32:14] Speaker D: I'm not sure how I. I don't think I ever saw that far for, like, close to the present.
[00:32:19] Speaker B: Yeah.
[00:32:20] Speaker D: That I remember anymore. But, yeah. And we caught a blobby fish and threw it back.
[00:32:28] Speaker B: Didn't want to know that part.
[00:32:30] Speaker E: It was. It was real.
[00:32:31] Speaker D: I told you they wouldn't believe you.
[00:32:33] Speaker E: It was just like I. It was just like I imagined it.
[00:32:37] Speaker A: You didn't eat what?
[00:32:40] Speaker B: A lobby fish. Sounds disgusting.
[00:32:42] Speaker D: He was so happy when we threw it back.
[00:32:46] Speaker E: I mean, it might have said thanks if we ate it, too. I don't know.
[00:32:52] Speaker C: Is that it?
[00:32:53] Speaker B: Yeah. Yeah.
[00:32:55] Speaker E: That's the big news you brought me?
[00:32:57] Speaker B: Well, like, the thing that is the most important. Well, you know, the Randy thing is weird, but maybe his. His name is Randy Albatross across. Randy Albatross. Like, why?
[00:33:06] Speaker D: He was really upset that he couldn't say the pretend name that he was using with us.
[00:33:11] Speaker B: Pretend name?
[00:33:13] Speaker D: Well, because it was Zone of Truth. And then he kept saying Randy instead of the cross. Albatross.
[00:33:20] Speaker B: Yeah.
[00:33:20] Speaker C: Okay.
[00:33:22] Speaker B: Is he a person?
[00:33:23] Speaker D: Is obviously Amber Tam Tambly Temple.
[00:33:27] Speaker C: Obviously his memory's been with in some way. Right. Like he thinks that his name is one thing.
[00:33:35] Speaker B: Yeah.
[00:33:35] Speaker C: But something inside of him knows that his name is something else. It's very unlucky of him.
[00:33:42] Speaker B: It is also very alarming, though, that it's a God this time. Because we've experienced this with other people but not gods before. And I really don't like that, knowing that gods could be even more demented.
[00:33:55] Speaker D: Is it sort of a splintery situation? It could be. But also, he said that he's been around since the beginning of time, which was two weeks ago.
[00:34:06] Speaker B: What the does that mean? Is that when. What? When was. Where were we two weeks ago? What happened two weeks ago?
What was two weeks ago? Dm.
[00:34:15] Speaker A: No, when you left Barovia.
[00:34:18] Speaker B: Two weeks ago.
[00:34:19] Speaker A: It's probably more than that. I hate time.
[00:34:22] Speaker B: That's the time. So you're thinking. Whatever.
[00:34:24] Speaker E: That's what I understood it to be. Yeah.
[00:34:25] Speaker B: Okay.
What the. So we started.
We are leaving Barovia. Started changing stuff. I don't know if we've had this realization before, but apparently, I mean. Yeah, like there's people we don't know. I don't know what any of this tells us. I'm exhausted.
[00:34:44] Speaker E: Does anyone know. Did anyone know a Randy from before we got to Barovia?
[00:34:50] Speaker D: Roscoe, did you know any Randy's?
[00:34:54] Speaker C: I'm trying to rack my brain, trying to remember if I knew any Randy's.
I'm feeling uncharacteristically reliant on randomness for this decision.
[00:35:11] Speaker B: There we go.
[00:35:12] Speaker C: Is that okay?
[00:35:14] Speaker B: Yeah, do it.
[00:35:16] Speaker A: Eric Randiness.
[00:35:18] Speaker B: Randy.
[00:35:19] Speaker D: Randy is short for random.
[00:35:20] Speaker C: Randy. Randy. I'm gonna. Can I do a history check?
[00:35:23] Speaker A: Sure.
[00:35:27] Speaker C: Seven.
[00:35:29] Speaker D: Pretty bad.
[00:35:30] Speaker A: You think that you almost got into a fight with this guy named Randy, like 12 years ago in Tapper Down.
[00:35:41] Speaker D: Did he have feathers?
[00:35:43] Speaker A: No.
[00:35:45] Speaker D: Thank you for entertaining my question.
[00:35:47] Speaker A: You're welcome.
[00:35:48] Speaker C: No problem.
[00:35:54] Speaker B: Okay. What about the talent show?
[00:35:57] Speaker A: Oh, Roscoe and I have that down.
[00:35:59] Speaker B: Oh, yeah.
[00:36:00] Speaker A: Look at your script in the morning.
[00:36:02] Speaker B: What the fuck? What does that mean? We're putting on a play?
[00:36:05] Speaker A: No, Talent show.
[00:36:07] Speaker D: Do you need help copying out the scripts? Roscoe, you just don't want me to see.
[00:36:13] Speaker B: I'm good at writing. I could do it. Roscoe, I could help you. We gotta do this thing.
[00:36:19] Speaker D: I have a Mimeograph machine in my terrarium. Just kidding, dm.
[00:36:23] Speaker A: No, you do, actually.
[00:36:27] Speaker D: But unfortunately, it's only this. It's only the size of the miniatures.
[00:36:32] Speaker B: Of the little book that you gave the.
[00:36:36] Speaker A: Exactly. And you're out of toner or whatever the hell mimeograph machines use.
[00:36:41] Speaker D: Purple.
[00:36:41] Speaker A: Yeah. Beet juice.
[00:36:43] Speaker B: Well, if she says that, I look at her and I have no idea what a mimeograph is. Right. Like, we wouldn't know what that's.
[00:36:48] Speaker D: But you can hear this squeaky noise from the terrarium, and it's the. The scorpion, the warping scorpion. Just running it again and again, even though there's. There's no. You know, the paper's just flying out, but nothing's on it.
[00:36:59] Speaker B: But then I look back at Rosco, and I. I. I look at you like I just made the offer. Like, I raised my eyebrows. Like, I do it. I write a lot. I got paper.
[00:37:10] Speaker C: The fact is, I. I'm still putting the finishing touches on. On the whole thing, so. Not quite yet at the copying phase. You know, I'm still writing it, tweaking it. Okay. But I appreciate it.
[00:37:25] Speaker B: Are there, like, lines? What is. What, what, what? How much do we have to remember?
[00:37:30] Speaker A: Like, physical cues? Some people.
[00:37:34] Speaker B: Oh, God. Yeah.
[00:37:35] Speaker C: You'll see.
[00:37:38] Speaker B: Okay, well, then also, if we're. Do, like. So if we're doing the talent show, that means we still got to figure out a way to get on land from this ship without being seen. So is that using a smaller boat? I don't know how often ports are. I mean, Will would probably know something about ports. That's, like, trade and stuff. How. Like, is there a way to get off a cruise ship and, like, take a small boat and not go to a port? That's a stupid question, but, like, dm, Is that a thing?
[00:38:04] Speaker C: Sure.
[00:38:05] Speaker D: So we could also just get kicked off, like the Ferret wanted to do originally?
[00:38:08] Speaker B: Yeah, that's what I'm wondering. Like, do we even do the talent show, or do we just fucking leave? But I. You know, we're still two days away or something. What was the distance?
[00:38:17] Speaker A: Cruise ship.
[00:38:18] Speaker B: So we still have to do the talent show, unless we want to walk there. And I still feel like this plan is our best bet. But you know what? Maybe nothing I say matters, so, you know, whatever. Oh, well, no, I'm just tired. I was in here alone, and now I'm tired, and I feel like if we have two days until we get to Gully's End, just give me two days alone. Holy shit.
[00:38:42] Speaker A: All right, everybody. I Think you need to clear out.
[00:38:47] Speaker C: Thank you.
Roscoe clears out.
[00:38:52] Speaker D: Goodbye, everyone. I wish you had been a little bit more appreciative of my news, but.
[00:38:55] Speaker B: Goodbye, Rafina. Thank you for all the news, but also how I. Even though we haven't slept and don't need to, I feel like I need to sleep and I can't sleep. Isn't anyone else going crazy about that? Because. Oh, my God.
[00:39:13] Speaker D: A little weird.
[00:39:14] Speaker B: Exhausted.
[00:39:15] Speaker C: How long has Roscoe been unable to sleep?
[00:39:22] Speaker A: Well, we could think back.
You spent a night in Trent. You spent a night in the quiet Crossings Inn.
You.
[00:39:35] Speaker C: I'm not asking how long it's been. I'm just saying when did it start for Roscoe?
[00:39:44] Speaker D: Was it after the first night we were together?
[00:39:47] Speaker C: Was it before he met them? No, no, it started kind of basically around then.
[00:39:55] Speaker A: I don't remember exactly around the time.
[00:39:57] Speaker C: That he met this group.
[00:39:59] Speaker A: Yeah.
So I think, Roscoe, you think we should all meet, like early morning and get ready together, or are we not.
[00:40:09] Speaker B: Doing show now, Will?
No, we're gonna do the show. We got. I. I think we gotta do the show. I think we have to.
[00:40:16] Speaker A: Oh, yeah, you want two days to be alone? I forgot.
[00:40:19] Speaker B: I'm just saying I think we need to stay on them. I don't know. I'm not the boss of everyone.
[00:40:24] Speaker A: I said clear out.
[00:40:27] Speaker D: Good night, sleep well. Except you're not gonna.
[00:40:30] Speaker B: Thank you, Rafina, for being useful and amazing and making us stay on the ship and having almost time, except everything sucks.
[00:40:39] Speaker D: It was mostly batwack. Bye.
[00:40:43] Speaker B: It was mostly batwack. Did you see? Wait, what? Wait, what was mostly bathwack?
[00:40:49] Speaker D: Well, she's just grateful that he cast Zone of Truth when she owns one of Truth.
[00:40:54] Speaker B: Okay. Oh, so you're giving credit to Bathwack? And Will would be like, okay, thanks, Bathwack. And I look at the. The window and I gesture at it. Thanks. Thank you.
[00:41:07] Speaker D: Isn't that tantalizing? Bat thwack.
[00:41:09] Speaker B: I mean, kick.
We both said at the same time.
Weird.
[00:41:18] Speaker A: All right, so everybody splits up and tries to rest the best they can as night falls on the Cross cruise ship.
There's still food in the kitchen if anybody goes and wants to scrounge some up. No one to prepare it. She.
[00:41:37] Speaker B: Me. Prepare it.
[00:41:41] Speaker A: All right.
[00:41:41] Speaker B: No, he has to go to sleep, I'm sure.
[00:41:43] Speaker A: No, no, it's fine. Will not.
[00:41:44] Speaker B: Stop it.
[00:41:45] Speaker A: Listen, it's not that late yet.
[00:41:47] Speaker B: Stop it. I'm not playing this. He wouldn't have said that.
[00:41:50] Speaker A: Dinner time.
[00:41:51] Speaker B: I thought Mo is resting. Like, it's Just she. Is it not. Is it not that late then? Okay.
[00:41:55] Speaker A: Oh, it's.
[00:41:56] Speaker B: It's not like 2am I'm trying to say I don't want to boss Shimmy around. Will's not in the mood. He just. Sorry. Maybe some other day I'll boss you around, but just not today.
[00:42:07] Speaker A: Yeah, Shimmy can try to whip something up. It's pretty basic rudimentary stuff, but, hey, it's food.
And. Yeah. Night falls on the cruise ship.
If you go up above deck, it's a nice, clear night. The stars are out.
Maybe try to rest in your rooms or whatnot. And the night passes to a point.
All right.
[00:42:41] Speaker B: Alex doesn't have any spells anymore.
[00:42:44] Speaker D: I really hope he can actually rest.
[00:42:46] Speaker A: Good.
[00:42:47] Speaker B: Because literally, this. I'm sorry. This day has gone on for many weeks.
[00:42:52] Speaker D: It really has.
[00:42:53] Speaker A: Okay, Will, you're resting in your room or trying.
You're feeling anxiety in your room, which is Will's version of resting.
[00:43:09] Speaker B: Okay.
[00:43:11] Speaker A: And you hear in your head a familiar voice.
[00:43:21] Speaker B: Oh, no. Oh, Jesus Christ.
[00:43:26] Speaker A: It is the voice of Elden.
[00:43:30] Speaker B: Oh, okay.
[00:43:32] Speaker A: Your former lover.
[00:43:35] Speaker B: Okay.
[00:43:38] Speaker A: And the voice says, will Zoberdia is waiting for you.
[00:43:48] Speaker B: Whoa.
[00:43:50] Speaker A: Come up on deck.
[00:43:54] Speaker B: In my head or in my ears?
[00:43:56] Speaker A: In your head.
[00:43:57] Speaker B: Jesus Christ. I look around. Is there a swirly ball anywhere?
[00:44:01] Speaker A: No.
[00:44:15] Speaker B: I go into the bed and pull the covers over my head like Ebenezer Scrooge.
That's. I literally like, Will, I don't know what he's doing, if he's resting. Maybe he was just sitting, still sitting. Like, just sitting all night. But, like, I feel he. Like, he just puts the covers over his head. Let's.
[00:44:43] Speaker A: Will, I'm waiting for you.
[00:44:48] Speaker B: Okay. I throw the covers off in irritation because I assume that something is bad is happening. And I.
Where is everybody sleeping? Like, where is.
Like, where are the rooms? Oh, wait, shit.
[00:45:05] Speaker A: Yours is kind of separate from the room.
[00:45:07] Speaker B: Separated now. Okay. So, like, oh, ew, wait. I'm sleeping next to the animals. And there's a sexy window in between. I realize that I'm in the worst room of my life. And I leave the room.
[00:45:20] Speaker A: You see the ankle of some sort of creature.
[00:45:23] Speaker B: Okay. I leave. I get out of the door and I go. Walk towards the rooms. The other rooms.
All right.
[00:45:31] Speaker A: The ship is quiet.
[00:45:32] Speaker B: Yeah.
I'm moving my figure over to where the rooms are.
[00:45:38] Speaker A: I know what you mean. You can. It's all good.
[00:45:41] Speaker B: Okay. I don't know where the stairs are. I'm sorry?
[00:45:43] Speaker A: Well, there were stairs. You pass the stairs, but there's Also some up here too.
[00:45:48] Speaker B: Okay. Do I pass them without anything happening above deck?
[00:45:52] Speaker A: Nothing happens. Actually, I guess you wouldn't. Past the one set of stairs. They were kind of a little bit further forward.
[00:46:01] Speaker B: Okay, well, I.
I go over here to these rooms.
[00:46:06] Speaker A: Okay, you're at the rooms.
[00:46:09] Speaker B: Uh huh. Do I hear anything? Do I see anybody?
[00:46:15] Speaker A: Not that I'm aware of. Unless someone wants to correct me.
[00:46:18] Speaker B: What time of night is it? Like how?
[00:46:21] Speaker A: I mean, maybe like three in the morning.
[00:46:26] Speaker B: Like I don't see anybody. I don't hear anything out here.
I feel dumb, like if I don't hear anything else, I feel like I'm just hallucinating. Because you know what else is new and I'm probably having an aneurysm. So I.
[00:46:43] Speaker A: So you hear what's taking so long?
[00:46:46] Speaker B: Oh God, this is creepy.
Oh my God. I.
[00:46:52] Speaker A: Please.
[00:46:53] Speaker B: Oh my God, that's creepy. Wait a second. I'm scared. Okay, who do I. Oh God, this is. I feel like Will is also like experiencing this indecision of who do I approach? I don't know. Hey, do you hear this weird voice?
I don't know who to talk to.
I turn around, I go the other way. I walk down this hallway. I just made a circle. See what I'm doing? Going down this hallway.
[00:47:21] Speaker A: Okay.
[00:47:22] Speaker B: Yep. And then this would be the stairs down. Oh, there.
[00:47:26] Speaker A: Stairs up or over here where I. I can't see further towards the.
[00:47:33] Speaker B: The front, back of the back. Oh, the. What's the back? Okay, right, the back. I see those ones. Okay, so I am closer.
[00:47:41] Speaker A: Yeah.
[00:47:43] Speaker B: I guess.
Is Sean Indigo still in this room? I roll his prison out of the room, make him go upstairs.
We don't even know where Sean Indigo is. The ferret ate him or something.
Oh my God. I don't know what to do. Who wants to be woken up? Or you're not. You're not asleep?
[00:48:06] Speaker A: Will, where are you?
[00:48:11] Speaker B: I go up the stairs.
[00:48:14] Speaker A: Okay.
The rest of you are just in your rooms, just having some time to yourselves, I'm assuming.
[00:48:21] Speaker C: Yep.
[00:48:25] Speaker E: I'm down in the fishing area.
[00:48:26] Speaker A: Okay.
[00:48:27] Speaker D: Are you really?
[00:48:28] Speaker B: Awesome.
[00:48:31] Speaker A: You all.
You don't know this, but basically simultaneously feel on your person somewhere, like in a pocket or something like that. You feel like something small, like kind of just rustle for a second.
[00:48:51] Speaker B: Ew. What the fuck?
[00:48:52] Speaker D: Not like a living crawling or something, like appearing.
[00:48:55] Speaker A: Yeah, more that.
And if you check what the fuck? You find a sheet of paper and it says in sort of a nicely printed script, your friend Will needs you.
[00:49:17] Speaker B: What the fuck? What?
[00:49:19] Speaker A: Come to the upper deck. And observe, but do not intervene.
[00:49:25] Speaker D: Oh, man.
[00:49:26] Speaker B: What in the fuck?
[00:49:28] Speaker A: Love, Eldon.
[00:49:30] Speaker B: What the fuck is going on?
[00:49:33] Speaker A: Batwack. You recognize the handwriting as the handwriting on that letter that fell out of Will's pocket, like, six hours ago or whatever?
[00:49:43] Speaker B: What in the fuck?
[00:49:45] Speaker C: W.
[00:49:51] Speaker E: So I. So I go up.
[00:49:55] Speaker A: I don't know.
[00:49:57] Speaker D: Rafina comes out and knocks on.
Let's see, Mo was crabby when she woke him up. She's gonna wake up. She's gonna knock on Roscoe's door because he doesn't sleep.
[00:50:12] Speaker C: Roscoe's already opening the door.
[00:50:15] Speaker D: Oh, you're. You're. Where are you going?
[00:50:18] Speaker C: I just got this piece of paper.
[00:50:21] Speaker D: Hey, weird. Me too.
A piece of paper.
[00:50:25] Speaker C: I thought it was, like, an inspiration from abuse, but it's not from a muse.
I'm going up there.
[00:50:35] Speaker D: So it's not part of this talent show, right?
[00:50:38] Speaker C: No.
[00:50:40] Speaker D: Okay. All right, let's go. Should we ask the others?
I'd rather we go together.
[00:50:49] Speaker C: You got one, too.
[00:50:51] Speaker D: I'm just telling you. I got one, too, and I pull it out and I show it to you.
[00:50:57] Speaker A: They are identical.
[00:51:01] Speaker D: Somebody has a mimeograph machine.
[00:51:06] Speaker C: Something tells me. I think we might see the others when I. When we go up.
[00:51:13] Speaker D: You might be right.
Okay, here we go.
[00:51:23] Speaker E: All right. I'm going to go up to the other sleeping quarters on my way up.
[00:51:30] Speaker A: Okay.
You might catch Roscoe and Rafina at the tail end of their conversation.
[00:51:42] Speaker E: Oh, what are you guys talking about?
[00:51:50] Speaker A: Mid summer.
[00:51:50] Speaker C: We're going above death.
[00:51:53] Speaker E: Did you. Did you suddenly feel something in your pocket?
[00:51:58] Speaker C: Yeah, we. We.
Is that a. Is that a secret message from an unseen force in your pocket, or you just to see me?
[00:52:09] Speaker B: Oh, my God.
[00:52:14] Speaker C: Yeah, We. We can't. Dilly Deli will needs our help.
[00:52:17] Speaker E: Maybe.
Maybe we should go up different stairs.
[00:52:23] Speaker D: Different. Why?
[00:52:25] Speaker E: I don't know. I know it said not to intervene, but you never know.
[00:52:31] Speaker D: Okay.
[00:52:32] Speaker C: Rascoe's hand for the only stairs that he knows. It's just gonna come up.
[00:52:39] Speaker E: Roscoe's so annoyed.
It's like, whatever. I'm taking the stairs.
[00:52:44] Speaker D: There's, like, those paint. There's that ladder that's along the side of the ship. It's not actually stairs. Is that where you're going up?
[00:52:52] Speaker B: He's crawling.
[00:52:54] Speaker E: What have we got? We've got four. Four stairwells. And then I don't know if there were actually ladders.
[00:53:00] Speaker D: I made the ladders up, but boats always have ladders.
[00:53:03] Speaker E: Yeah, I mean, I was gonna climb up for the fishing area, but I said I didn't want to risk falling in.
[00:53:10] Speaker A: If you fall on the water from a cruise ship, you're gone. Especially at night.
[00:53:20] Speaker E: All right, where are you guys going?
[00:53:21] Speaker B: Up.
[00:53:22] Speaker E: It matters to me, even if you don't care.
Are you walking past me and going up the back?
[00:53:28] Speaker D: I want us to go together.
[00:53:30] Speaker E: Stairwells.
[00:53:31] Speaker D: I'm tired of us splitting up. Feels dangerous.
[00:53:34] Speaker A: Anyway, there's stairs right near where you guys are that go up. There's two sets, and then there's two sets down. Near the other end of the ship.
[00:53:42] Speaker E: Yeah.
Wait, is Will in his room?
[00:53:47] Speaker B: No, I'm above deck.
[00:53:48] Speaker A: Well, I think that was in character.
[00:53:50] Speaker B: Oh, sorry.
[00:53:51] Speaker E: Well, yeah. Yeah. I mean, it kind of was.
[00:53:53] Speaker D: We haven't checked, actually.
[00:53:54] Speaker B: Should we do that first?
[00:53:56] Speaker D: Roscoe?
[00:53:57] Speaker E: Let's. Maybe. Maybe he's not there yet.
[00:54:02] Speaker C: Yeah, let's make sure. Yeah, let's make sure.
[00:54:05] Speaker D: Okay.
[00:54:06] Speaker A: All right, so you guys go check to see if Will is in his room.
If you knock, there's no answer. If you check the door, it's unlocked. You open it, and he's not in there.
[00:54:21] Speaker D: We should get Mo and Shimmy because they might actually be asleep and haven't gotten a note or noticed that they got a note.
[00:54:28] Speaker C: I think the same amount of tired you are of us splitting up. I am of us always having to do everything all together.
[00:54:35] Speaker D: Come on, Roscoe, it's fun.
[00:54:37] Speaker C: I'm going above deck.
Goodbye.
[00:54:42] Speaker E: I'll. Rafina. I'll get him up so you can. You can go up, but when you.
[00:54:48] Speaker D: Split off, you end up forgetting and you just go fishing.
[00:54:51] Speaker E: No, no, no. Okay, I'll get him.
[00:54:55] Speaker D: That's.
[00:54:55] Speaker E: I'm gonna go up the other stairs anyway, so. Okay, so they're going up the back. The aft stairs, and I'll go back up and knock on Mo's room and.
[00:55:07] Speaker A: Okay, yeah, you're able to wake them up and explain what's going on. And. Yeah, they follow you without question.
[00:55:15] Speaker D: Unlike when.
[00:55:16] Speaker E: Rafino. I'm gonna go up over here on the.
Like, closer to the front of the ship.
[00:55:23] Speaker A: Okay.
[00:55:23] Speaker E: Looking for Will.
[00:55:25] Speaker A: All right. So, Will.
[00:55:34] Speaker B: My heart was already palpitating before, and I'm. I've been sitting here nervous as fuck.
[00:55:39] Speaker A: It's the coffee.
[00:55:41] Speaker D: What?
[00:55:41] Speaker A: It's the coffee.
[00:55:42] Speaker B: Yeah, it's the coffee.
[00:55:44] Speaker A: 1Pm today, p.m.
so you get up on deck Wyll, and you immediately notice at the very back of the ship, it's bright out, the moon is full, the stars are out, so you can easily see and make your way around at the rear of the ship. Floating just a few feet past the railing.
[00:56:10] Speaker B: Oh, God.
[00:56:11] Speaker A: You see what? As far as you can tell, appears to be a figure just hovering in midair. It almost looks like they're floating as if they were underwater, but there's no water there. They're just up in the middle of nothing.
Their back is to you. And they appear to be wearing the traditional in quotes robes of the God Zolberdia.
[00:56:44] Speaker D: That is.
[00:56:47] Speaker B: Scary. Okay.
Okay. And there's nobody up here. Am I by myself? I come out and it's. But it's bright. It's not.
[00:56:55] Speaker A: It's. It's, you know, it's not daylight, but yeah, it's.
[00:56:57] Speaker B: It's okay. Like, I feel like if I were coming out of the stairs. Well, I don't know if I could have seen it where. From where I come out, I feel like I would back up, like, into the. Back into, like. Hopefully that thing didn't see me.
[00:57:08] Speaker A: Because, I mean, you want, like, poke your head up out of like, kind of the hatch and look around and then see it floating back there and then maybe duck back down.
[00:57:18] Speaker B: Yeah, that's what I mean. Yeah. However that the stairs work.
I don't know how stairs work.
[00:57:25] Speaker D: Sometimes they go up.
[00:57:27] Speaker B: Yeah. So many different types.
[00:57:31] Speaker A: And you hear this, you hear with your ears. Oh, geez, come on, don't be afraid.
[00:57:41] Speaker B: And he doesn't. But he doesn't turn.
[00:57:43] Speaker A: Not yet.
[00:57:44] Speaker B: Oh, my God.
[00:57:45] Speaker A: I've always, you know, I've always said, you're too afraid.
[00:57:53] Speaker B: Thanks. What the fuck is that? Something I recognize.
[00:57:59] Speaker A: Yeah.
[00:57:59] Speaker B: Is it? Okay.
Okay.
I look around and I step out of the stairs. Okay.
[00:58:08] Speaker D: Up.
[00:58:09] Speaker A: Okay.
Once you get fully on deck, the figure kind of slowly turns around and they appear just like they did in the woods to you a number of weeks ago. It does appear to be Eldin dressed in the robes of Zulberdia.
The hood is down and. Yeah, he's fully illuminated in the. In the moonlight.
[00:58:41] Speaker B: And he's floating.
[00:58:43] Speaker A: Yeah.
[00:58:45] Speaker B: Oh, my God, you guys.
[00:58:46] Speaker A: And he sees you and his face lights up.
[00:58:49] Speaker B: This is like.
This reminds me of what happened in Barovia. Like when, like when Jose. What was his character, Goran? Oh, yes. Saw the. Like his. His wife or something. But then, like, he got close and it. It was a zombie or something. Was it a zombie? I can't remember any smiles.
[00:59:12] Speaker A: You say, God, he says, hello, dear.
[00:59:17] Speaker B: I totally frozen.
I wave like this.
Hello.
[00:59:26] Speaker A: He like, kind of does the same kind of wave back with, like, smile.
[00:59:30] Speaker B: Oh, my God. Oh. Like, he's real.
[00:59:33] Speaker A: Yeah.
[00:59:34] Speaker B: And I close My hand.
[00:59:35] Speaker A: Bit far from home, aren't you?
[00:59:39] Speaker B: Bit too far into reality, aren't you? What are you doing? What in the.
[00:59:45] Speaker A: It's me, Zoberdia.
[00:59:47] Speaker B: It's you, Zoberdia.
[00:59:49] Speaker A: You don't recognize me?
[00:59:51] Speaker B: No, I recognize you.
[00:59:52] Speaker A: I mean, you made me the. But it's also me.
[00:59:59] Speaker B: What does that mean? Elden, what the fuck are you. What the fuck?
[01:00:03] Speaker A: Calm down. Come here.
[01:00:05] Speaker B: Calm down? Yeah, this is a great calm situation. You floating above a ship in the middle of the night.
[01:00:12] Speaker A: I. I know, I know. Just. Just come here so we don't have to shout at each other. You're gonna wake everybody up.
[01:00:20] Speaker B: Well, good, because I think I'm hallucinating.
[01:00:24] Speaker A: Why?
[01:00:25] Speaker B: Because.
[01:00:26] Speaker A: Because I'm floating above the ship and you haven't seen me in years. And. Yes, I know.
[01:00:34] Speaker B: Okay, so you being funny doesn't mean you're not something scary.
[01:00:41] Speaker A: So I understand. I know, but it's. It's okay. Just. I'm not asking anything. Just come talk to me.
[01:00:49] Speaker B: I'm talking to you right now. I take one step.
[01:00:53] Speaker A: I'm here. I'm here about you.
[01:00:56] Speaker B: You're here about me? Of course. Of course. This very real God is here all about me. I'm looking around, just making like. Just because I feel like I'm hallucinating. This is. Yeah. No, I'm embarrassed to be talking to the sky is what Will is thinking. Either hallucination or. It's Juliet Rusher. Juliet Rusher can fly. Are you fucking Juliet Rusher?
[01:01:19] Speaker A: Does. Does this seem like a Juliet Rusher type of thing to do?
[01:01:23] Speaker B: I don't know. I don't. I barely know who she is.
[01:01:26] Speaker A: You know who I am.
[01:01:28] Speaker B: You're a ghost. You're. Or something. I don't. What the hell is happening.
[01:01:31] Speaker A: Don't forget about the Zoberdia stuff. That's just how I can.
[01:01:35] Speaker D: What?
[01:01:36] Speaker A: Be here with you right now.
[01:01:37] Speaker B: What the fuck are you talking about? So you're not Zoberdia. You are Zoerdia.
[01:01:43] Speaker A: I am?
You made Zulberdia.
And as a result, Zulberidia became real.
[01:01:58] Speaker B: Cool. I always knew I had powers like that.
[01:02:01] Speaker A: Well, you've come across a lot of powers you didn't realize you had.
[01:02:05] Speaker B: No. Okay. All right. What does this mean? Okay, he's, like, frozen. He's like. Only his eyes are moving and his mouth.
[01:02:12] Speaker A: Okay, please, please come here.
[01:02:14] Speaker B: He reaches out a hand. He comes a couple steps more.
He's not. He's not like, running over. He's like.
[01:02:21] Speaker A: I understand.
[01:02:22] Speaker B: So you. So talk why? What is happening here?
[01:02:26] Speaker A: Well. So I am Zulberia.
[01:02:30] Speaker B: Yeah.
[01:02:31] Speaker A: I'm the God of forgiveness. Right.
[01:02:34] Speaker B: Cool.
[01:02:35] Speaker A: So, I mean, I could easily forgive you.
[01:02:40] Speaker B: I think you already did in the woods. It was weird and it was kind of a dream. And now this is happening again.
[01:02:47] Speaker A: I did forgive you. I do forgive you.
[01:02:50] Speaker B: Okay. Well, no. Yes. Okay.
[01:02:53] Speaker A: By this point. Guys. By the way shakes his head. You've come up.
[01:02:56] Speaker D: We've arrived.
[01:02:57] Speaker A: Yeah. You're all behind Will.
[01:02:59] Speaker B: I can't take any notes.
There's no way.
[01:03:04] Speaker A: And you're able to witness all of this, but you.
You have to forgive yourself.
You have to.
[01:03:15] Speaker B: Okay. Thanks, Ghost Berdia. I am going to go get medicine. Yeah, I need to go get some. Yes.
[01:03:25] Speaker A: Okay.
[01:03:26] Speaker B: What?
[01:03:27] Speaker A: Stop that face.
[01:03:28] Speaker B: Yeah.
[01:03:29] Speaker A: You're becoming the night hag, I always called you.
[01:03:31] Speaker B: Okay, cool. Yeah. I probably look like that.
[01:03:34] Speaker A: Yeah, you do a little bit.
[01:03:35] Speaker B: Thanks.
[01:03:36] Speaker A: Listen.
[01:03:37] Speaker B: Huh?
[01:03:38] Speaker A: Just stop for a second.
[01:03:39] Speaker B: Mm. Stop. I have stopped not coming.
[01:03:43] Speaker D: You.
[01:03:43] Speaker B: You want me to go over there now? You want me to stop? Just go. What do you. What's the point? Get to the point. What is going on? Crying okay.
[01:03:52] Speaker A: Will Pompeian.
[01:03:53] Speaker B: Mm.
[01:03:56] Speaker A: You are good.
You've shown your good.
[01:04:05] Speaker B: What?
Okay.
[01:04:09] Speaker A: You've always had this belief in you, whether it's something you've spoken or something you've just felt and kept within, that you were somehow lesser in some cosmic or moral or some judgment way. But you are not bad. You were never bad.
Yes, you've made mistakes, but just look back on the past few weeks. Even you are good to your friends.
[01:04:51] Speaker B: Who would that be? What are you talking about? Stop looking into my life. How dare you? Who are you?
[01:04:58] Speaker A: You know who I am.
[01:04:59] Speaker B: I think he has stepped 10ft closer. He just. Without realizing it because he's like. This is.
[01:05:05] Speaker A: And you can see, like, his face even more clearly now. It's completely how you remember it.
Remember those eyes that you saw in Gnar's mind?
[01:05:14] Speaker B: Yeah.
[01:05:14] Speaker A: There they are.
[01:05:16] Speaker B: Okay.
[01:05:19] Speaker A: When faced with. You've had so many recent dilemmas and choices where you've considered and chosen them over options you would have chosen in the past.
Right?
[01:05:32] Speaker B: Well, we have to do shit together. Everything has been telling me it's more than that. As a group, we must do these.
[01:05:39] Speaker A: Things you're making it all about. Yeah, of course. Right? You're more than the circumstances you're in. You're more than your fear.
[01:05:54] Speaker B: Okay?
[01:05:55] Speaker A: You have this. These categories, these boxes that you place yourself in. You are. Will. You are not a murderer.
[01:06:10] Speaker B: Yes, I am.
[01:06:12] Speaker A: You.
[01:06:15] Speaker B: All right. You must be Juliette Brasher, because you have.
[01:06:20] Speaker A: Made choices, but that doesn't define who you are.
[01:06:24] Speaker B: I think it might.
[01:06:26] Speaker A: This. This. This built up confidence show that you have. It's not you.
[01:06:34] Speaker B: You know very well it is me.
[01:06:36] Speaker A: No, it's not. It's fake.
[01:06:46] Speaker B: Okay, what do you want? What do you want? What is.
[01:06:48] Speaker A: Well, I told you, I need you. You need you to forgive yourself.
[01:06:57] Speaker B: Sure.
[01:06:58] Speaker A: Okay, listen, be you like the you that you are.
[01:07:04] Speaker B: I am.
[01:07:05] Speaker A: No, you're not.
Think about Ambrose.
You remember you telling me about him teasing you about being soft?
[01:07:18] Speaker B: Is this the cruise ship of ex boyfriend situation?
This is like the worst.
[01:07:26] Speaker A: You remember that, right?
[01:07:27] Speaker B: Yeah.
[01:07:28] Speaker A: How close are you to him?
[01:07:29] Speaker B: He's close. He's probably just. Yeah. Like, I mean, it feels like this. It feels natural, this conversation is. This.
[01:07:37] Speaker A: You're like, not remembering what's around you.
[01:07:39] Speaker B: I know. Like, I feel like. But I feel really stupid for making that decision. My voice just broke because I'm so nervous. Should I roll an insight roll? Like, is this. It feels real.
[01:07:48] Speaker A: Sure.
Are the rest of you just observe. Like, are you just standing or.
[01:07:56] Speaker B: Like, I rolled a three.
[01:07:57] Speaker D: It's pretty riveting.
[01:08:02] Speaker E: Kick is gradually scooting closer and closer to Will.
Like, I don't know what this thing is.
[01:08:10] Speaker A: Sure.
[01:08:11] Speaker E: Is Will. Like, all the way at the.
[01:08:13] Speaker B: Oh, yeah. I haven't moved my guy. Sorry. I will move.
[01:08:16] Speaker E: Yeah, I was just trying to picture it.
[01:08:17] Speaker A: Yes. It's like at the back.
[01:08:18] Speaker B: So where is this? Back here is where he is.
[01:08:20] Speaker A: Oh, I'll put something there.
[01:08:22] Speaker B: Yeah.
[01:08:22] Speaker A: I don't know where this alligator, which is Sean Indigo's iconic. It's like, right. You know, here.
[01:08:27] Speaker B: What is this? Is this a swimming pool? I don't know what this is.
[01:08:31] Speaker A: I don't know.
[01:08:31] Speaker B: So is there anything there or is this just an empty space? Yeah, there's just an empty space.
All right.
So. Yeah, like, I'd be close.
[01:08:42] Speaker A: Are you like, within.
[01:08:43] Speaker B: Where's the alligator, though? I don't.
[01:08:44] Speaker A: I moved it back. No, no, no. Sorry. It. It's like here.
You remember him doing that though, right? You're. You've at least told me that. Oh, Ambrose teasing you about being soft.
[01:09:00] Speaker B: Sorry, go ahead. What were you saying in character?
[01:09:02] Speaker A: You remember that, right? Like, that's. That's the thing.
[01:09:05] Speaker B: Yeah.
[01:09:06] Speaker A: That's what that part of you is what makes you better than him.
[01:09:11] Speaker B: Oh, God.
[01:09:12] Speaker A: That's why I love you.
[01:09:15] Speaker B: Oh, my God, Will. Like, tears go in Will's eyes. Stop it. That's.
[01:09:23] Speaker A: No, it's okay. And he, like, reaches out to, like, touch your cheek.
[01:09:31] Speaker B: Okay.
[01:09:32] Speaker A: And just like. Just a caress, just on your cheek. Maybe wipes a tear away.
[01:09:36] Speaker B: Oh, my God.
[01:09:40] Speaker A: And then he reaches down and just takes your hand and he says, you will survive.
You will get through.
[01:09:50] Speaker B: I go up on a rung.
[01:09:52] Speaker A: Okay. It says you reject help, but I will help.
Your friends will help.
[01:10:02] Speaker B: I don't know who you're talking about.
Who are you?
[01:10:05] Speaker A: You know you can't say no to me.
[01:10:07] Speaker B: Yeah, I know. Stop it.
[01:10:09] Speaker A: Stop what?
[01:10:13] Speaker B: What are you saying? What is this? Where are you?
[01:10:16] Speaker A: Come here.
[01:10:17] Speaker B: Where are you?
[01:10:18] Speaker A: And he grabs the front of your shirt and leans in and kisses you.
[01:10:25] Speaker B: Okay. I kiss him back.
[01:10:27] Speaker A: Okay. And it doesn't feel like a weird demon mouth or anything like that. It feels like kissing Eldon.
[01:10:33] Speaker B: Oh, okay. Okay.
[01:10:35] Speaker D: Grafina's vibrating.
[01:10:38] Speaker B: What the fuck?
[01:10:40] Speaker A: No, that's the box that you got from Gwen that she got in that store.
[01:10:47] Speaker B: Holy shit. Oh, my God.
[01:10:49] Speaker C: And this is when Bathwack intervenes and tackles Eldon.
[01:10:57] Speaker B: He's a threat.
Holy shit.
[01:11:00] Speaker A: Okay.
[01:11:01] Speaker B: Yeah.
[01:11:02] Speaker A: And he says, we'll see each other soon.
[01:11:05] Speaker B: What the fuck?
Wait, he stops kissing me. I thought it was never gonna end.
[01:11:11] Speaker A: Yeah.
And give me a dexterity saving throw.
[01:11:17] Speaker D: Oh.
[01:11:18] Speaker B: Oh, you guys, it's Juliet Rusher. She just kissed me.
[01:11:25] Speaker A: Power word kill.
[01:11:29] Speaker C: Power word kiss.
[01:11:31] Speaker B: Dexterity dexterity saving throw, you said.
[01:11:34] Speaker A: Yeah.
[01:11:35] Speaker B: Did I click it a 16.
[01:11:39] Speaker A: Okay.
So suddenly he's gone.
[01:11:44] Speaker B: Oh.
[01:11:47] Speaker A: And you're leaning into that.
[01:11:49] Speaker B: Oh.
[01:11:50] Speaker A: And you start to tip over the side of the railing.
[01:11:57] Speaker B: Okay, well, then I grab myself. Do I not? Do I?
[01:12:01] Speaker A: So you kind of go halfway over, and then you. You grab the. Sort of the railing so you're like half hanging off of the rail.
[01:12:10] Speaker B: Am I upside down? Do I see Bathwhack right behind me?
[01:12:12] Speaker A: Yeah.
[01:12:12] Speaker B: I fall into the water. I just let myself fall in the water. That's so embarrassing. I fall into the water.
[01:12:17] Speaker A: You see Bathwhack, and you are shocked to see him so close.
[01:12:21] Speaker B: Yeah.
[01:12:21] Speaker A: Probably as he's reaching to save you from falling off of the boat is my guess.
[01:12:25] Speaker B: Oh, my God.
[01:12:26] Speaker D: Yeah.
[01:12:27] Speaker A: And you see his shocked face. Batwack, as he tumbles into the water.
[01:12:35] Speaker B: That's a good time.
[01:12:37] Speaker A: Yeah.
And. Yeah. Will you hit the water? Skplush.
[01:12:42] Speaker B: Oh, my God.
[01:12:43] Speaker D: And we never see you again.
[01:12:44] Speaker B: Yeah, I know. I know. I'm gone.
[01:12:46] Speaker A: But with what was happening, it's like you don't even feel the impact, even though you'll probably be bruised the next day.
It's like falling into nothing. And you're just, like, weightless in the water this cold night. Ocean water.
It's almost like you feel like the cold fill every part of you. And it doesn't feel bad. It feels invigorating.
And you reach up to just touch your lips where you had been kissing Elden.
And there's something.
You feel like there's something there.
[01:13:31] Speaker B: Ew.
[01:13:32] Speaker A: No, not physically. Sorry.
[01:13:33] Speaker B: Squid.
[01:13:33] Speaker A: A pimple.
[01:13:35] Speaker B: I have a squid mouth now.
[01:13:37] Speaker A: Abby said a pimple.
[01:13:39] Speaker B: A pimple. No.
He knows it's there.
[01:13:45] Speaker A: And you realize that you.
I'm trying to think of a poetic way to say it, but it's 11:49, so I don't know if I can.
[01:14:00] Speaker D: It's actually an hour later.
[01:14:01] Speaker B: Oh, my God.
[01:14:02] Speaker D: What?
[01:14:03] Speaker A: Oh, it's the.
You have the ability to lay on hands now.
You have a hit point pool equal to your sorcerer level times 5.
[01:14:16] Speaker B: I don't even know what this means. Equal to my sorcerer level times 5. You will help me with this, I'm sure.
[01:14:23] Speaker A: I don't know what that means, but the only way it can be delivered is via a kiss.
[01:14:29] Speaker D: Whoa. Does he have to be the recipient, or can he give it.
[01:14:34] Speaker A: Either way?
[01:14:35] Speaker D: Like, he has to be kissing.
[01:14:36] Speaker A: What is a kiss?
[01:14:38] Speaker D: Oh, for heaven's sake.
[01:14:40] Speaker A: I was picturing that. He has to deliver a kiss.
[01:14:43] Speaker B: Oh.
[01:14:43] Speaker D: Oh. Okay.
[01:14:44] Speaker B: My God. Nobody better.
[01:14:46] Speaker A: You float to the surface.
[01:14:48] Speaker B: Oh, my God.
[01:14:49] Speaker A: As the ship steams away in the night.
[01:14:53] Speaker B: Okay. I just float there.
[01:14:55] Speaker A: We're gonna find out what happens next time.
[01:14:58] Speaker B: I don't even go anywhere.
[01:14:59] Speaker C: Holy lay on lips.
[01:15:05] Speaker B: I'm never gonna use that spell.
[01:15:07] Speaker A: I know.
[01:15:09] Speaker D: Just when everything was so bleak.
[01:15:12] Speaker B: Wow. If only I could have kissed the owl bear.
[01:15:19] Speaker D: You still can.
[01:15:20] Speaker B: What the. I don't know what lay on is that, like, somebody's probably still gonna be alive. I don't know what lay on hands means.
[01:15:26] Speaker A: It's healing.
[01:15:26] Speaker C: It's just healing. Yeah.
[01:15:27] Speaker B: I've never had that spell. And maybe when I was. My first ever D D character was a cleric. I might have had lay on hands then.
Is that a layout? Is that a cleric spell?
[01:15:39] Speaker A: I know. It's a paladin spell.
[01:15:41] Speaker B: Wait, no, I was about.
[01:15:41] Speaker D: No, no. I wasn't a paladin.
[01:15:43] Speaker B: I was a cleric.
Yeah.
Okay. I'm looking it up. Wow. Okay. Wow.
[01:15:49] Speaker D: That's exciting.
[01:15:51] Speaker C: Nice.
[01:15:53] Speaker B: Oh, my God.
[01:15:54] Speaker D: Fun. Fun.
[01:15:55] Speaker B: Was that the first ever kiss we've had in our game?
And it was by Will.
Is there been any other kisses in our game?
And Will did it.
[01:16:06] Speaker D: That's of that nature.
[01:16:08] Speaker B: Oh, that's impossible. Okay? And everyone saw that.
[01:16:13] Speaker D: Man, the ferret's gonna be really jealous.
[01:16:16] Speaker B: Oh, my God, the ferrets. See, I'll be like, I'm an expert in kissing. You saw it up there? Presumably. Since everyone saw it, there's a slow clap.
[01:16:25] Speaker A: The ferret. What a talent shot.
[01:16:29] Speaker B: That should have been the end. He enters the scene and says, what a talent. It was a great performance. Yep. It's all fake. That was the script I wrote. Rosco.
[01:16:41] Speaker C: Rosco just yells out over overboard.
Now who's Randy?
[01:16:48] Speaker D: Yeah, right.
[01:16:51] Speaker C: Cool, cool, cool, cool, cool, cool, cool. Fun playing with y'all. Yeah, Eric will be in touch. Whatever.
[01:16:59] Speaker B: So you guys are writing a script to Italian?
[01:17:01] Speaker A: It's just going to be the first chapter of 1122 63.
[01:17:11] Speaker D: Perfect.
[01:17:11] Speaker C: This is going to be a stage adaptation of a Stephen King work.
[01:17:19] Speaker D: Good plan.
[01:17:20] Speaker C: All right. Good night, friends.
[01:17:22] Speaker B: Thanks, guys.
Oh, my God, I'm so sweaty again.
[01:17:36] Speaker A: Hey, everyone, if you like what you hear, please leave us a kind review wherever you listen to us. Also, consider supporting us by subscribing to us on ko [email protected] supportpfd where you can gain access to lots of exclusive treats and behind the scenes goodies. Thanks for listening and we'll see you next time.
