[00:00:00] Speaker A: You're listening to the show about hole in the wall vouchers. It's Pork Fried Dice.
I'm Eric and I'm the Dungeon Master.
[00:00:10] Speaker B: I'm Abby and I play Rafina.
[00:00:13] Speaker C: I'm Alex and I play Batwack.
[00:00:16] Speaker D: I'm KT and I play Will.
[00:00:20] Speaker E: I'm Adam and I play Roscoe.
[00:00:25] Speaker A: Hold on to your haversacks. Let's roll.
[00:00:33] Speaker D: All right.
[00:00:34] Speaker A: Should we play dnd?
[00:00:36] Speaker D: I guess. So that's been.
[00:00:37] Speaker B: Yeah. What's going on in it?
[00:00:39] Speaker A: I don't know. Hopefully we have a recap.
[00:00:44] Speaker D: I did do a recap. It was many whiles ago, like six weeks ago. So you know how we. We were just, like, de. Escalating things.
Watch out, guys.
So it's not about the song. It's not like the song.
So I can't. I. You know what? You'll just find out over the next few minutes. It's not just about the song, but I'm sorry, because I have, like, probably escalated. But it's also only because we've haven't played for, like five or six. Five to six weeks. So I had a lot of time.
I'll just put it that way.
Oh, my God.
[00:01:24] Speaker A: Previously on Pork Fried Dice.
[00:01:30] Speaker D: Test, test.
Here we're gonna do this one take.
I'm flailing today from cadaverous confines Undulating free.
Cause I for an eyes great to me gotta kill my crew for their mutual.
I am a ferret captain.
My crew I've go, I'll kick you all out tomorrow on a tiny boat. And I can't die.
So guys, do try to not be adversarial.
Batwack looks after Reed Reed Thorin, thinking that Ferridor Will.
Will make him bleed.
And although he may be correct, Will thinks his lack of trust shows much disrespect.
Ugh. Will their fight go on forever?
Let's hear us give Will some Brene Brown thoughts on control.
But Will says, why couldn't we stick to the plan?
His irritation isn't arbitrary.
No, there's more lyrics coming. Everyone watch out. You're coming. Just lots of breaks.
Rafina doesn't want the ferret to shed blood on her behalf.
She wants to go get a cup of coffee. When she sees the bloody aftermath, she says, do I remind you of a ferret? Is that why you like me? The ferret says, no, you don't. Except for your playful personality.
Now, this is like a really, really long musical break.
Let me scroll through my doc and see if there's anything else like Roscoe I know he played the say the same thing. And he also did say the same thing with Rafina. I think too, at the beginning about the swirly man, there was discussion about the swirly man. But you know what, guys? I don't think it really matters. You don't really need to focus on the swirly man.
Who even knows if that really is the swirly man? I mean, we heard a whip crack and everything, but who knows? Like, it doesn't really matter. I'm sure it's not important. And I'm sure it's just something to distract us. I better start looking for more things to say to distract from the fact that the swirly man is back in the game.
The ferret is a God. Flirtatious ferret. And he was living as a human because it was too easy to be a flirty ferret.
Oh, shit, there's still some music.
Oh, there was a really interesting thing where somebody asked, I think it might have been death Whack. What are a God's memories like? And the ferret said, super complete. Which is concerning, but also cool.
Also, the ferret wanted to fuck Will. I think Will didn't like that.
It was supposed to be a de escalation. God damn it. Suddenly, the flirtatious ferret reveals to our surprise that he knows Kick is actually Bathwack in disguise. The ferret says, oh, Bat thwack. Don't you realize fishing doesn't befit a king? And Batleck says, that's really weird. Kings can't fish. I don't think that's a thing. And meanwhile, Will taunted the warping scorpion and almost got a tongue sting. And Roscoe cries, carnival ethicist. He's tired of being a gods play thing. And Batwack wants to find the albatross re guarding the owl bear with wings. And Roscoe said he is pretty fucking lonely. He's really pulling at our heartstrings. Rafina says we'll do a talent show with all kinds of singing and dancing. And Will says he can fix the hole that Fleck made in the wall. I'm not sure what he's thinking. And now there's a fade out in the original song, but because this is the karaoke version, there's just this part where it flips off. So bye, everyone. That was the recap. I hope everyone's having a good day. See you later.
[00:07:30] Speaker E: Oh my God.
[00:07:32] Speaker D: Okay. But that's not it.
That's not it.
[00:07:35] Speaker E: So now, because I have delivery at the door, but I'm listening.
[00:07:38] Speaker D: Oh, you can't listen. It's visual.
[00:07:40] Speaker A: So hurry.
[00:07:41] Speaker E: So hurry up. Oh, is there. Okay, I'll be right back.
[00:07:43] Speaker B: Is there more?
[00:07:44] Speaker A: Yeah, there's more.
[00:07:45] Speaker B: Oh, I'm excited.
[00:07:47] Speaker D: Yeah.
How do you share?
[00:07:50] Speaker A: I'm ready.
[00:07:52] Speaker D: Okay.
[00:07:53] Speaker B: Is this an interactive part of the recap?
[00:07:55] Speaker D: It's not. I mean, it's looky. You gotta look. You gotta use eyes. That's your interaction.
[00:08:01] Speaker E: Back and back and back and back.
[00:08:03] Speaker D: Okay, so was that the first one?
[00:08:04] Speaker A: That's the one.
[00:08:05] Speaker D: So the episode started, I think, or like, well, at the very beginning of our recap. Or I have a recap of our session. We had Roscoe and Rafina playing a game. And here is that game.
[00:08:19] Speaker A: I'm gonna share my screen.
[00:08:21] Speaker D: Oh, way to share your screen. Like an idiot. Didn't work at all.
That's them trying to figure out that they're saying the same thing.
[00:08:31] Speaker E: Oh, my God, kt, you made a gift.
[00:08:37] Speaker D: You made an animation.
[00:08:39] Speaker B: Yeah, I want it forever.
[00:08:40] Speaker D: I want to keep this, so. And that was because they were trying to, like, figure out what happened with the weird vision thing with this or the hearing. The thing you guys heard over the swirly, man. So go nuts. That's incredible.
And then we have this where Will and Rosco.
[00:09:02] Speaker A: This is a.
[00:09:05] Speaker E: Study. Renee Brown, dude.
Oh, my God.
[00:09:10] Speaker A: This is amazing.
[00:09:14] Speaker D: So these started off, like a lot of them. Like, some of the ones at the beginning I was doing as quickly as possible. But then they get a little more detail. Like, not they. No, no. They don't get, like, crazy tail. Don't expect anything crazy, but, like, the drawings get a little better. A little. Slightly.
[00:09:28] Speaker B: Are you kidding?
[00:09:30] Speaker D: Yeah. So there's that one all about these.
[00:09:33] Speaker E: Oh, my God.
[00:09:34] Speaker D: So this is the Ferret splurting out of the dead Captain Lor.
[00:09:40] Speaker E: That's amazing.
[00:09:43] Speaker D: But also, there's Bathwack's reaction to that.
That's Bathwack's reaction as he stood in the hallway watching the ferret coming out and licking the guts off of himself. And then the next one is down in the basement. The basement of the ship. Yeah, the Ferret. Just. Just let me kill him. Lol. No. Just let me kill him.
[00:10:12] Speaker E: Lol.
[00:10:12] Speaker D: No. That's the Ferret, obviously, because Bathwack is trying to protect Reed Thorin, this guy that I guess helped us end the mutiny, I think, is what Reed Thorin's deal was.
So he knows that Bathwack is. Or Kick is Bathwack. And so, yeah, and Bathwack was trying to protect him. And the Ferret didn't like that, but the ferret agreed to it. So Reed Thorne is alive for now.
And then when Roscoe saw the ferret, this was his reaction.
Holy shit. He was so disturbed by the way the ferret looked.
[00:10:51] Speaker E: God.
[00:10:52] Speaker D: And then. What's the next one? Oh, then this happened.
[00:10:55] Speaker E: Just let me kill him.
[00:10:58] Speaker D: Will wanted to kill Reed Thoren, and Bathwack wouldn't let him. And I guess I'll put all these. Well, I mean, these gifts might be something that Maybe we'll. Maybe I'll put these on, like a.
[00:11:07] Speaker B: Patreon or something as extra content.
[00:11:10] Speaker A: This is content. And it's all on KO Fi. Subscribe now at our Sluglord level to see all the animations KT made for the previous episode.
[00:11:20] Speaker D: That's kind of what I was wondering about. I'll pay for it. And then this was Rafina asking the ferret, like, has it done any good for your soul? Yeah, it feels good, actually. It's just like.
I just like, the ferret doesn't give a. Like, Rafina was trying to be like, man, like, think about your actions. And the ferret's like, I don't give a. About anything or anyone.
[00:11:46] Speaker B: I feel so bad for Rafina right now.
[00:11:48] Speaker D: Yeah. Rafina's like. And then the ferret kept wanting to, like, you know, kept implying that he wanted to have sex with different members of the group. Rafina was one of them. She didn't like that. But he definitely. Oh, he. He. He drank some whiskey as a ferret drink. That was one of the second ones I made because I was like, I could. That would be funny to draw a ferret drinking whiskey.
And then the next one is drinking poison. And then this is the ferret flirting with Will.
[00:12:14] Speaker E: Oh, my God Almighty.
[00:12:17] Speaker D: And then this is Will's reaction to that. A close up of his reaction to that.
Amazing.
[00:12:27] Speaker E: That's.
[00:12:29] Speaker D: Oh, my gosh. And then the next one is. This is Rafina's reaction to Will getting flirted with, but also Rafina's reaction to being flirted with as well. So it's just. That was her. Yeah. Rafina doesn't feel good right now. In general. That is her reaction to this whole scenario. Just like, ew, yuck.
And then this was when Roscoe asked the ferret, yeah, Roscoe asked the ferret, are gods as lonely as we are? And the ferret said, how lonely are you? And Roscoe said, pretty lonely. And it was so sad. And then the ferret, like, pointed that out to all of us, like, hey, Roscoe's in your party, and he's pretty lonely. That's interesting.
So that was really sad. And then this is the last one. Oh, it's been cycling through you. You spoiled it. How is this guy any different from the dark powers Carnival?
[00:13:26] Speaker E: Ephesus is very kind to us until we the chip up. Go fix my wall and prepare your show.
Oh, my God. We're doing a talent show.
[00:13:36] Speaker D: Yeah.
[00:13:36] Speaker E: Apparently we all leave, and Will stays there. And captivating coyote, kt.
[00:13:44] Speaker A: Incredible.
[00:13:45] Speaker B: Kt. Like, this is KT of, like, Simon's cat. Maybe that's insulting, but, like, oh, no. It's so freaking successful. And this is, like, so more detailed and.
[00:13:58] Speaker D: Oh, no.
That's like real animation. This is just gifs.
That's all it is.
[00:14:04] Speaker B: It's just moving pictures.
[00:14:06] Speaker D: Oh, my God.
[00:14:08] Speaker E: This is what you do when you have six weeks to a recap.
[00:14:12] Speaker D: But also, basically, I made most of them in the first couple weeks, and then I didn't do anything for a while because I was like, I don't know what's happening. I don't know where everyone is. I felt like I had no friends. I mean, six weeks. Weeks. And then I made this last one in the past week. So that was my like. Because I was like, I think we're gonna play. And then I made this one because I wanted to remember that, like, the mood of the. So I even had Eric send it to me so I could hear the mood of it while I was drawing this. Like, it was just so sad. Like, yeah. The file of our last session, like, bathwack was like, super. Like, whatever, man. Like, you're not. I'm gonna go find the albatross. And Roscoe was like, what? This guy's. Roscoe said the thing about this guy's almost as bad as the captivating coyote, Even though it wasn't clear from the drawing. And Will, uncharacteristically, is showing deference to a stupid God guy or whatever, but I think it makes sense. So, yeah.
[00:15:05] Speaker E: Wild kt. Yeah. This is the opposite of de escalating.
[00:15:08] Speaker D: Yes, I know.
[00:15:10] Speaker E: This is like you.
[00:15:11] Speaker A: If only there are one.
[00:15:12] Speaker E: The opposite direction.
[00:15:14] Speaker D: The opposite of de escalating.
[00:15:16] Speaker E: But yes, that's very good point. But my point is that this is not just escalating. This is like.
[00:15:22] Speaker D: Yeah, I know.
[00:15:23] Speaker E: Like, you just made the biggest explosion of. This is like the Manhattan Project.
[00:15:32] Speaker D: Yes. Well, I did make a gif of an atomic. What if I just scrolled on and there was a gif of an atomic bomb?
[00:15:37] Speaker E: I am become death destroyer.
[00:15:42] Speaker B: Yeah.
[00:15:43] Speaker E: Worlds destroyed. Worlds. Yeah.
[00:15:45] Speaker A: This world's okay.
[00:15:46] Speaker D: Cool.
[00:15:47] Speaker A: Yeah.
[00:15:47] Speaker B: Yeah.
[00:15:49] Speaker D: Well, great.
[00:15:50] Speaker A: Well, I didn't destroyer of recaps.
[00:15:52] Speaker D: I don't either.
[00:15:53] Speaker B: They're done.
[00:15:54] Speaker D: I felt weird, like also like, while when I realized I was just drawing this other one and I had so many, I was like, everyone's gonna think that I'm like, no, you're not allowed to de escalate. And that's not my point. I just really. I do appreciate when anyone does anything for a recap. Like, so you don't have to do any escalation or anything. I just like, it's so fun. I appreciate so much when anybody does anything. It's always fun no matter what it is. And so. Yeah. And yeah, I also would love to make content that people, you know, that we can get supported by.
[00:16:25] Speaker E: Yeah. This would we. Everybody listening to Pork Fried Dice. This would be. Is well worth a subscription to the. Presumably now existing by the time you hear this.
[00:16:35] Speaker A: Oh, of course.
[00:16:36] Speaker E: Pork Fred Dice Patreon.
[00:16:37] Speaker A: It's been out since March 10th.
[00:16:40] Speaker D: Shut up.
[00:16:44] Speaker A: Today's March 9th. Everyone being very.
[00:16:47] Speaker D: Oh, my God, can I go change into a T shirt? I'm so sweaty. I thought I was gonna be. I'm usually freezing, but I am because of your presentation. I.
[00:16:55] Speaker B: Maybe.
[00:16:55] Speaker D: But also I think my heart is just palpitating. Then a thumping.
[00:17:02] Speaker A: Thumping. Looking for something. Something nice with you.
Oh, I don't remember how to do this.
[00:17:09] Speaker D: I don't remember how to do it. But I. But we can do it. I think.
[00:17:12] Speaker B: But maybe we can just figure out where we are in the.
[00:17:14] Speaker D: Yeah. Like where we just left the ferrets. I think that is what happened. That's what the last thing was. That Will bowed and left the room.
[00:17:21] Speaker A: Yep. Poof.
[00:17:22] Speaker B: Okay, great. So we actually had an illustration of that.
[00:17:25] Speaker D: Yeah, that little scene is what happened right before. And the ferret was so weird. He's just like so blase. Or like he just doesn't. He's like, whatever, whatever. Guys. Fine. Go put on your talent show. Go fix the hole. I leave and I'm gonna go fix the hole. That's where I'm going right away.
[00:17:42] Speaker E: What time of day is it?
[00:17:44] Speaker A: It's getting later in the day at this point.
[00:17:46] Speaker D: Okay.
[00:17:47] Speaker B: Okay.
And we haven't decided where we're going to do the talent show prep.
[00:17:54] Speaker A: No, you don't know anything about it. You don't know what your space requirements are or, you know.
[00:17:59] Speaker C: And we're leaving right now. I mean, we're all like going out in the hallway except for Will or.
[00:18:04] Speaker A: I think you all left eventually.
The.
[00:18:07] Speaker B: The Whatever this remember, will go zoom. After he.
[00:18:11] Speaker D: Yeah, I left. I bowed. It was the real. The illustration didn't actually illustrate enough. I closed the door. I bowed and closed the door. Like, I was like, okay. And I closed the door. So that is where we ended.
[00:18:21] Speaker A: We are shitty gif. There was no door.
[00:18:23] Speaker D: I'm so sorry.
[00:18:27] Speaker B: I'm glad there was no door.
[00:18:28] Speaker D: Eric.
Door stage left. Wait, stage right.
[00:18:33] Speaker E: Doors are important. Kt. Can you imagine a gif of the Godfather that didn't have the door at the end? Come on.
[00:18:40] Speaker D: Oh, I don't know the Godfather. I'm k. Enough, okay? I'm just knuff. I don't need to know the movie the Godfather at all.
[00:18:49] Speaker E: That's okay. I'm not even sure if it's Godfather part one or Godfather Part two.
[00:18:54] Speaker A: Oh, I know the Godfather part two.
[00:18:56] Speaker B: I'm thinking of the marionette. Never mind.
[00:18:59] Speaker E: Is it. Is. Is it part two that ends with the door?
[00:19:01] Speaker A: I've never seen either.
[00:19:03] Speaker D: I've. I've seen most of the first one. My mom was obsessed with those movies when I was a kid. My family really liked those movies. I just never liked them.
[00:19:10] Speaker E: Here's my real question. Was there. Was there originally going to be a talent show portion of the.
The ship Olympics or whatever Games?
[00:19:20] Speaker A: No.
[00:19:21] Speaker B: It was.
[00:19:21] Speaker D: Yeah.
[00:19:22] Speaker B: What was that?
[00:19:23] Speaker E: Or there was going to be a fishing. There was going to be a fishing.
[00:19:25] Speaker D: Fishing.
[00:19:26] Speaker A: There was diving, and there was.
[00:19:29] Speaker D: Mo was going to win. The poor Moe got robbed of a medal because he was going to win that diving contest. He was, like, practicing. Even he not even aware that he was practicing. But he's been diving off the ship for a while.
[00:19:40] Speaker A: Yep. Roscoe had to fight a God.
[00:19:43] Speaker D: All right, well, I will. I will close the door. And if everyone is still out there, I'm going to, like, look everyone in the eye and be like, we better put on the best fucking talent show. But I'm not in charge of it. I'm gonna go fix that goddamn hole. And I look at bathwack my eyes like this.
[00:19:58] Speaker A: Like what? It's a podcast.
[00:20:01] Speaker D: Angry eyes.
[00:20:02] Speaker A: Oh, okay.
[00:20:02] Speaker B: Angry eyes.
[00:20:05] Speaker D: Wait.
[00:20:05] Speaker E: Is. Is the goal to wait? Why. Why do we want to do a talent show again?
[00:20:10] Speaker B: I don't remember.
[00:20:11] Speaker D: Okay, I will tell my idea. I will. If Adam is asking out of character, I will remind you. So what happened? The big thing that happened with the conversation with the ferret? The reason everyone else is so disillusioned is because the ferret was going to ship us off the Ship. Ship us off the ship. Send us off the ship. Rafina could have stayed. He was also gonna send Sean Indigo. And then Will was like, well, not all of us did these things. Like, I don't know why you're mad at all of us. Like, some of us didn't do these things. And then he was like, okay, well, who did it? And then Bathwack confessed. Like, Bathwack willingly said, like, he's the one that did it. And he explained why.
[00:20:48] Speaker A: Bless me, Ferret, for I have sinned.
[00:20:50] Speaker D: And the ferret does not have any idea about, like, the albatross or, like, doesn't care. Didn't know that it was happening. Didn't know about any arrangement. Will basically begged the captain to allow us to remain on the ship because he said, I just. We need to go and, you know, save the world, essentially, and we need to get to Gully's End. This has been a plan we've been working on for 48 hours. It's terrible, but I mean, essentially. But, like, you know, Will is. Will is, like, basically really tried to save the day, and he did. I have to say, I think I'm just thinking about it right now. Not in a biased way, but of course I am biased. But, like, Will basically bargain for us all to stay on the ship when we could have all just gotten kicked off the next day. I don't know why he was going to wait until the next day. He said, in the morning, you can go on a ship. I don't. He was being somewhat kind. But anyway, Will got us to all stay on the ship. He offered to fix the hole. He asked what he wanted. He said we could fix. The Ferret said, what do you have to offer? Will said, I'll fix the hole. Rafina said, we can put on a talent show. Yeah. And so the. The combination of those ideas, I guess, satisfied the Ferret. And he said, well, yeah, go do that. I mean, satisfied. Who knows? Maybe we'll put on the talent show and then he'll still kick us off. We don't really know, or he'll execute us. But that is also why Will, like, is bowing. He's going back to his earlier.
[00:22:09] Speaker A: Roots.
[00:22:10] Speaker D: Back to his roots, back to his early days of organized crime. He's like, immediately. He's easily falling into it. I guess he's that desperate. You just witnessed a man crumble, and then he's like, I'm going to go fix this hole. Get the fuck out of my way, bunch of people. And then he looks at Rafina like, not mad at you. Bye.
[00:22:27] Speaker A: Do you say that?
[00:22:29] Speaker D: Yeah, you're awesome.
[00:22:30] Speaker B: Does or no, he actually says that?
[00:22:32] Speaker D: No. Yeah, he just looks at Rafina, goes, you're awesome. And he goes. And he just goes. He walks.
[00:22:36] Speaker A: Well, what about me?
[00:22:39] Speaker D: You come with me. She me.
[00:22:40] Speaker A: All right, let's go. Bye, guys. Me and Will and Rafino are awesome. See you later.
[00:22:48] Speaker B: All right, well, we're gonna plan the talent show, and I guess we'll just assign you a role and you'll find it out later. Bye.
[00:22:54] Speaker A: No, Will, you said you weren't gonna be in charge. You gotta let go of control.
[00:22:59] Speaker D: Sometimes he throws his hands up in the air and keeps walking.
[00:23:02] Speaker A: There you go.
[00:23:05] Speaker E: In my notes, I have the last thing that Bathwack said was, let's go find the albatross.
[00:23:09] Speaker C: Yes, that's where I'm going.
[00:23:13] Speaker B: Oh, we can't split up again. Terrible things happen when we split up.
[00:23:16] Speaker E: No, and come with us.
[00:23:19] Speaker B: All right.
[00:23:20] Speaker A: Let's go find Ravinasco.
[00:23:23] Speaker C: Are you gonna go to the Albatross, too?
[00:23:25] Speaker E: Yeah, I'll come with. I'm just get. I'm just finding my C voice here. It's been a while since I talked to this boat.
I'm Rosco La Flor.
[00:23:37] Speaker C: I can feel the boat rocking.
[00:23:39] Speaker E: Voice.
[00:23:40] Speaker D: What did you say? Sorry.
[00:23:41] Speaker C: I can feel the boat rocking.
[00:23:43] Speaker D: In. In.
[00:23:44] Speaker B: In Roscoe's voice.
[00:23:47] Speaker A: Yeah.
[00:23:47] Speaker B: Well, don't come a knocking.
[00:23:50] Speaker D: Or do.
[00:23:54] Speaker B: Awkward.
[00:23:55] Speaker D: Or do.
[00:23:56] Speaker E: Yeah, let's go find the albatross. Maybe. Maybe the albatross could shed some light on some things.
Maybe it could help us with the talent show.
[00:24:09] Speaker C: Okay, we recruit him to the talent show.
[00:24:13] Speaker D: He can everywhere.
[00:24:15] Speaker B: Yeah, and it tastes like gingerbread.
[00:24:18] Speaker C: We get the ferret right up in.
[00:24:19] Speaker A: The front row, splash zone. You hand out ponchos.
[00:24:24] Speaker E: We can at least have the albatross around in case there's a fire. We could use it as a fire extinguisher.
[00:24:31] Speaker A: You find out it's extremely flammable.
[00:24:34] Speaker D: Oh, no.
[00:24:38] Speaker B: Okay, you guys, should I come with you?
[00:24:41] Speaker A: Do I go with Will and keep an eye on him and Shimi? Well, Mo.
[00:24:45] Speaker E: No. What? I don't know. What do you think would happen if you went off into your own storyline? Like, what would that probably.
[00:24:53] Speaker A: You wouldn't really hear about it.
[00:24:58] Speaker B: Mo, I think you should go with them because you're gonna probably help them do it faster.
[00:25:03] Speaker A: Oh, okay. Well, I mean, I good at, like, making holes. You see the hole in the bedroom that I started to make?
[00:25:12] Speaker D: Oh, wait, there was a gif. That was another gif. I Made. But I must have not sent it to you. I'm so sorry. Guys, I have one more gift.
[00:25:18] Speaker E: Surprise bonus gift.
[00:25:20] Speaker D: Surprise.
[00:25:20] Speaker E: What patreon tier is this?
[00:25:22] Speaker A: Yeah, exactly.
[00:25:23] Speaker D: I'm so sorry.
[00:25:24] Speaker A: You guys have to subscribe.
[00:25:26] Speaker D: Oh, damn. Here. Eric loved this one. That's why I wouldn't. Oh, my gosh.
[00:25:34] Speaker B: Look at the hole starting. I love so much.
[00:25:37] Speaker E: Just a wasp.
[00:25:38] Speaker D: Yeah. He's wearing a suit. Yeah.
[00:25:41] Speaker E: Oh, I love this.
[00:25:42] Speaker D: Yeah.
I didn't draw the jacket on him because I figured he's probably exploded off of him at this point. He's been. Because I was. He's been diving into the water. This suit has got to be shredded. Will's going to look at it one point and be like, oh, no. Like, never buy a lizard suit.
[00:25:59] Speaker C: I guess he's rolled the sleeves up.
[00:26:02] Speaker B: Yeah.
[00:26:02] Speaker D: Yeah.
[00:26:04] Speaker E: So good.
[00:26:05] Speaker B: Sorry.
[00:26:06] Speaker D: Okay. Good at making holes.
[00:26:09] Speaker B: So. But if they want you to. So, Mo. If they want you to help hammer a hole. This is like stabbing. You just use the hammer to stab the nails.
[00:26:18] Speaker A: I never use hammer.
Ioshimi has his two hammers that he's never used either.
[00:26:24] Speaker B: He can use one and you can use the other to nail the. Whatever.
[00:26:28] Speaker A: I thought those were for hitting people, not making nails. Go into wood.
[00:26:33] Speaker B: Multi purpose.
[00:26:38] Speaker E: I don't know. Now I'm having second thoughts. I'm looking over my notes and. Oh, the last thing I said before I regained my C voice was, I'm gonna go get ready for the talent show. So maybe we should split the party three ways. Ho.
Albatross Talent show.
[00:26:58] Speaker B: So just you and me prefer.
[00:27:01] Speaker E: Well, it's. It's you and me and. So Bathwack's going to find the albatross. Mo, we'll leave it up to you. Would you rather help me with the talent show or help Bathwack find the albatross?
[00:27:15] Speaker A: I mean, I good at finding animals to eat, but I also have lots of talents.
[00:27:23] Speaker E: Name five. Name five.
[00:27:25] Speaker A: Okay. Running, jumping, eating, talking and stabbing.
[00:27:33] Speaker D: You don't say stabbing.
[00:27:34] Speaker B: I know. You have to say stabbing.
[00:27:36] Speaker A: I think everybody's doing that motion to him in the room.
Yeah. And rooting you guys on.
[00:27:44] Speaker E: We're rooting him on.
[00:27:53] Speaker B: Running.
[00:27:54] Speaker D: Jumping. I gotta write that down.
[00:27:56] Speaker A: Running, jumping, eating, talking, talking and talking. Rooting you guys on.
[00:28:03] Speaker D: God.
[00:28:05] Speaker E: Okay.
Those are some pretty good talents.
[00:28:10] Speaker B: Maybe he considers stabbing a skill rather than a talent.
[00:28:14] Speaker A: What's the difference, Abby?
[00:28:16] Speaker B: Well, I'll tell you, I have a sweatshirt about it.
[00:28:21] Speaker A: Very casual. I love it.
[00:28:24] Speaker B: It's very casual. A skill is something you cultivate that you weren't.
[00:28:30] Speaker D: Yeah, no, that makes sense.
[00:28:31] Speaker B: Like a radish skill and a talent is something that comes more naturally to you, which you can still cultivate, but that you had to be, you know, it was sort of in you already.
[00:28:41] Speaker D: I love it.
[00:28:44] Speaker E: Rafina, which would you rather do? Would you rather prepare for the talent show or my.
[00:28:50] Speaker B: It was my idea. But I also see the value in finding the albatross, because I would also like some answers stat.
[00:28:58] Speaker E: Well, I don't get a lot of role play time with. With. With Mo, so I. Yeah, why don't Mo, you and me, we'll go prepare talent show act as well as the overarching logistics for the talent show.
[00:29:11] Speaker A: Okay.
[00:29:12] Speaker D: And.
[00:29:13] Speaker E: And Rafaida and Pathway, you guys let us know later how it goes with the albatross.
[00:29:18] Speaker D: Okay?
[00:29:20] Speaker A: What are they gonna do to the albatross book?
[00:29:24] Speaker E: They'll tell us later.
[00:29:25] Speaker A: Oh, okay.
Okay. On three.
1, 2, 3.
[00:29:33] Speaker E: 1, 2, 3.
[00:29:35] Speaker A: Okay, bye.
[00:29:37] Speaker E: All right, here we go.
Oh, Mo, you're going that way. All right, I'm following you.
[00:29:43] Speaker A: Oh, okay. I'm the leader.
It's like if you and I are in group, I, the king.
[00:29:52] Speaker E: Sure.
[00:29:53] Speaker A: Yeah, exactly. Say sure, sir or your majesty.
[00:30:04] Speaker E: I'm not gonna do that, Mo.
[00:30:06] Speaker A: Okay, Just stick with sir.
[00:30:09] Speaker E: Yes, sir.
[00:30:10] Speaker A: Okay.
Hey, let's go to my room.
Okay.
[00:30:23] Speaker E: Is this game?
[00:30:25] Speaker D: I don't know.
[00:30:30] Speaker A: All right, so Rafina and Bathwack are gonna go find the albatross.
[00:30:38] Speaker B: Yeah.
Okay, Bathwack, what's our first. What's our strategy here?
[00:30:44] Speaker C: He was in Roscoe's room last, right?
[00:30:47] Speaker B: Well, let's check there first.
[00:30:49] Speaker A: I think he was in one of the rooms. I think he was in Mo's room, actually, when you guys were all really meeting.
[00:30:57] Speaker B: Oh, right.
[00:30:59] Speaker A: I mean, you can assume he was in Roscoe's room at some point because it's been cleaned and he had promised to do so. Yeah, but you never actually witnessed him in there, and when you looked in there, he wasn't in there.
[00:31:12] Speaker C: All right.
[00:31:13] Speaker A: The last police saw him, I'm almost positive, was in Moe's room.
All right, And Moe and Roscoe are going in there right now.
[00:31:24] Speaker C: Oh, really?
[00:31:26] Speaker A: Yeah. Moe says, hey, let's go into my room.
[00:31:29] Speaker C: All right. I mean, I'm just gonna. All right, we're all together then.
[00:31:34] Speaker E: I'd like to suggest that Roscoe and Moe got to Mo's room fairly quickly, so they're already inside his room and have already planned it by the time Rafina and Bathwick. So we've just split up. And now you're gonna go, what, knock one of their Moe's door?
[00:31:51] Speaker C: Now we're just going in because no one's in there except the albatross.
[00:31:56] Speaker B: What?
[00:31:58] Speaker E: You know, we're there. You didn't they hear Mo say, let's go to my room?
[00:32:02] Speaker B: Don't you know Bathwack? Bathwack is very focused on what Bathwack is thinking about, so Bathwack may not have heard that.
[00:32:08] Speaker D: Yeah, like, what if I'm going to kill Reed Thorne and I'm not actually going to fix the hole? I don't know.
[00:32:13] Speaker E: Are you really gonna just open the door?
Because if so, we have to decide what, like, what silly act Moe and Roscoe are already, like, practicing and that you walk in on.
[00:32:28] Speaker C: I think Bathwack's frustrated, so he would just open the door and be like, albatross.
[00:32:35] Speaker A: Oh, that was the move. We were in the middle of.
[00:32:38] Speaker C: We were in the middle of wrestling.
[00:32:41] Speaker E: Move.
It's me. It's Roscoe, like, basically on Mo's shoulders with his arms out, like in Titanic.
[00:32:50] Speaker D: Yeah, yeah.
[00:32:52] Speaker A: We're doing, like, a recreation of the events that have happened on this ship.
This is the albatross part.
[00:33:01] Speaker E: Yeah.
What do you guys want? We just split the party three minutes ago.
[00:33:09] Speaker B: We're looking for the albatross. We thought it would be here.
[00:33:13] Speaker A: Nope.
[00:33:14] Speaker E: Well, the only albatross in here is Roscoe and Mo, the amazing duo.
[00:33:22] Speaker D: Throw me in the air.
[00:33:24] Speaker E: Throw me up in the air.
[00:33:26] Speaker A: Okay.
[00:33:26] Speaker D: Oh, my God.
[00:33:27] Speaker A: He makes a strength check.
[00:33:30] Speaker B: A strength check.
[00:33:32] Speaker D: Oh, my God. He's throwing an old man in the air. It's amazing. It's amazing. Just remember, throw him through the ceiling if he rolls. The natural one, like, another hole to fix.
[00:33:45] Speaker A: I mean, he throws you, like, right up to the ceiling.
[00:33:48] Speaker D: Oh, wow.
[00:33:49] Speaker E: All right. Okay, good, good, good. Now catch me on the way back down.
[00:33:52] Speaker A: Okay. Deck save.
Oh, man.
[00:33:56] Speaker B: Oh, God, this is stressful. I'm nervous.
[00:34:00] Speaker A: Oh, no, he doesn't catch you.
[00:34:07] Speaker B: Do I need to heal you?
[00:34:08] Speaker A: Now you take three points of damage.
[00:34:14] Speaker E: I'm okay.
[00:34:17] Speaker A: Oh, sorry, Roscoe.
[00:34:19] Speaker E: Oh, it's okay. It's okay. I think your knife broke my fall.
Roscoe stands up. He's just been stabbed in the butt.
His left butt cheek. That's three. Three health points worth of anal stabbage.
[00:34:36] Speaker B: Anal stabbage? Just gluteus.
[00:34:40] Speaker E: Gluteal stabbage.
[00:34:42] Speaker B: There we go.
Anal stavage would be a few more points.
[00:34:47] Speaker A: Improvisational gymnastics is not one of my talents.
[00:34:50] Speaker E: Okay, stick and move, stick and move. All right. Well, let's sit here and recover a bit and.
[00:34:56] Speaker B: Do you want me to heal you?
[00:34:58] Speaker E: Yeah.
[00:34:59] Speaker B: Hoya ho.
[00:35:01] Speaker A: Are you actually casting a spell?
[00:35:04] Speaker B: I was hoping you'd just give it to me.
[00:35:05] Speaker D: Yeah, come on. Hoya ho. She always uses the same words. It's amazing. You should be impressed.
[00:35:10] Speaker A: That's her spell. She'd better.
[00:35:11] Speaker D: I think she should get.
I know, but it's amazing.
[00:35:17] Speaker A: All right, you get one temporary hit point, Roscoe.
[00:35:21] Speaker B: Oh, wait, I had the. I thought I had Roll20 launched, but I actually only had screen where it said launch game.
[00:35:27] Speaker E: Totally forgot about roll 20 until now.
[00:35:30] Speaker D: Yeah, me too. I don't even have it open at all. For sure. I have a meal planning list open.
[00:35:35] Speaker E: Don't you understand?
[00:35:36] Speaker A: We're playing Dungeons and Dragons, 5th edition.
[00:35:39] Speaker D: Barely.
I think I was thinking of, like, changing, like, our description to say, like, you know what? We play D and D. But, like, if you're looking for a really specifically, like, hardcore D and D podcast, like, look out of here, you loser.
[00:35:57] Speaker A: Nobody likes you.
[00:35:58] Speaker D: I mean, we totally play D D, but our DM is the coolest and just lets us do whatever the we want as long as we don't break the game.
[00:36:05] Speaker A: Yep. And you don't try to heal someone without casting a spell.
[00:36:09] Speaker D: Yeah.
[00:36:09] Speaker B: Yeah.
[00:36:10] Speaker D: You just gave a temporary hit point for no. For nothing. Right, True. That's what I'm saying. What other DM does that?
[00:36:15] Speaker A: I don't know.
[00:36:15] Speaker E: Wait, did I really get a temporary hit point?
[00:36:17] Speaker A: Yeah, one of them.
[00:36:18] Speaker E: Okay. Did somebody take the knife out of my ass?
[00:36:22] Speaker B: Wait, were we supposed to.
[00:36:24] Speaker D: Who knows?
[00:36:24] Speaker B: I thought you would do that.
[00:36:25] Speaker A: Didn't get no one else.
Adam, like the.
[00:36:28] Speaker D: The what? But that's the three points.
[00:36:31] Speaker A: I fell on the ground, but I love the ceiling.
[00:36:33] Speaker D: But he's telling a story. Doesn't it not matter? Three points of gluteal stabbage. It doesn't matter really, does it? What do you. Have you forgotten how to play D? Look, Eric's very stressed.
[00:36:43] Speaker A: I don't. How would.
[00:36:44] Speaker D: It's been a while.
[00:36:44] Speaker A: How would. Mo. Mo?
[00:36:47] Speaker D: You're offended that the knife was out of his control? Yeah, yeah. Mo is really precise.
[00:36:53] Speaker A: That's not.
[00:36:54] Speaker B: It might not be Moe's knife.
[00:36:56] Speaker E: All right, well, wait a minute, wait a minute. If this isn't Moe's knife, whose is it?
[00:37:02] Speaker D: I think.
[00:37:04] Speaker E: And there's a note from the albatross.
[00:37:06] Speaker D: Yes.
[00:37:06] Speaker E: Right, Eric?
[00:37:07] Speaker D: Yeah.
[00:37:08] Speaker A: What does it say?
[00:37:10] Speaker E: You are.
[00:37:13] Speaker B: Don't you wish you would have just let me cast the spell for free?
[00:37:17] Speaker D: Exactly.
[00:37:20] Speaker E: What does it Say, out for lunch.
Yeah, that's great. I like that.
[00:37:28] Speaker D: Oh, my God.
Love the albatross.
[00:37:31] Speaker E: Signed, a little picture of a bird.
[00:37:34] Speaker A: Yeah, I know.
[00:37:35] Speaker D: Or, like, just a smear of. You're like, it's the albatross.
[00:37:39] Speaker A: It's all in perfect handwriting and then signed, smear of Shit.
[00:37:45] Speaker E: Smear of.
How terrible.
[00:37:49] Speaker A: That.
[00:37:49] Speaker E: That's the knife that pierces Roscoe's gluteus. Gluteus.
[00:37:54] Speaker D: Yeah. Gluteus maximus. Yes.
[00:37:57] Speaker A: Why does the albatross have a knife?
But who's. But maybe that's the albatross's note. But whose knife is it?
[00:38:08] Speaker E: Oh, wow, this is getting really close.
[00:38:12] Speaker A: There's another note rolled up in a secret compartment.
[00:38:16] Speaker E: All right, well, okay, if found.
Look, Roscoe takes this knife out with the first note, which I'm assuming is canon, and gives it to Russ.
[00:38:30] Speaker D: Wait, which one's the real one?
[00:38:33] Speaker E: All's real and what's not.
[00:38:34] Speaker A: I was chastised when I tried to shut this down, so.
[00:38:37] Speaker D: Wait, what?
[00:38:40] Speaker A: I think you're right.
[00:38:41] Speaker E: I. I just know.
[00:38:43] Speaker D: All I said is. I don't understand why it's a bad. A bad thing that he gets. If the knife was on, maybe the knife. He's doing an acrobatic act. The knife could have just fallen out of his.
[00:38:51] Speaker E: But I do like that. That it shouldn't be mo. I. I like that it's a mysterious knife and that maybe this is exactly the clue that Bathwack and Rafina are looking for.
[00:39:01] Speaker A: There's a knife in clue. Maybe it's Professor Plum's knife.
[00:39:05] Speaker D: I have no idea what notes to take anymore. Okay, here we go. No, I think your knife broke my fall. I have three points of gluteal stabbage in the notes. Is that canon? That part, I think, might be good. Okay, there's a knife on ground in here.
[00:39:24] Speaker E: Yeah. Where'd this come from? There's a note here that says, out to lunch.
[00:39:28] Speaker A: Who would have been here?
[00:39:29] Speaker E: And then there's. Oh, no. What? I recognize this smear.
[00:39:34] Speaker A: What?
[00:39:36] Speaker E: I recognize this smear.
[00:39:39] Speaker B: It smells like gingerbread.
[00:39:41] Speaker E: It smells like gingerbread. This is albatross Raw.
[00:39:51] Speaker B: So where do we.
[00:39:52] Speaker E: Oh, okay, wait. Captain Clock Face is there saying raw?
[00:39:55] Speaker A: Yeah.
[00:39:57] Speaker B: Oh, Captain Clock Lace.
[00:40:02] Speaker E: He didn't just appear out of nowhere like you're.
[00:40:06] Speaker A: He kind of does all the time.
[00:40:08] Speaker D: Yeah, he does. In our imagination.
[00:40:10] Speaker E: I guess that's true.
[00:40:11] Speaker A: Yeah. That's how a lot of our NPCs introduce themselves.
[00:40:15] Speaker B: Say raw once for, you know whose knife this is, and raw Twice for if you don't know whose knife this is.
[00:40:21] Speaker D: Ra.
[00:40:22] Speaker A: Ra.
[00:40:23] Speaker B: Oh. Oh, damn.
[00:40:26] Speaker A: He pulls out his knife, brandishes.
[00:40:30] Speaker B: Okay, thank you for clearing that up.
[00:40:32] Speaker E: Look, get this. Get this shit away from me. I don't want this. I want this note. I don't want this knife. You guys can have it. You can use it to find you a little albatross, solve your little mystery.
[00:40:44] Speaker B: All right, well, I guess we'll go then. I'm sorry about your butt.
[00:40:49] Speaker E: That's okay. I'll be fine. I. I got. I'll be fine.
Do you guys want to look around the room a bit more for clues before you leave?
[00:41:00] Speaker B: Yeah. Backpack.
[00:41:02] Speaker A: Look.
[00:41:03] Speaker C: All right, I'm gonna look under Roscoe's bed.
[00:41:08] Speaker A: All right. Roll an investigation. Check.
[00:41:12] Speaker E: Nice.
[00:41:14] Speaker A: 16.
Check around the room. There's nothing under the bed, but there is a single large white feather wedged in the porthole of the room.
[00:41:32] Speaker C: He was here?
[00:41:35] Speaker B: Yeah, he was.
[00:41:37] Speaker A: We talked to him for, like a whole episode.
[00:41:45] Speaker C: He's not here.
Should we go look for him above deck?
[00:41:50] Speaker D: Yeah.
[00:41:50] Speaker B: Well, do you think he's actually out for lunch?
[00:41:53] Speaker C: I think. I think we just should maybe. Let's go outside and call him.
[00:41:56] Speaker B: He's probably looking. Eating fish. Right. So let's go to your fishing spot.
[00:42:01] Speaker C: Oh, you think?
[00:42:04] Speaker B: I do.
[00:42:05] Speaker C: Am I gonna have to catch him a snack?
[00:42:07] Speaker B: Well, you're no longer kick, so I don't know if you can.
[00:42:11] Speaker C: Oh, no, I'm kick, right?
[00:42:14] Speaker B: Oh, I keep forgetting. Are you already back to kick again?
[00:42:16] Speaker D: She doesn't even see him.
[00:42:17] Speaker A: You did drop the facade eventually.
[00:42:21] Speaker D: Yeah, he did. But he can switch out.
[00:42:23] Speaker A: I don't know if it's up to you. I don't.
[00:42:25] Speaker C: I mean, there's no one around yet, right?
[00:42:27] Speaker D: Oh, God, I want to look. I. I feel like Will would have said something if he didn't change back. We still have to. There's other passengers on the ship, like.
[00:42:36] Speaker E: And who knows? Yeah, the Juliet.
[00:42:39] Speaker D: Yeah. Rusher. Like Sean. Indigo is still here. There's people. Like, the lady is. There's a lady. The sales lady or something. There's other people.
[00:42:46] Speaker E: Oh, yeah, the shower inventor.
[00:42:49] Speaker D: Yeah, yeah. Shower and mother.
[00:42:52] Speaker C: Then I. I take my hands and I bring it down over my face, and then I'm kick.
[00:42:58] Speaker D: Nice.
[00:42:59] Speaker B: Oh, okay. Now you can fish.
All right, let's go.
[00:43:03] Speaker C: That's right. I have be a disguise to fish effectively.
[00:43:06] Speaker B: I'm insistent. I'm insistent in that point.
[00:43:09] Speaker A: It's part of cultivation of the skill.
[00:43:12] Speaker D: Yeah.
[00:43:15] Speaker B: Very good.
[00:43:16] Speaker A: Okay. Bye, guys.
[00:43:17] Speaker E: See you guys.
[00:43:18] Speaker C: All right, I Think they want us to leave?
[00:43:21] Speaker B: I know.
[00:43:22] Speaker C: Bye.
[00:43:24] Speaker B: This is a butt injury.
[00:43:25] Speaker C: Oh, we're already gone.
[00:43:27] Speaker A: Oh. Bye.
[00:43:28] Speaker E: See ya.
[00:43:29] Speaker B: We're still talking about their butt, though.
[00:43:32] Speaker E: Okay, Mo, how are you throwing dots?
And cut.
[00:43:37] Speaker D: Oh, my God. Perfect.
[00:43:40] Speaker A: Perfect as you're strapping a dartboard to the back of your head.
[00:43:46] Speaker D: That's amazing.
Holy.
We're gonna kill ourselves in the talent show. The talent show is just a series of unfortunate events. Holy crap. Amazing.
[00:43:59] Speaker E: I mean, Roscoe. Roscoe's so lonely.
[00:44:08] Speaker A: It's just attempted suicide.
[00:44:10] Speaker E: That's really rough.
[00:44:12] Speaker D: No, you're just designing that for Will. That's Will's role. You're gonna strap him. You're gonna strap the thing to the back of my.
[00:44:17] Speaker E: Oh, yes. I'm just a placeholder.
[00:44:19] Speaker B: Yeah.
[00:44:19] Speaker D: Yeah. So you don't really have to practice in real life. You just. Just wait until the event. Save your strength. Okay, next. Who else needs an act?
[00:44:29] Speaker B: Jeez.
[00:44:30] Speaker A: All right, Will.
[00:44:32] Speaker D: Okay. Yes.
[00:44:33] Speaker A: She means with you.
[00:44:35] Speaker D: Okay.
[00:44:36] Speaker A: All right. So we actually going to fix this hole, or do you got another plan involved, Boss?
[00:44:40] Speaker D: We have to fix the hole. I do not want to end up on a rowboat to the shore and then have to come up with some new plan. We're doing this hole, and they better come up with something great. Talent show.
[00:44:53] Speaker A: I mean, usually I would have not pegged you to be the whole fixer and more of the talent show planner.
[00:45:00] Speaker D: We're gonna have to think creatively. Nobody on the ship is a whole fixer. Unless maybe the lady inventor could do something. Did she build that thing? Wait, do I know about the lady inventor? It's been months since we heard about her.
[00:45:11] Speaker E: Yeah, you do.
[00:45:12] Speaker D: Do I know about this? She was at the banquet, right? Yes. Okay, so, like, she tried to sell.
[00:45:16] Speaker A: It to all of us.
[00:45:17] Speaker D: Did she build it, though, like. Or did she just design it? And what do I. If I think about it, like, what does it look like? Is this something that. I feel like maybe she could build something if she built that. Like, maybe she could build something.
[00:45:29] Speaker A: Sounded technical. I don't know. I mean, if someone could do that, could they just fix a hole in a wall? Or is it, like, one of those things where she's, like, so foggy.
[00:45:39] Speaker D: Hold on. She meet. Listen, I'm not thinking wood, okay? We're gonna have to think differently here. We don't have, like, carpenters. We don't have, like, timber. We're not. We're not, like, rebuilding a house here. We have to think creatively here. I'm guessing I'm trying to think.
[00:45:53] Speaker A: Do you have any drawings in your bag of Rafina that we could put over it?
[00:45:58] Speaker D: I shake my head and walk. I'm going through the door. I'm, like, walking away from Shimi. I'm sorry.
[00:46:03] Speaker A: I'm just going. That wasn't my idea.
[00:46:07] Speaker D: He just keeps going. He's not listening to. She's talking to him.
[00:46:10] Speaker A: I'm sorry. It's all right. What do we. What can I do? Tell me.
[00:46:14] Speaker D: He's going. He's walking. Can he be in the room yet?
[00:46:16] Speaker A: Following you? Yeah, sure.
[00:46:17] Speaker D: It's close.
[00:46:18] Speaker A: Yeah, it's pretty close, right?
[00:46:20] Speaker D: Like, where the hell is it? Which room is it?
[00:46:22] Speaker A: It's over here.
[00:46:24] Speaker D: I need to know where it is because I need to look. All right, this is the room that has the hole. And the hole is where? This is a door.
[00:46:30] Speaker A: The hole. Ignore that. That's not a door. It's a wall.
I'll put a little line where the hole is.
[00:46:36] Speaker D: Thank you.
[00:46:37] Speaker A: It's going to be.
[00:46:38] Speaker D: Oh, and it doesn't really look like this either, right? Or, like, it's not exactly, is it? Are the rooms bigger than this, or they look like this. Yeah, this is. Right. Okay, so this is the hole.
[00:46:46] Speaker A: Yeah.
[00:46:47] Speaker D: All right. Will just. He's not even listening to Shimi. He's just going. And he's going through the hole. He's, like, bending down and he's looking through the rooms.
[00:46:58] Speaker A: Okay.
[00:46:59] Speaker D: Like, going between the rooms.
[00:47:01] Speaker A: All right.
[00:47:02] Speaker D: Checking. What?
[00:47:02] Speaker A: Go through. There's a bunch of animals and I forgot.
[00:47:05] Speaker D: Oh, yeah, I was scared of those. I'm like. And I like, like defensive stance.
[00:47:10] Speaker A: What's wrong?
[00:47:11] Speaker D: Just fucking disgusting things in here. Okay. Just. Oh, all right. I. By the way, is the mushroom still somewhere? Was the mushroom still in this room? Or does Roscoe have the mushroom? Did we ever see.
[00:47:21] Speaker E: Oh, no.
[00:47:22] Speaker B: The mic in it.
[00:47:22] Speaker D: You have it?
[00:47:23] Speaker E: Oh, yeah. Roscoe does have.
[00:47:25] Speaker A: He had left it in the room.
[00:47:26] Speaker D: Yeah. At one point.
[00:47:27] Speaker A: You retrieved it.
[00:47:28] Speaker D: I wondered if you had. So I don't have to worry about that. So. So it's just gross animals in one room and then this room. Okay.
[00:47:35] Speaker A: I mean, we could use this crate here that the Albert was in. There's some timber.
[00:47:40] Speaker D: It's. I'm assuming it's like crate wood. Like, ugly, unfinished wood, right?
[00:47:44] Speaker A: Yeah.
[00:47:45] Speaker D: Will looks at it and he kicks it. He's like, this is not. This is not.
[00:47:48] Speaker A: Oh, but it's a start. It's a base.
[00:47:51] Speaker D: And then what. What do we paint it with?
[00:47:53] Speaker A: What's your idea?
[00:47:56] Speaker D: I have magic Little one, sit down and listen and just stressed about this.
[00:48:01] Speaker A: I'm trying to just pitch in a little bit.
[00:48:03] Speaker D: All right. Shamey.
[00:48:05] Speaker A: What?
[00:48:06] Speaker E: Fuck.
[00:48:06] Speaker A: This is a high tension situation we're in.
[00:48:11] Speaker D: Yeah, I know.
[00:48:12] Speaker A: Yeah, I do, too.
I can't see out of my eye.
[00:48:18] Speaker D: Right.
Fuck.
[00:48:20] Speaker A: Even though I look cool.
[00:48:21] Speaker D: Yeah, you definitely look cool. But we will get that fixed. That is one of my top priorities amongst 1000 other things, but.
[00:48:29] Speaker A: Oh, that's comforting.
[00:48:33] Speaker D: I would hope so. I get shit done, and then I. And I look at this hole, and I'm going to cast mend, and I'm just. Because I've never really used that spell. I use it, like, on cloth, maybe, like, to my suit, but I've never tried to mend anything that's large. And I know what the. The. I know what the constraints of mend are. I'm not trying to mend the whole wall. I want to see what casting mend on just a section of wood does. That's what he's. That's what he's trying to do.
What he's. What his goal is. I will be specific. Is to. I can't. I don't know where my character. She knows. This is ridiculous. I don't. Wait, is this book thing. It's been so long. You guys, the symbols.
[00:49:10] Speaker A: Yeah.
[00:49:10] Speaker D: Okay. I found it. I'm gonna cast mend, which I believe is a cantrip. Yes. Mending. Sorry, Mending. And I'm basically. What he's trying to do is, I'm assuming the hole. I don't know which direction the planks. Or would you call them planks? The wood. I don't know which direction. It goes this way. This way. But if there's jagged edges, if it's been, like, chopped to bits, and if there's splinters of wood around, he's gonna try to, like, take one of the splinters of wood or like, a section of wood, and it's kind of like he's trying to, like, glue it, but it's. He's not actually.
He's trying to make it just see what it looks like when he tries to mend a couple of things together. I don't know if that makes sense.
[00:49:58] Speaker A: It does.
[00:49:58] Speaker D: Okay. All right.
[00:50:00] Speaker A: So, yeah. You, like, try to fix some of the ragged edges? Basically, yeah. With mending. Do you have any kind of description you would like to give us for your casting of mending or.
[00:50:16] Speaker D: No, Sure. I don't actually think I have anything written down, but I think I just thought of something right now, but.
[00:50:22] Speaker A: Wow.
[00:50:23] Speaker D: Let me just see if I have anything that I came up with before. I bet I won't like it.
Actually, I do like this description.
[00:50:34] Speaker A: Wow.
[00:50:34] Speaker D: But I think what. I'm still gonna kind of take what I was thinking at what was the immediate thing that came to my mind? So apparently I wrote, I talk to the object until it feels like it wants to go back together. Like, I convince it, get back together.
[00:50:48] Speaker B: Are you persuaded?
[00:50:49] Speaker D: Oh, my God. But I think what I'm gonna do is also, I'm gonna do this gesture that looks like I'm pulling nothing out of the air, just this little grasping motion. And I'm gonna be like, why don't you. Why don't you just, like, look pretty again? You know what I mean? Like. Like that and do this little.
[00:51:05] Speaker A: Kind of sexy.
[00:51:06] Speaker D: It's kind of sexy.
[00:51:07] Speaker A: Why don't you look pretty again?
[00:51:12] Speaker D: Yeah. What is this, though? That's really sexy.
It's me being a crab.
[00:51:20] Speaker A: Okay, so, yeah, the wood kind of before your eyes kind of schlumps together. And some of the bits that you picked up sort of schloop into the edge. That's schlumping.
[00:51:37] Speaker D: Yeah, I get it.
[00:51:38] Speaker A: And that little section, you basically make, like, a flat edge.
[00:51:44] Speaker D: Okay.
[00:51:44] Speaker A: It's not jagged anymore. And it looks like the finished wall that's untouched next to it.
[00:51:50] Speaker D: Okay. All right. He's, like, stepping back, and he's, like, looking at that and, like, just looking at the whole thing. And he's gonna turn to Shimi, and he's gonna be like, okay, if only I could think of a way. Yeah. Oh, yeah. It's real great. It looks like a piece of shit right now. But I. I don't know if I can do this. I don't know if I can. Okay, what about this idea, Shimi? You're 14. I shouldn't even. You know what? That's fine. You're 14. I was 14 when I was brought in among the stuff. All right, listen, I can't fucking build this. We don't have wood.
[00:52:21] Speaker A: You know, aside from the shitty crate wood.
[00:52:24] Speaker D: Yeah.
[00:52:25] Speaker A: What are we gonna paint it with?
[00:52:27] Speaker D: Listen, I am thinking that if I could pitch a good enough idea to this wonderful ferret that we're riding this. He's looking around the room like this, like as if there's cameras or something. Like this wonderful ferret God that is allowing us on his amazing ship, even though we're horrible people. And he winks at Shimi and he says, if I pitch him an idea and it's good enough Maybe he won't care if it doesn't look perfect. Like he can get it done at a different place. So here's my idea. Tell me if it's good enough.
[00:53:05] Speaker A: Right?
[00:53:05] Speaker D: But he's probably just listening.
[00:53:07] Speaker A: Give me an elevator pitch.
[00:53:08] Speaker D: Go on. I'm gonna, I'm gonna. And he's just. And he changes to message because even though he. He figures the fair. What do you. What is that eyebrow gesture?
[00:53:18] Speaker A: The walls have ears.
[00:53:20] Speaker D: Yes, the walls have ears. That's what he's.
[00:53:21] Speaker B: I want to see it.
[00:53:22] Speaker D: He just did the eyebrow, like. And I'm like, what am I saying? That's hot.
[00:53:26] Speaker B: The waggle waggle.
[00:53:27] Speaker D: But it's not that it's hot, it's just that it's the walls. Heavier.
Okay, you're playing a 14 year old boy.
[00:53:34] Speaker A: You said hot.
[00:53:36] Speaker D: Stop. Okay, so he's. Okay, tell me if this idea is good. And he switches to message and he's like, what if we make it like a window and it's like part of the draw and we try to get him to change his cruise ship into like the Flirtatious Ferrets cruise ship. And it's like a flirty cruise ship. I have. I have a million ideas for a sex fueled cruise ship.
[00:53:57] Speaker A: Whoa.
[00:53:57] Speaker D: Yeah. Okay.
[00:53:58] Speaker A: Like a sex window.
[00:54:00] Speaker D: Yeah, like it's worse. Like, it's all right.
Yeah. What's that exactly? You don't need to know if you don't know. I look at him. I read him. Roll insight. Has this kid had sex before? I don't know. He's a 14 year old.
[00:54:15] Speaker A: Appropriate to ask on this podcast.
[00:54:17] Speaker D: I know it's weird, but, like, again, this is one of those conversations where it's like, is this even appropriate to. To talk about. He's a. He's a. It's the medieval times.
[00:54:26] Speaker A: He's married.
[00:54:27] Speaker D: He's married, all right?
[00:54:30] Speaker B: In my brain, he hasn't. He just knows a lot. Like from the, you know, sitting in the back of the bus, right? Like, yeah, he's like, he's not. He's not really, like, persuasive in that way. Like, he wouldn't be attractive to girls his age or older than him.
[00:54:44] Speaker D: You're so right. Oh, that's such a.
[00:54:46] Speaker A: Maybe now with this eye.
[00:54:47] Speaker D: Yeah, maybe. Oh, my God. Geez Louise. Okay, well, so he. But he. But that's what I'm saying. Like, he's. He said things like, I'm a hedonist. Like, he. This. This kid is. He's so weird. That's what I'm saying. You know what I mean? Genie doesn't seem like. Anyway, I don't know, like. So you know what I'm saying? He likes flirting. You were just there. He. She. Me. You're too young for this group. It's what I was saying before we got on the ship. You're too young for this. Look what happened to your eye.
[00:55:14] Speaker A: Yeah, now you're making.
[00:55:15] Speaker D: Now we're talking about sex windows. Exactly. You're not old enough to be with us, and you just. Oh, geez.
[00:55:21] Speaker A: One thing leads to another.
[00:55:22] Speaker D: All right.
Anyway, what if we could. What if not. We. This does not involve you. But what I'm saying is I needed somebody to bounce an idea off of, and I'm not willing to talk to anyone right now.
[00:55:33] Speaker A: What I've always heard is, sex sells.
[00:55:35] Speaker D: Right? Yeah.
[00:55:36] Speaker A: Is that true?
[00:55:37] Speaker D: Yeah. Is that true?
[00:55:39] Speaker A: For business acumen, sometimes there's these. These kernels of truth that people think are, oh, so wise, but.
[00:55:45] Speaker D: Yeah.
[00:55:46] Speaker A: But aren't really actually the case.
[00:55:48] Speaker D: That's. Jamie. There's nothing more true than that.
[00:55:52] Speaker A: Okay, good.
[00:55:53] Speaker D: So, yes, that's what I'm saying. Like, if. I don't know if the fair would be into that. Maybe now that he is a ferret, he's not going to be a captain anymore. I don't know. But he seems to really love this boat. So if he is a flirtatious ferret, and we know that about him, and why doesn't he make a big sex.
[00:56:07] Speaker A: You can't make a wall, but you can make a sex window.
[00:56:10] Speaker D: Well, see, I can make materials. They. Whoa.
All right, again, this is in a whisper. I have a spell that can make materials, and it's not going to be a great window. I'm assuming it. I can make a. I could make glass. I'm just not sure how clear it will be. I've never done it before. That is what he's trying to say, but through gestures and whispers.
[00:56:29] Speaker A: Okay. And he'll reply in a similar way. Is it. Is it like an illusion or is it something that would last?
[00:56:37] Speaker D: He does this.
Like, he crosses his. He crosses his throat and shakes his head. It won't last. HE mouths. So what? It's kind of the idea of like, hey, here's your idea. The gift or the. The. The kowtowing is the idea. I used to do this a lot, having good ideas, good plans. That is what I did. Or what I do. So what I'm saying is he might be okay with that, but also he might hate us and throw us off the boat and Just survive. But a boat full of idiots? What are we gonna have on it? How long does it take to get to the shore? I don't want to do that.
[00:57:15] Speaker A: I mean, Mo can swim.
[00:57:19] Speaker D: Okay, yeah, I'll have Mo swim back to shore. Who do you think I am, Shimi? All right. I mean, yes, sure. I'll have both of them.
[00:57:27] Speaker A: Make more room.
[00:57:28] Speaker D: Make more room.
[00:57:29] Speaker A: You can swim sometimes.
[00:57:32] Speaker D: I know I sound like a hard ass, but, like, that's a stupid. You don't want to, like. Yeah, we're just going to take turns swimming to shore. What about sharks? Okay, this conversation is going way, way too long. Let's get back to the sex window. Let's get back to sex windows. So, yeah, like, so I think that sounds great.
[00:57:50] Speaker A: Let's do it.
[00:57:50] Speaker B: Can I just interrupt for a second? Because I really thought, like, I got so confused. In your conversation, you were talking about, like, a sex cruise, and then you said a sex window, and I forgot that you were actually trying to fix a hole. And I thought maybe a sex window is an actual thing where people go on boats and just have sex. And so, like, I was like, oh, man, I'm gonna have to look this up later probably.
[00:58:11] Speaker D: I just make and I make. I have no idea. I don't know if that's a thing, but it should be, says Will.
[00:58:17] Speaker B: And it's called a sex window.
[00:58:20] Speaker A: Well, I was picturing it like a.
Like, in, like, a sex shop where, like, there's, like, strippers and there's, like, like a people. Yeah.
[00:58:30] Speaker D: So I will say all of this could be in character, but, like, yes, that is. Got like, what I was. Was like, yeah, we can have.
There can be. Hey, you interested? Literally, a window to flirt through. These are two bedrooms. Get those animals out of here. And.
[00:58:45] Speaker B: But I thought it was representative of the entire cruise, like, the whole concept. But that's why I was so. That's why I was so.
[00:58:52] Speaker D: That's part of the.
[00:58:54] Speaker B: See what you're saying.
[00:58:55] Speaker D: Yeah. Like, you. It doesn't have to be the whole ship. It could just be right here. But also, it could be the whole ship. I could have many ideas for the ship to turn it into a. You know.
Yeah, yeah. No, it's gonna be called the sex. Get out of abalone Ass Baloney. Is what.
[00:59:14] Speaker A: Ass below me.
[00:59:18] Speaker D: Sss. Below me.
Amazing. All right, you guys. Will is never invited anywhere ever again.
[00:59:26] Speaker A: Ass below me.
[00:59:27] Speaker D: Ass below me.
So, yeah. Yeah.
[00:59:33] Speaker A: Okay. So you can make this prototype temporary sex window right now.
[00:59:39] Speaker D: Right now. I don't know how this will probably take me a while, but she. Sure I could try.
[00:59:43] Speaker A: Well, yeah, we. You said you were going to fix.
[00:59:45] Speaker D: The hole, but am I supposed to. So yeah, sure, I'll try it right now.
[00:59:51] Speaker A: You can't look worse than this piece of gesturing at the ragged hole. Yeah, sure, by a sword you could do it Will again. You can't make it worse.
[01:00:03] Speaker D: Oh, I could. If it's ugly as laugh at it immediately. It is ugly. But at least he knows there's a hole. If he walks in here and it looks hideous, he's going to kill. Kill us. This is not fun. I don't like. Oh, I mean this is a great cruise. I am so glad I signed up for this cruise.
[01:00:23] Speaker A: I. I don't think that's gonna flaw shimmy, aren't you.
[01:00:27] Speaker D: Shut up. You already lost one eye. All right, here we go.
[01:00:31] Speaker A: Okay. Window time.
[01:00:32] Speaker D: Yeah. And so yeah, I guess like he would cast like. I don't know if you want me to say this right now, but that's what he does for if you're switching to somebody else. He's going to work on casting creation to create like as big of like a pane of glass as he could. I don't know if that's allowed. I think it said 5ft by 5. I have to find the spells.
[01:00:54] Speaker A: We'll come back to that. Okay, so Bathwack and Rafina, you have.
[01:01:03] Speaker B: We've arrived at the watering hole.
[01:01:05] Speaker A: Maybe the fishing hole. The fishing hole.
[01:01:07] Speaker B: Yeah.
[01:01:08] Speaker C: So we're going downstairs.
[01:01:09] Speaker A: That is, wherever it is.
[01:01:10] Speaker B: It was downstairs, right?
[01:01:12] Speaker A: Yep.
[01:01:12] Speaker B: We're investigating for feathers and other signs. Or maybe the entire bird is the. Sorry, hit my mic.
[01:01:18] Speaker C: Is the owl bear still there?
[01:01:21] Speaker A: Yeah.
[01:01:26] Speaker C: We got to get the owl bear to the Albatross, right?
Should we drag it down the stairs?
[01:01:34] Speaker B: It feels very disrespectful.
[01:01:39] Speaker C: Like we did it.
[01:01:40] Speaker B: The owl bear bigger than Reed Thorin 3.
[01:01:43] Speaker C: Yeah, the owl bear is free.
All right, never mind.
[01:01:51] Speaker A: Burial. Let's see.
[01:01:54] Speaker B: Burial at 3.
[01:01:56] Speaker C: All right, what are we gonna do?
[01:01:58] Speaker B: Let's go to. So we're at the fishing hole and we're looking.
[01:02:01] Speaker C: All right, I'm. I'm fishing. I think we should call the Albatross.
[01:02:05] Speaker B: Why are you fishing? I didn't tell you to fish. Stop fishing.
[01:02:10] Speaker C: We're here. The albatross might want fish.
[01:02:13] Speaker B: Well, let's see if he's here first.
[01:02:16] Speaker C: Okay.
[01:02:17] Speaker A: Okay.
[01:02:18] Speaker C: Do we see the albatross?
[01:02:19] Speaker A: You do not see the albatross.
[01:02:23] Speaker B: Should we investigate something?
[01:02:24] Speaker D: Sure.
[01:02:25] Speaker A: Roll an investigation.
CH9 from Batwack.
And a 13 from Rafina.
You don't see any sign of the albatross here in the fishing hole?
Really don't see much of anything. It looks very similar to the last time you were here.
[01:02:52] Speaker B: I mean, I could call.
[01:02:53] Speaker D: I.
[01:02:53] Speaker B: You know, I can speak with animals. But he's more of a God than an animal, right?
[01:02:58] Speaker C: He's an animal, too.
[01:03:00] Speaker B: You want me to try it?
[01:03:01] Speaker A: Aren't we all?
[01:03:02] Speaker C: Yeah, I was gonna take a deep breath and then shout albatross.
[01:03:07] Speaker B: We'll do that first.
[01:03:08] Speaker C: Yeah, I'm doing that while you're figuring out how. Like whether he's an animal or not.
[01:03:12] Speaker B: Okay, well, you said he was, but go ahead.
[01:03:15] Speaker A: Okay.
[01:03:16] Speaker C: Did it.
[01:03:17] Speaker A: Albatross.
[01:03:19] Speaker C: I'm shaking my fist.
[01:03:23] Speaker B: Very unfriendly.
[01:03:26] Speaker A: Okay, so. Yeah, you hear in the distance.
[01:03:35] Speaker B: He can hear you talk some more.
[01:03:39] Speaker E: I don't. I don't.
[01:03:40] Speaker C: I don't think he's not. He's speaking albatross, though.
[01:03:44] Speaker B: Damn it.
[01:03:44] Speaker C: All right, Is it. Do we hear it clacking? I guess he has to land to clap.
[01:03:51] Speaker B: All right, I'm probably speaking with animals.
[01:03:55] Speaker A: Okay, Cast. Speak with animals.
[01:04:00] Speaker B: Albatross.
[01:04:02] Speaker C: All right, well, what does that sound like, though, in albatross?
[01:04:06] Speaker B: Sounds just like what Eric just played.
[01:04:08] Speaker A: Oh, he's just shouting his own name.
[01:04:12] Speaker B: There's more nuance in it than that. That's racist.
[01:04:15] Speaker A: You said it sounds just like what I played.
[01:04:18] Speaker B: Define just.
[01:04:20] Speaker A: No.
And you hear that? But you can understand it now, Rafina. And he's saying, yell my name again.
[01:04:39] Speaker C: Do you want to do it or should I?
[01:04:40] Speaker B: You don't know that he said that. Hey, Bathwick. He just said to yell his name again. Do you think he wants me to do it or does he want you to do it? Let's both do it.
[01:04:48] Speaker C: Let's. 1, 2, 3. Albatross.
[01:05:02] Speaker A: And you see a bird shaped shape in the distance.
And it wheels around in the sky and dives down at you guys here at the fishing. The fishing hole. And as it approaches, you can recognize the large form of the cross albatross. And it swoops down and flaps its wings a few times. You're kind of buffeted back against the back wall. And it settles down on the front railing there of the hole.
[01:05:36] Speaker B: Mr. Albatross.
[01:05:38] Speaker A: Yeah.
[01:05:39] Speaker B: What is. What is happening? Is he speaking in words that Bathpack can understand now?
[01:05:44] Speaker A: Yes.
[01:05:45] Speaker B: Okay. Everything is going crazy here and. Oh, yeah.
[01:05:52] Speaker A: I mean, does it have to do with the fact that I. I think I heard the death cries of a. A young owl bear?
[01:06:00] Speaker B: Listen, we really Tried.
[01:06:02] Speaker A: Okay, great.
[01:06:07] Speaker B: Did you know that the captain was actually a ferret?
[01:06:11] Speaker A: Uh, no.
What?
[01:06:15] Speaker B: So a ferret crawled out of the dead body of the Captain.
[01:06:19] Speaker A: Oh, that sounds gross.
[01:06:20] Speaker D: It was terrible.
[01:06:22] Speaker B: And now he's going to. He's very mean and very flirtatious.
[01:06:28] Speaker C: The owlbear killed the captain, and the captain killed the owlbear. And then the ferret climbed out of the captain.
Then the captain made us. Is gonna make us put on a show.
[01:06:44] Speaker A: Okay.
Well, did you like. What. What does this have to do with me?
[01:06:54] Speaker C: Well, it all started when you told us to free the owl bear.
[01:06:59] Speaker A: Yeah.
[01:07:01] Speaker C: And we did.
[01:07:02] Speaker D: Well.
[01:07:04] Speaker C: Well, and now you have wisdom to give us, right?
[01:07:13] Speaker A: I mean, if that's.
If that's how you would perceive freeing something. I. Perhaps I do have some wisdom to share.
[01:07:28] Speaker C: But are you a God or not? O.
Are you like that ferret?
[01:07:37] Speaker A: I don't know.
[01:07:37] Speaker C: Is your memory all clear?
[01:07:41] Speaker A: Yeah.
Yeah, it's all clear.
[01:07:45] Speaker C: Do you remember being back in the Amber Temple?
[01:07:49] Speaker A: The what?
[01:07:52] Speaker C: Don't lie to me.
[01:07:53] Speaker A: Oh.
[01:07:55] Speaker D: What?
[01:07:56] Speaker C: Who are you?
[01:07:57] Speaker A: You know my name.
[01:08:00] Speaker C: Yeah. Which one of them are you?
[01:08:02] Speaker A: Which one of what? What are you talking about?
[01:08:05] Speaker C: Which one of the gods?
[01:08:07] Speaker A: I told you, I'm the Cross Albatross.
[01:08:10] Speaker C: What's your real name?
[01:08:12] Speaker A: That is my name.
[01:08:14] Speaker C: I don't think so.
[01:08:16] Speaker A: Why would I lie about my name?
[01:08:18] Speaker E: Zone of Truth.
[01:08:20] Speaker A: I don't have it.
[01:08:21] Speaker B: But Rafina just yells it.
[01:08:25] Speaker C: And then I cast it.
[01:08:26] Speaker D: Ooh.
[01:08:28] Speaker C: Okay, if I can. Hold on. I may have no spell slots.
[01:08:33] Speaker D: Oh, no.
This is a long day.
[01:08:38] Speaker C: I have. That's it. My very last spells.
[01:08:41] Speaker B: You should try Eric can't see your sheep.
[01:08:44] Speaker D: I'm just kidding.
[01:08:45] Speaker C: That's right. I should do this style spell casting.
[01:08:49] Speaker A: I can't. I can. By the way, Abby, I'm going to.
[01:08:51] Speaker C: Cast a level nine spell.
[01:08:53] Speaker B: Oh, that's right, you can.
But will you.
[01:08:59] Speaker A: I'm looking right now at Abby's.
[01:09:02] Speaker D: Just an Abby.
[01:09:04] Speaker B: Abby has 14 spell slots.
[01:09:08] Speaker C: Yeah, I probably should have saved that spell slot for when I get into a fight with the Cross albatross very soon.
I'm being very rude.
All right, so Zone of Truth.
[01:09:23] Speaker A: Okay, so the Cross Albatross has to make a save. I believe that's right. So I just need to know your.
[01:09:30] Speaker C: Spell save DC a hundred seventeen sheet.
[01:09:38] Speaker D: Okay.
[01:09:43] Speaker C: I mean, the Cross Albatross is gonna. He's totally gonna save because.
[01:09:48] Speaker B: Well, I.
[01:09:49] Speaker D: Hope he doesn't.
[01:09:53] Speaker B: Be more.
[01:09:53] Speaker D: Also, maybe he's just a albatross. And it won't matter who knows? He's just a bird. He's not even a bird. God.
[01:10:02] Speaker A: Well, then what is it?
[01:10:03] Speaker D: What is it? What is it?
[01:10:04] Speaker A: The albatross rolled.
[01:10:07] Speaker D: What? You blew it. A natural one.
[01:10:10] Speaker A: Oh, my God.
[01:10:12] Speaker B: Sounded like there were so many dice. Really?
[01:10:15] Speaker A: It was one. Die.
[01:10:16] Speaker B: Wow.
[01:10:17] Speaker D: He rolled it 40 times, though, until he got a one.
[01:10:24] Speaker A: All right. Oh, my God.
[01:10:25] Speaker B: Pretty cool.
[01:10:27] Speaker A: What?
Oh, okay, with the natural one. This albatross has no idea that this spell is cast, even though I just yelled it. Yeah.
[01:10:39] Speaker D: Oh, my God. This is exciting. Okay.
[01:10:41] Speaker A: Why are you yelling? Zone of truth.
[01:10:44] Speaker B: Oh, sorry. That was me sneezing. That's what it sounds like when I sneeze.
[01:10:48] Speaker A: Oh, me. Bless you.
[01:10:56] Speaker D: I love it, too.
[01:10:58] Speaker C: Speak. Speak with cruise ships or something.
[01:11:01] Speaker D: Speak with cruise ship.
[01:11:04] Speaker C: No, really. Albatross. What's your name?
[01:11:06] Speaker A: My name?
[01:11:08] Speaker C: Yeah. Who are you?
[01:11:09] Speaker A: I mean, it's my name. I've told you my name many times. It's Randy.
[01:11:17] Speaker D: What?
[01:11:17] Speaker C: I forgot.
[01:11:18] Speaker A: I mean, what.
No, my name is. It's Randy. What?
[01:11:24] Speaker D: What the fuck?
[01:11:25] Speaker A: What? Whoa.
[01:11:27] Speaker B: He did figure out why he's saying the truth.
[01:11:30] Speaker D: Oh, my God. Ask a million questions.
[01:11:31] Speaker C: Where are you from, Randy? I mean, cross. Albatross.
[01:11:35] Speaker A: Yeah, that's my name.
Where. Where am I I from?
I. I don't know.
[01:11:44] Speaker B: Are you a God?
[01:11:47] Speaker A: I mean, I'm Randy. I'm Randy. I'm Randy.
I'm you.
[01:11:57] Speaker D: What the.
[01:11:58] Speaker B: Are you the flirtatious ferret? No, I'm not really asking that.
[01:12:01] Speaker A: You don't have a limited number of questions. Don't worry.
[01:12:04] Speaker D: Yeah, it's not like the dead question, whatever that is.
[01:12:07] Speaker B: I just didn't want to get us down the track.
[01:12:09] Speaker D: What's the time limit?
Hell, yeah. You better grab on.
[01:12:13] Speaker A: He's got it.
[01:12:14] Speaker C: But he's got to stay close to me.
[01:12:15] Speaker D: Yeah, exactly. Grab one.
[01:12:17] Speaker C: Yeah.
[01:12:18] Speaker D: Oh, geez.
What.
[01:12:20] Speaker A: What's. What's happening?
[01:12:23] Speaker C: Albatross?
[01:12:25] Speaker A: Yeah.
[01:12:26] Speaker C: Do you remember the Amber Temple?
[01:12:29] Speaker A: I. I don't know what that is.
[01:12:31] Speaker D: Oh.
[01:12:34] Speaker B: Are you a good God or a bad God? But I'm not.
[01:12:40] Speaker A: I. I don't.
I don't really believe in that.
[01:12:45] Speaker B: You don't believe in what?
[01:12:46] Speaker A: Good or bad?
[01:12:48] Speaker C: Oh, do you know the. Do you know the ferret?
[01:12:54] Speaker A: You told me the ferret came out of the Captain.
[01:12:57] Speaker C: Yeah. Have you met him before?
[01:12:59] Speaker A: No.
[01:13:00] Speaker B: Is the flirtatious. Is ferret a God?
[01:13:03] Speaker A: That sounds like it.
[01:13:06] Speaker B: How are you so powerful and not know anything?
[01:13:09] Speaker A: I mean, I.
I think I'm a God.
[01:13:14] Speaker C: Well, I think I'm a God, too.
[01:13:16] Speaker A: I'm Randy. No, I'm. I'm Randy. No.
[01:13:20] Speaker D: No.
[01:13:21] Speaker B: Why aren't you using your real name, Randy?
[01:13:23] Speaker A: I.
I'm trying.
What did you do to me? I don't like this.
[01:13:31] Speaker B: Why don't you call yourself Randy all the time?
[01:13:34] Speaker C: Why did you want the Owlbear?
[01:13:38] Speaker A: I. I didn't want the owlbear.
I didn't like hearing it. It sounded sad.
[01:13:47] Speaker C: Oh.
What were you going to tell us?
[01:13:53] Speaker A: Well, I was.
Well, one.
I was going to show you that it's probably not best to approach Gully's End by sea because they're watching the ports very carefully.
Wait, you didn't free the.
Why am I saying this?
What is.
[01:14:18] Speaker B: I think it's time for you to start believing. And good and bad. Because you are doing some good things by the things you're saying. And she pats his webbed foot.
[01:14:27] Speaker A: I don't. I don't know. This is strange. I was also going to.
I was going to tell the one who was not very respectful to me that there's someone that he is thinks about a lot. I think he loves there.
[01:14:50] Speaker B: Yeah, we know that one.
[01:14:51] Speaker A: Okay, well, he's alive. And I was gonna try to point him in the right direction.
[01:14:56] Speaker D: Oh.
[01:14:57] Speaker B: Oh, he's talking about. He's not talking about Roscoe.
[01:15:01] Speaker D: Oh, I thought he was talking about Roscoe.
[01:15:02] Speaker B: Me too.
[01:15:04] Speaker D: Wait, what did you just say? I didn't write it down.
This is somebody he thinks about a lot. What did you say?
[01:15:12] Speaker C: I think we better stop talking with cruise ships soon.
[01:15:17] Speaker B: Why do you keep saying cruise ship?
[01:15:21] Speaker C: We should stop the Zone of Truth. But anymore. What else do we want to say to this guy?
The owl bear isn't.
The owl bear isn't sad anymore.
[01:15:35] Speaker A: Yeah, and I guess I kind of just gave you what I said I would give you. Anyway.
This doesn't feel good, though.
[01:15:44] Speaker C: We really didn't want the Owlbear to die. The captain locked down the ship so it couldn't get away.
[01:15:53] Speaker A: Okay, well, but that's.
[01:15:56] Speaker C: Maybe that's our fault.
[01:15:59] Speaker A: It's all kind of moot now.
[01:16:02] Speaker B: We're sorry, Randy.
[01:16:05] Speaker A: What? What is Randy?
[01:16:08] Speaker B: Why don't you want to use your name? Why don't you want to use the name Randy? It sounds like it's your name.
[01:16:13] Speaker A: I'm. That's not my name. My name is Randy. What?
What is this?
[01:16:20] Speaker C: It's the truth.
[01:16:23] Speaker A: I.
[01:16:26] Speaker C: How are your memories, Randy?
[01:16:29] Speaker A: My memories? They are.
[01:16:31] Speaker C: They split like mine.
[01:16:34] Speaker A: They go back as far as time itself. About two weeks.
[01:16:41] Speaker D: Oh my God.
[01:16:44] Speaker B: Oof.
[01:16:45] Speaker A: Two weeks?
No, that's not right. Time is two weeks. No, I'm.
I'm.
[01:17:03] Speaker D: Oh, my God. Whoa.
[01:17:05] Speaker A: And then he turns around, flies away, and lets out a torrent of sweet smelling shit as he goes.
[01:17:16] Speaker C: What the fuck?
[01:17:20] Speaker D: Well, what the fuck?
[01:17:25] Speaker C: Whoa. That was really weird.
[01:17:30] Speaker B: Randy.
[01:17:34] Speaker A: Roscoe.
Okay, Roscoe, are we ready?
[01:17:45] Speaker E: Yeah, yeah, yeah, yeah, I'm ready. Are you ready?
[01:17:48] Speaker A: I mean, yeah. Do you think we should we tell everybody, like, what to do ahead of time or should we kind of spring it on him as we go?
[01:17:56] Speaker E: Oh, I'm taking notes. We'll let him know.
[01:17:59] Speaker A: Oh, okay. I just didn't know if like, some spontaneity would help or with some of the iffy parts, you know?
[01:18:08] Speaker E: I mean, I think there's gonna be plenty of spontaneity no matter what, so.
[01:18:14] Speaker A: Okay.
[01:18:15] Speaker E: But I think we got a lot of good stuff.
[01:18:17] Speaker A: Sure, sure. I mean, like, should we. Should we all, like, rehearse together overnight or should we just give people their, their parts and they can work on it on their own?
[01:18:29] Speaker E: I'll just. I'll just give them. I'll just give them the script right before the talent show.
[01:18:33] Speaker A: Okay.
[01:18:34] Speaker E: They'll have it. So I guess. Yeah, just bring it.
[01:18:39] Speaker A: I liked your idea of saying it had to happen in the morning so we get more time.
[01:18:45] Speaker E: Yeah, yeah, yeah, yeah. Gives us the night to kind of prepare.
I thought your idea about having the talent show up in the same place where the games were, I thought that was inspired.
[01:19:00] Speaker A: Thanks.
[01:19:00] Speaker E: I think the more we can kind of put the ferret captain, whatever the fuck he is, in like a good mood. Depends.
[01:19:10] Speaker A: Sure.
And like, up above deck, there's fresh air. You could like dive off boat and catch fish if you want to, if you're hungry.
[01:19:23] Speaker E: Yeah. Or dive off to like, escape the wrath of a quasi God. Yeah.
[01:19:31] Speaker A: Yeah, sure.
This is pretty cool. I never thought. I mean, I liked going with everybody to try to meet gods. I never thought I would give talent show to God.
[01:19:46] Speaker E: Yeah, well, this is a big one. And Mo, you know, this is. You're basically kind of the main character.
[01:19:55] Speaker A: Of, like my life after.
[01:19:58] Speaker E: For the, For. For what we're gonna do in the talent show. It all kind of hinges on. On you.
[01:20:04] Speaker A: So I'm the main character in the talent show.
[01:20:07] Speaker E: Not my life, though, presumably also your life. Yeah, I would hope so.
[01:20:15] Speaker A: I mean, if I'm not. It takes pressure off.
[01:20:21] Speaker D: I don't know if you even remember. The ferret literally asked that question last time I heard that in the. Did you hear that? In the recording, Ferret asked us if we consider ourselves the protagonists in our own story. And Will was like, well, I hope we get to consider ourselves the protagonist.
[01:20:35] Speaker E: I totally do not.
[01:20:37] Speaker B: That's so funny.
[01:20:40] Speaker D: I feel like Mo would still be thinking about that.
[01:20:43] Speaker C: Yeah. Because I found it disturbing. I was like, oh, man.
[01:20:46] Speaker D: Yeah.
[01:20:47] Speaker C: No control.
[01:20:48] Speaker D: Yeah.
[01:20:51] Speaker E: Now.
[01:20:52] Speaker D: So.
[01:20:53] Speaker E: So anyway, huh. No, no pressure on you for the talent show, but. But you know, you gotta make sure you're ready. You gotta rest up tonight. Sure.
[01:21:02] Speaker A: I'm the only one that can sleep on me and she.
[01:21:05] Speaker E: And you're gonna have to memorize your lines and everything.
[01:21:08] Speaker A: Oh, I have to remember this.
[01:21:10] Speaker E: There's like.
[01:21:11] Speaker A: You wrote like eight pages.
[01:21:14] Speaker E: Can you read?
[01:21:16] Speaker A: No.
[01:21:17] Speaker E: Yes. So memorize.
[01:21:21] Speaker A: That's a good point.
You can't be a book when you can't read.
[01:21:26] Speaker E: Oh, no, right, Exactly.
[01:21:29] Speaker A: That's one of those old sayings in theater.
[01:21:33] Speaker E: You can't be on. Let's say it at the same time say the same thing.
You can't be on book if you can't read.
[01:21:45] Speaker B: Well, they did pretty well. It's not funny when you do it right.
[01:21:48] Speaker E: Listen, I wouldn't. Don't be too.
[01:21:50] Speaker A: When we had the line ahead of time.
[01:21:51] Speaker D: It helps. Yeah, yeah, right.
[01:21:54] Speaker E: That's not that special.
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