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Episode Transcript
[00:00:00] Speaker A: Fun. If you subscribe to our Ko Fi on tinyurl.com supportpfd Rafina will be able to buy new boob socks.
[00:00:08] Speaker B: Support elderly halfling breasts. Support pork fried dice. Yay.
[00:00:16] Speaker A: You're listening to the show about switchback penis. It's pork fried dice.
I'm Eric and I'm the dungeon master.
[00:00:27] Speaker C: I'm Abby and I play Rafina.
[00:00:30] Speaker D: I'm Alex.
[00:00:31] Speaker A: Play Batwack.
[00:00:34] Speaker B: I'm KT and I play Will.
[00:00:37] Speaker E: I'm Adam and I play Rosco.
[00:00:42] Speaker A: Hold on to your hacksacks. Let's roll.
Mr. Rogers needed to have, like, a special of, like, how these pies were made.
[00:00:54] Speaker C: Yeah.
[00:00:54] Speaker A: One of those things were from the. What was the thing?
Like, you would see how, like, crayons were made and stuff like that.
[00:01:01] Speaker B: Those are the best ones.
[00:01:02] Speaker E: He'd go visit his neighbors, the three women next door.
[00:01:06] Speaker A: Huh?
[00:01:07] Speaker E: Make eyes.
[00:01:08] Speaker A: He would dip his feet in the same waiting pool as them.
[00:01:14] Speaker B: Oh, yes. Oh, my God. Mr. Rogers.
[00:01:16] Speaker E: We need Mr. No, they. Yeah. These women might eat children.
[00:01:24] Speaker A: No, no.
I don't like where I'm going.
[00:01:30] Speaker E: I don't like.
[00:01:31] Speaker C: Not too late to turn down comparing.
[00:01:34] Speaker B: Black people to people who eat children.
[00:01:37] Speaker C: Oh, yeah, that's. Yeah, that's good, Adam.
[00:01:42] Speaker B: Oh, my God.
[00:01:43] Speaker E: Well, this is.
[00:01:45] Speaker B: Yes, definitely. This is Adam's sliver counter self.
[00:01:50] Speaker E: Wait.
[00:01:50] Speaker B: But like.
[00:01:54] Speaker E: It'S that I'm trying to puzzle through all of this.
[00:02:01] Speaker A: Good.
[00:02:02] Speaker B: It'll work one day. Write it down. Just start workshopping it.
[00:02:06] Speaker E: Anyway, I guess it's kind of up that he had to do the. The thing in the pole in the first place. Right? This is me.
[00:02:14] Speaker A: Cool. In the Mr. Rogers. The fact that that had to happen.
[00:02:18] Speaker B: Yes.
[00:02:18] Speaker E: I'm just saying. Wait, the racism is bad?
[00:02:21] Speaker B: Yes, yes, yes.
[00:02:25] Speaker A: Good, Adam. Keep going.
[00:02:28] Speaker E: Racism bad. Yeah.
[00:02:32] Speaker A: Huh.
[00:02:34] Speaker E: Sexism good.
[00:02:38] Speaker B: Very interesting.
[00:02:40] Speaker C: Interesting direction.
[00:02:42] Speaker A: What are we doing?
[00:02:43] Speaker B: What would Mr. Rogers do?
[00:02:45] Speaker E: When God closes a door, he opens a window.
[00:02:49] Speaker C: I love like on a Boeing airplane.
[00:02:51] Speaker A: I loved when Mr. Rogers stuck his finger in the same teacup as a vagina.
[00:02:58] Speaker B: What the fuck, Eric?
[00:02:59] Speaker A: What to say? Sexism is wrong, right?
[00:03:05] Speaker E: You took the joke too far.
[00:03:06] Speaker C: I thought that.
[00:03:07] Speaker B: I don't really do it.
[00:03:08] Speaker C: Mr. Rogers did just the vagina have a finger? I'm so confused, Eric. Do you see why that doesn't work?
[00:03:17] Speaker E: Wait, now he's the one puzzling through it. Come on, Eric, you got this. Finger race isn't bad.
[00:03:24] Speaker A: Vagina.
[00:03:25] Speaker C: Vagina. No fingers.
[00:03:26] Speaker A: I heard those in the same sentence before.
Yeah, but you're saying.
Oh, that head tilt. Tilts for the podcast.
[00:03:40] Speaker C: Yeah.
[00:03:40] Speaker B: This is all so keepable.
[00:03:43] Speaker A: Sorry, Future kt.
[00:03:46] Speaker E: Keepable.
[00:03:47] Speaker A: All right, so will you go up the stairs, right?
[00:03:54] Speaker B: Yeah.
[00:03:55] Speaker A: Okay.
[00:03:57] Speaker B: Bat she behind me.
[00:03:58] Speaker A: Behind you. Bat him.
[00:04:01] Speaker E: Oh, but Rosco's definitely. Who's next? Who's with Roscoe? Roscoe would. Would grab bath wax. Like, shoulder. Be like. He's just. I.
He probably can't even form words right now, but he blanches. Roscoe blanches.
[00:04:17] Speaker A: Oh, boy.
Sorry, Roscoe.
So, yeah, bathwack. Roscoe grabs you and blanches.
[00:04:25] Speaker D: I. I look at Roscoe and the woman and then I.
I turn aside a bit and show Roscoe that I. That I have one hand on the. On the hilt of the sword.
[00:04:46] Speaker E: Nice.
[00:04:47] Speaker A: Are you back to sword or are you on mace?
[00:04:51] Speaker D: Back to sword.
[00:04:52] Speaker A: Okay. Also, he can't see that because you look like kick.
[00:04:55] Speaker E: He.
[00:04:55] Speaker D: He can't see that.
[00:04:57] Speaker A: I'm assuming you don't have a visible sword. Right. Your hand is on the hilt of your fishing rod. Right.
[00:05:04] Speaker D: Oh, that's interesting. I actually thought the fishing rod was real, right?
[00:05:08] Speaker B: The fishing rod is real.
[00:05:09] Speaker A: Okay.
[00:05:10] Speaker D: Yeah.
[00:05:10] Speaker A: Then you just put your hand somewhere.
[00:05:13] Speaker B: Near your hip doing a sassy pose.
[00:05:15] Speaker A: Yeah.
[00:05:16] Speaker D: I mean, I sort of assumed that if I feel comforted that if I. Because I'm actually wearing. I mean, most of everything I'm wearing is real.
[00:05:24] Speaker A: Yes, that's true.
[00:05:26] Speaker D: So I was sort of assuming I could.
[00:05:29] Speaker A: Sure.
[00:05:29] Speaker E: Roscoe gets it. He turns to his side and he shows you. He has his hand on his mustard pouch.
I love a really big goblin. Mustard, right? What?
[00:05:42] Speaker A: Mustard.
[00:05:43] Speaker B: Right where?
[00:05:44] Speaker A: Right there.
[00:05:45] Speaker B: Wow.
[00:05:46] Speaker A: Yeah.
[00:05:46] Speaker B: Thanks.
[00:05:47] Speaker A: You're welcome. So, soundboard. Hey, don't give me that look.
[00:05:51] Speaker B: I'm giving everyone else that look.
[00:05:53] Speaker A: Okay. Thank you. Appreciate it. All right, so will you head up into this room, which as you take a few steps up, it is.
It is uncomfortably warm.
It is a big, round, circular room. Seems to still be hewn out of stone.
There is a. The heat and light are emanating from this huge oven which is roaring away on one side of the. Of the room.
Looks like there are some sort of food being prepared in here. You see flour coated surfaces and crates and barrels of different good. Some of them are open, some are closed. You see a bushel full of beets sitting over in the corner.
[00:06:50] Speaker B: Oh, jeez. I blanch.
[00:06:52] Speaker A: Blanch at the beets.
[00:06:53] Speaker B: I'm blanching.
[00:06:54] Speaker C: Bushel of what?
[00:06:55] Speaker B: A bushel of beets.
[00:06:57] Speaker F: No.
[00:06:59] Speaker A: Boo.
And there is a set of stairs leading up. And there is a door like a normal door, not a Trapdoor in. In the wall sort of over to your right a little ways.
[00:07:16] Speaker B: Is this. Does it look like the inside of where we saw them before?
[00:07:19] Speaker A: Almost exactly.
[00:07:20] Speaker B: Okay, that is very. I feel like I'd probably have to roll some. I'm. I don't want to negate my own performance, but I feel like that will definitely throw Will off. Like, walking back into this room, I remember trying to explode things, and nothing was working. My eldritch blast sucked and, like, oh, man, that was such a failure of a battle. We all totally died.
[00:07:43] Speaker A: You all fell asleep.
[00:07:44] Speaker C: My first one ever.
[00:07:45] Speaker B: Yeah. Yeah. And we lost big time. And you tried to warn us to not go there. Oh, God. Will. I think Will, if he gets to the top of stairs, he turns around and his eyes are wide like this, trying to, like, look at Rafina, like, because that was scary. Rafina died. Everybody died.
Who's coming up next? I don't know what the order is in there.
[00:08:06] Speaker A: Shimi.
[00:08:07] Speaker B: Well, I know she me's behind me. I make sure Shimi is behind me. That lady cannot access Shimi.
[00:08:12] Speaker A: Yeah. So you all.
You all come up and Roscoe, you recognize it, too, as sort of the. The place where you. You found these women. It was, like this abandoned. You don't think it was theirs, but it was this abandoned bakery where they seem to have set up their. Their base of operations.
And it looked almost exactly the same to you?
[00:08:37] Speaker B: There were chickens, I remember.
[00:08:39] Speaker A: Yep.
[00:08:39] Speaker B: Were the chickens in here?
[00:08:41] Speaker A: Crates of chickens?
Yeah.
[00:08:45] Speaker D: Are there bones here? Just like you.
[00:08:48] Speaker A: Don't see any bones.
[00:08:50] Speaker D: No bones.
[00:08:53] Speaker A: Yes. Please come. Come make yourself comfortable. Warm yourself by my fire.
[00:09:00] Speaker D: What are you making?
[00:09:02] Speaker A: Oh, well, we here at the lighthouse like to keep ourselves busy, and people seem to take an interest from far and wide. We have people who come to pick up shipments of our delightful cream pastries.
[00:09:23] Speaker B: Where do you get the cream?
[00:09:27] Speaker A: That's a personal question.
Oh, we. We render it down from a goat's milk, from our goats. We have outside.
[00:09:40] Speaker G: These.
These pastries, these pies. I imagine you have to bake them in an over a fire. Is that right?
[00:09:54] Speaker A: Yes, that's right. That's what our. Our stove here is for. Would you all like to have some? I'm sure you've been through a lot.
[00:10:01] Speaker C: We all at the same time yell no.
[00:10:04] Speaker B: Yeah, I realized that some of us might have eaten one already. Yeah, I know. Mo doesn't know, and I. Some of them. Somebody ate Roscoe. Was it Roscoe?
[00:10:13] Speaker C: Did you eat up pastry?
[00:10:14] Speaker E: Roscoe did eat one earlier. Now he's feeling like, he's feeling all. Like his throat is all dry and he's, like he's blanching and.
[00:10:25] Speaker C: Yeah, he's still playing because he's allergic to goat's milk. Right.
[00:10:29] Speaker E: And he's, like, feeling like he. This is weird. It's weird that this. These. Is it still just the one woman or all three of them now?
[00:10:36] Speaker D: Yeah, I was just gonna say. I was just gonna say. Where. Where are the others?
[00:10:41] Speaker A: What's that? The other pies.
[00:10:42] Speaker D: Where are the others? They're in the oven.
[00:10:44] Speaker E: Oh, no.
[00:10:45] Speaker D: Aren't there.
Aren't there three of you?
[00:10:48] Speaker A: Oh, yes, my. My sisters. Bella's up tending to the. To the light. It's dark is. Is coming, and we need to make sure that's. That's going strong. And Ofalia was out gathering wood. She should be back soon.
[00:11:06] Speaker C: Well, and what is your name, ma'am?
[00:11:08] Speaker A: Oh, I'm Morgantha. Pleased to meet you.
[00:11:12] Speaker E: Rasco, I guess.
[00:11:15] Speaker G: How.
[00:11:16] Speaker E: How.
[00:11:16] Speaker G: How hot does the fire need to be to make decent Dec.
[00:11:24] Speaker D: Meanwhile, Kick is walking around the room, kind of turning things over and kind of in a clumsy way, like, sort of careless, you know.
[00:11:34] Speaker E: Rascoe's trying to get a read on. Does talking about the fire, hearing him say fire, like, trigger any does. Is there a noticeable kind of like, insight reaction to him dwelling on the fire?
[00:11:49] Speaker A: You can give me insight. And Bathwack, you can give me investigation.
[00:11:56] Speaker E: I rolled a 10. Insight.
[00:12:01] Speaker A: She doesn't seem to be phased by your. Your mention of. Of fire.
Meanwhile, Batwack, he rolled a natural 20 minus 1 minus 1. So 19.
So, Roscoe, you don't. She doesn't seem to be too fazed by your repeated mention of flame and fire. She starts going into a detailed explanation of. Yes, the fire has to be warm for XYZ baking reasons. It's this special process they've developed where they. They're almost flash baked, so that way the inside still stays soft and creamy while the outside gets nice and flaky and crisp.
[00:12:55] Speaker E: Roscoe blanches at the fact that the recipe doesn't contain mustard.
[00:12:59] Speaker B: Yeah, it's disgusting.
[00:13:03] Speaker C: And that the pie doesn't get blanched.
[00:13:06] Speaker B: Yeah, yeah.
[00:13:08] Speaker E: You don't boil it.
[00:13:10] Speaker A: And then quickly.
Yeah, Yes.
[00:13:15] Speaker E: I googled blanching five minutes ago.
[00:13:18] Speaker B: Oh, my God.
[00:13:20] Speaker C: Oh, we get to have the process revealed.
[00:13:24] Speaker B: Yay.
[00:13:24] Speaker A: It's like a Mr. Rogers episode.
[00:13:26] Speaker B: Yes, it is exactly like that.
[00:13:31] Speaker A: But with a natural 20 minus 1 investigation. Kick. Yeah. You start opening and kicking about the different containers and whatnot. There's a large cabinet that you open up you find various things. You see the beets, there's sheaves of wheat, as well as freshly milled flour. There's these chickens in these. These cages, which seem, despite being caged, relatively well cared for. You hear through a small window the bleat of a goat from outside.
In the cabinet, you find various bottles of different substances with. With different labels on them. You see, one says mother's milk.
[00:14:20] Speaker B: Oh, my God, that is so fucking weird. You just got rid of that?
[00:14:26] Speaker C: Yeah, just.
[00:14:28] Speaker B: Just. That's so weird.
[00:14:31] Speaker E: Wait, what?
[00:14:31] Speaker B: He just put that on the guy that just died. He put that on the counter to trade for the ruby or whatever he took from that guy.
[00:14:39] Speaker D: I'm taking. I'm taking back.
[00:14:42] Speaker B: Oh, my God, that's weird.
[00:14:43] Speaker D: Is there you one labeled youth?
[00:14:45] Speaker A: Yes, there is.
[00:14:46] Speaker D: I'm taking it.
[00:14:48] Speaker C: What else? What else? What else?
[00:14:50] Speaker E: Like, sneakily.
[00:14:51] Speaker A: Are you sneaky?
[00:14:52] Speaker B: Does he have to roll, like, slightly?
[00:14:55] Speaker D: I'm just gonna look if she's looking the other way. And when she's looking the other way, I'll just pocket it.
[00:14:59] Speaker A: Okay. You still gotta give me a sleight of hand for that. For sure.
[00:15:02] Speaker C: He rolled a 20.
[00:15:03] Speaker D: That's on investigation for investigation. Now I'm gonna roll something horrible for sight of him.
[00:15:07] Speaker C: There has to be something good about it.
Okay, I'm being unfair.
[00:15:13] Speaker E: Well, you're not wrong. There we go. Eighteen slaying hand.
[00:15:17] Speaker B: Wow.
[00:15:18] Speaker A: Yeah. She's in depth in the middle of her conversation with you, Roscoe. More of a monologue than a dialogue, I suppose. Maybe. I don't know, maybe you're trying to interject with her. Need to include some version of mustard or mustard seed at any point in the process.
[00:15:35] Speaker E: But Rasko's not interjecting. He's blanching.
[00:15:39] Speaker B: Got it.
[00:15:40] Speaker A: And so, yeah, you're able to slip that bottle into your. Into the inner recesses of your garments.
K.
[00:15:53] Speaker D: All right. Add it to inventory.
[00:15:56] Speaker B: Wow.
Do I see that?
[00:15:59] Speaker D: So weird.
[00:16:00] Speaker A: Yeah, sure. You could see that's just being useful.
[00:16:02] Speaker E: He might not have had a good inside role, but he was distracting her.
[00:16:07] Speaker A: He's not trying to hide it from you, Will. So, yeah, you can.
You can see that.
[00:16:12] Speaker D: I turn around and look at Will.
[00:16:14] Speaker B: I. I make a big deal and talk about talking to the lady about whatever boring thing she just said. I'm, like, really like whatever it was, baking wise. Wait, have you tried. My Aunt Susan liked to.
[00:16:27] Speaker D: You know, I'm gonna keep searching.
[00:16:31] Speaker B: Added just a little bit of this, like, caramelized milk to her cream pies. I haven't tried Yours. But, you know, it was. They were something special to me. Her cream pies.
[00:16:44] Speaker A: Oh. I mean, well, we're pretty well set in our ways here, but maybe it would be an interesting thing to taste. Maybe I'll try that sometime.
[00:16:53] Speaker D: I'm going to swipe the mother's milk. Is it.
Is it. Is there a place where this is being assembled, where they're, like, making another batch right now?
[00:17:04] Speaker A: It looks like maybe they're in between, or maybe there's something in the oven that they've. They've whipped together. It's relatively tidy. There isn't stuff strewn about.
[00:17:12] Speaker D: I see.
Do I need to roll again to swipe mother's milk, or can I just take them?
[00:17:17] Speaker A: No, you're good.
[00:17:18] Speaker B: What I like is that I like. I saw him steal the first one. I'm like, okay, he's just stealing something interesting. And then as I'm distracting, I see stealing more. And now I'm like, God damn. What is it? How long. What are we stealing? What is this place? I have no idea what's going on. I don't know why I'm distracting.
[00:17:34] Speaker A: And he. And she sees you lose, like, focus a little bit in the conversation, and she seems to. To remember something as well. And she turns and shuffles over to the. To the stairs and. And calls up, bella, Bella, come down.
[00:17:51] Speaker F: We have company.
[00:17:54] Speaker D: I'm gonna walk over to Will, and I'm gonna say, I think. I think they're witches.
What you find, I'll. I'll palm him. The mother's milk vial.
[00:18:12] Speaker B: Gross. What the is that?
[00:18:15] Speaker D: But you don't. Oh, you know what it is? This is. I've had. I was carrying this around for a long time in. In Barovia.
So I'm sure we would have had. I don't know if I would have. Maybe I didn't trust you then. I didn't talk to you. I don't know.
[00:18:27] Speaker B: I don't know. You never. I don't.
[00:18:28] Speaker D: Maybe this is the first time you're seeing it. All right.
All right. Well, I'll take it back. Like, these are the same things that I found in. In Barovia.
[00:18:39] Speaker B: Okay.
[00:18:40] Speaker F: All right.
[00:18:41] Speaker B: Well, like, Rafina has weird in her pocket, so we gonna kill her, too? I think we need to, like, let's just get out of here. You know, we could just leave. They're not preventing us from leaving. We just leave.
[00:18:54] Speaker D: You don't think they're killing children, do you?
[00:18:56] Speaker B: Who knows? I don't. I hope not. But is it our business? We have to get To Gully's end.
[00:19:00] Speaker E: Yeah.
[00:19:01] Speaker D: It's our business.
[00:19:02] Speaker C: Rafina casts speak with the animals.
[00:19:07] Speaker B: Smart.
[00:19:08] Speaker C: She goes over to the chickens.
[00:19:11] Speaker A: Okay.
[00:19:14] Speaker C: And she starts clucking at him.
She. She puts her thumbs into her armpits and waggles her elbows as if that helps the process. She's like flapping potato wings.
[00:19:27] Speaker A: For sure.
[00:19:28] Speaker G: Yeah.
[00:19:29] Speaker C: She asked the chickens. So what's. What's. What's up with these ladies? Are they. What? What. What do you know? Chickens. Give me the dirt.
[00:19:37] Speaker F: You can hear us? Let us out. Let us out. Let us out. We hate being in here. We hate it. Let us out.
[00:19:45] Speaker C: Don't you get food?
[00:19:46] Speaker F: Not enough.
[00:19:47] Speaker C: It's relatively well cared for.
[00:19:49] Speaker F: I don't like it. I want to be free. Please let us out. Let us out.
[00:19:54] Speaker A: And there's just this cacophony of clothes plucking and whatnot. And she turns around. Hey, get away from my birds. She shuffles over and pushes you back from them.
Stop bothering them.
Like, she kind of wedges herself in between. She doesn't, like, shove you, but she kind of like bustles over and wedges her body in between you and the stack of cross crates of chickens.
[00:20:25] Speaker F: They're there.
[00:20:26] Speaker A: That's all right.
[00:20:28] Speaker C: And did the chickens calm down?
[00:20:30] Speaker A: No, they're still going.
[00:20:31] Speaker F: Please. Please help us. You can understand us. Help us. Let us out.
You're one of us.
[00:20:40] Speaker C: You are Queen Goddess.
[00:20:43] Speaker F: The chicken goddess has come for us.
[00:20:45] Speaker B: Oh, this is perfect.
[00:20:47] Speaker F: Release us from our hell.
[00:20:52] Speaker C: Rafina says. Tell me something I can use to help release you. Then give me some information.
[00:21:00] Speaker A: Yeah. That's all you're hearing from Rafina. Keep that in mind.
[00:21:03] Speaker F: What the fuck? Rafina.
[00:21:04] Speaker B: We gotta get out of here, guys. We're gonna. This is gonna be like another ship crash. What I just learned. Shipwreck killer.
[00:21:12] Speaker F: She takes our babies. She kills us and eats us.
[00:21:16] Speaker C: Well, that's kind of normal.
[00:21:19] Speaker E: That's normal.
Imagine being a chicken and you meet your savior, the ch.
[00:21:25] Speaker B: God.
[00:21:26] Speaker A: Yeah. Do you use that in. In common or in chicken?
[00:21:31] Speaker C: She sort of says it to herself, so, no. She's not putting any chicken effort into. Exactly.
[00:21:38] Speaker A: I could see you getting lost in it. Like you. Don't you forget you're talking in that language.
[00:21:43] Speaker C: Yeah, yeah, yeah. So there's sort of a. It's an aside.
[00:21:50] Speaker A: It's kind of overwhelming at this point.
[00:21:52] Speaker B: And Rafina is still Brookhawking, too. Or no more.
[00:21:56] Speaker A: I'm not sure.
[00:21:58] Speaker C: She. She turns back to them. How long. How long have you been with this lady?
[00:22:04] Speaker F: It feels like our whole lives.
[00:22:07] Speaker C: Oh, she goes back into common tongue. These. These birds are useless.
[00:22:13] Speaker E: Rusk is going to try to be talking to the woman.
[00:22:15] Speaker G: He's like, ah, sorry about my friends. She's got kind of like a reverse parrot situation.
[00:22:22] Speaker F: Yes.
[00:22:23] Speaker G: Where when birds start clucking at her, she has to cluck back.
[00:22:29] Speaker A: Oh, she's. But she's disturbed by ladies here. These are my layers.
[00:22:34] Speaker F: It's okay.
[00:22:35] Speaker E: We've.
[00:22:36] Speaker G: We've had hard travels.
I couldn't help but notice that this lighthouse was shaped like somebody. I couldn't quite make out who it was.
[00:22:48] Speaker A: Who is.
[00:22:49] Speaker G: Who is this lighthouse? Reflect.
[00:22:52] Speaker A: She turns to you and her eyes narrow and she says, you. You don't recognize our king?
[00:23:03] Speaker G: The king?
[00:23:03] Speaker B: I'm not.
[00:23:04] Speaker G: I'm not from around here, I'm afraid.
[00:23:06] Speaker A: That's King Batwack.
[00:23:10] Speaker E: Oh.
[00:23:13] Speaker A: Well, who else would it be?
[00:23:18] Speaker G: I think I've heard of him.
[00:23:19] Speaker B: Yeah.
[00:23:20] Speaker G: Yeah, yeah. Any.
Any news? Any. Any word, late developments from. From this area?
[00:23:33] Speaker A: I mean, we don't get too many out this far. I. I think we've heard a few murmurs of. Maybe he's gone somewhere. I'm not sure.
[00:23:43] Speaker G: Well, but how about just about here in golly's hand?
What's going on here?
[00:23:51] Speaker A: Oh, I mean, it's been. It's been pretty quiet. We. We. We keep ourselves somewhat removed from the. The goings and comings of the. That bustling metropolis over there.
[00:24:04] Speaker B: But you felt very powerful about King Bathwack.
[00:24:07] Speaker A: Well, he's our king.
[00:24:08] Speaker B: Okay.
[00:24:09] Speaker A: But we tend his lighthouse.
[00:24:12] Speaker B: Does he come here specifically?
[00:24:15] Speaker A: Oh, I've never met him.
[00:24:16] Speaker B: Okay.
Will is not sure what to say about.
I think he's not going to say anything yet.
[00:24:24] Speaker G: We just came from.
From Bear Toggle, and I was just asking because, you know, I. I don't know.
[00:24:31] Speaker E: News.
[00:24:32] Speaker G: You know, news is good to have. And in Bear Toggle, there was.
There was this kid who went missing.
And I don't know if is. Is if there's like a new. Like a. Like a rash of kids going missing.
Would that happen to you?
[00:24:56] Speaker E: Does that sound familiar to you?
[00:24:59] Speaker A: Yeah.
[00:25:00] Speaker D: What would the king say if king kids went missing?
[00:25:03] Speaker A: Oh, I'm sure he wouldn't like it. I mean, I've never.
[00:25:07] Speaker E: Inside check.
[00:25:08] Speaker A: Go for it. I've never been.
[00:25:11] Speaker B: Can I do inside check, too?
[00:25:12] Speaker A: Yeah, whoever wants to can. I've been. Never been that partial to children myself. They're a bit of a nuisance more than anything I would say, but.
[00:25:22] Speaker D: Because they keep getting away.
[00:25:26] Speaker A: What? No, I've never had them.
[00:25:29] Speaker G: Oh.
[00:25:32] Speaker D: I mean, other people's children. They keep getting away.
[00:25:36] Speaker A: Well, it's. You say it's. That sounds like there's some, some disappearances. What do you think they're all runaways or will as a fortune they run.
[00:25:46] Speaker D: Away here or do they run away from here?
[00:25:49] Speaker A: This isn't a suitable place for children. It could be dangerous for them.
You the 14 and a 16.
Okay? Yeah. You don't think she's trying to pull one over on you guys?
And then the, the door not up and not the trapdoor, but the door in the wall flings open and, and a woman strides in. She's younger than Morgantha is, but dressed similarly. And she, she comes in, says, what's going on in here? These chickens are freaking me out.
Oh, we have visitors. Ofalia. There's, there's these, these poor people have suffered a shipwreck and came all the way up from down below and are here and one of them, this one here was clucking at our birds and seemed to upset them so.
[00:26:56] Speaker C: Oh, I'm not upsetting them.
I was just checking in with them. I sometimes. Can we hate it here, please?
Attune myself with birds. It's an unusual habit of mine.
[00:27:09] Speaker F: We're upset. We are upset.
[00:27:12] Speaker G: Please.
[00:27:15] Speaker E: I'm sorry. Eric, what were the results of the insight again? The inside check.
[00:27:21] Speaker A: You don't think that she's trying to hide something? And you don't think that she's like trying to dodge anything? She doesn't seem shifty with those, with those checks.
[00:27:36] Speaker F: Well, it took you long enough to get in here.
[00:27:38] Speaker A: How long have you were you milking those goats?
Well, I'd like to take my time. It's a nice.
[00:27:45] Speaker C: Bella was tending the lighthouse. She was milking goats.
[00:27:50] Speaker B: This is Ofalia. Ofalia just came in.
[00:27:53] Speaker D: Yeah, I mean keep it straight. Belle is the one who's doing the lighthouse.
[00:27:56] Speaker A: I'm sorry, don't keep it straight. Happy pride month.
[00:28:04] Speaker E: Keep going, Eric. I'll follow you anywhere you go.
[00:28:08] Speaker A: Thanks, man.
Oh yeah. Gathering wood, tending goats. I, I, that's probably.
[00:28:16] Speaker C: Oh, you had both of those. Okay.
[00:28:20] Speaker A: No, I was, I was gathering wood, you old biddy.
[00:28:25] Speaker E: Roscoe has tried the subtle like fire thing and then he tried the subtle like kids going missing thing. I'm so tempted for him to for the third one be like, so if.
[00:28:38] Speaker G: You guys ever been find a life.
[00:28:40] Speaker E: At a circus before.
[00:28:46] Speaker B: Nice.
[00:28:48] Speaker E: But instead, I mean like I think, I think based on the exist these insight checks, it's like, I mean certain the possibility now is, is crossing Rosco's mind. That these are a slivered parallel universe version of. Of these.
These women, they don't.
Overall, do they. They seem to be.
Do they seem different than the women that Roscoe witnessed in the past?
[00:29:20] Speaker D: I don't mean to be rude, but are you witches?
[00:29:24] Speaker C: Do you say that?
[00:29:25] Speaker D: Oh, yeah, I definitely say it.
[00:29:27] Speaker E: So that's okay. I like that. So Roscoe did that, and then that, and then the third one is, are you with witches?
[00:29:34] Speaker F: What? What's that, dearie?
[00:29:36] Speaker A: He asked if we're witches. You can't hear him. You know, my hearing isn't what it used to be. He said, are we witches? Wait, are we witches?
[00:29:47] Speaker F: What kind of a question is that.
[00:29:52] Speaker D: Normal. When I ask everybody.
[00:29:55] Speaker E: I ask everybody.
[00:29:58] Speaker F: They're witches. They're worse than witches. They're devils, they're demons. They're Satan himself.
[00:30:04] Speaker B: Oh.
[00:30:09] Speaker C: Rafina asks if they eat children.
[00:30:12] Speaker D: The chicken perspective is amazing because.
[00:30:16] Speaker E: Yeah, because I don't know how to.
[00:30:18] Speaker D: Parse it at all.
[00:30:19] Speaker C: Nope. Right.
[00:30:20] Speaker B: Yes, exactly.
[00:30:22] Speaker A: Yes.
[00:30:23] Speaker F: They eat chicken. I mean, they eat children.
[00:30:25] Speaker C: Oh, they eat your children.
Human children.
[00:30:33] Speaker E: What do you ask them in common? Or did you ask the chickens?
[00:30:37] Speaker C: I'm asking the chickens.
[00:30:41] Speaker A: All right, I'm gonna. I'm gonna ask Rafina. Abby, to give me a perform.
Maybe you guys can help me. What kind of check should Rafina have to roll to make sure that she doesn't say the wrong. The something in the wrong language?
[00:31:03] Speaker B: Like, focus.
[00:31:03] Speaker A: Like, she might say, do they eat human children in common? When she meant to say it in cluckish.
[00:31:11] Speaker C: Why would she do that? She's using her spell.
[00:31:15] Speaker A: But you're talking to both. I just.
[00:31:18] Speaker B: Like, he's just trying to mix it up.
If they're talking to two different people.
[00:31:23] Speaker E: In different languages, especially in the chaos of them plucking and.
[00:31:27] Speaker B: Yeah, what is there, like, a. How about concentration? Is that something?
[00:31:32] Speaker D: Well, I mean, this is also how. How Rafina learned to speak chicken is. Is a mixture of chicken and common intelligence.
[00:31:40] Speaker E: I think it would. Just chicken.
[00:31:42] Speaker D: Her father spoke common, and it's like it was. Yeah.
[00:31:46] Speaker E: You know, intelligence or wisdom check or make or.
Or, like. I guess. I mean, performance would be like being able to stay cool under.
Under pressure. Being able to, like, keep your, like, memorize lines and stay, like, be doing two different scenes at once. Like, I don't know.
[00:32:06] Speaker A: I think I could see performance or just, like, a straight, like, intelligence check.
I don't know.
[00:32:15] Speaker C: Performance.
[00:32:17] Speaker A: Okay, go ahead.
[00:32:22] Speaker C: I can't.
[00:32:26] Speaker A: Up.
[00:32:29] Speaker C: Unnecessary. Rolling.
[00:32:33] Speaker A: We're playing DND tonight, baby.
All right, so. Yeah, you're clucking away, clucking away back and forth. That thing you already heard. Everybody just rewind a couple minutes and listen to it if you want to catch back up. We're all. We're all good, though. But then Rafina says in common, do they eat human children?
And both of the women stop and just turn slowly to look at you, Rafina, as the chickens are still just clucking away.
What did you say?
[00:33:11] Speaker C: I was asking if the chickens eat human children.
[00:33:19] Speaker A: Deception.
[00:33:21] Speaker C: Yeah.
[00:33:24] Speaker A: That'S fair.
Totally fair.
[00:33:27] Speaker B: I want to, like, support her deception role.
[00:33:30] Speaker A: Okay.
[00:33:31] Speaker B: By being like, yes, I remember those. Those chickens from that one village that eat that. That human child. It was terrifying. That scarred me, too. Rafina. Yeah.
[00:33:42] Speaker A: Need your help. But I'm gonna say that the universe heard you say that and helped that role, that digital role.
[00:33:48] Speaker B: Yeah.
[00:33:52] Speaker A: Oh, well, no. Why do the chicken. Chickens don't eat meat at all.
[00:33:59] Speaker C: Well, listen, well, you don't need someone happy. You need to give them some meat.
[00:34:06] Speaker A: You feed your chicken's children human children?
[00:34:11] Speaker C: No, I was. No, I'm sorry. This has gotten very mixed up.
[00:34:16] Speaker F: Bella, where are you.
[00:34:20] Speaker B: By the way? Chickens eat meat. I just want to clarify.
[00:34:24] Speaker C: That's why I'm saying chickens eat meat.
[00:34:26] Speaker A: No, they eat porn.
[00:34:28] Speaker C: Eric, where do you live?
[00:34:34] Speaker B: You've had chickens for, like, over 10 years.
[00:34:37] Speaker A: I've never.
[00:34:38] Speaker B: Eric doesn't take care of the.
[00:34:40] Speaker A: Do you, like, buy, like, frozen mice and stuff like that?
[00:34:42] Speaker B: No, but they eat frogs and mice. They eat all kinds of whole frog. Oh, yeah.
[00:34:48] Speaker C: And you give them scraps that are not meat.
[00:34:52] Speaker B: We don't give them. But would they do eat eggs sometimes if.
[00:34:55] Speaker C: Maybe I'm thinking of the eggs, because I knew it was chicken. It was cannibalism.
[00:34:59] Speaker B: Like, they would totally, like. If you were eating a sandwich and you offered them a sandwich, they totally come and eat your sandwich. But I don't, like, feed them meat in general. I just. They mostly get kitchen veggie scraps and fruit scraps, and then they eat all kinds of things.
[00:35:12] Speaker A: And of course, because we also feed them human children.
[00:35:16] Speaker B: Yeah, that's true.
[00:35:17] Speaker C: Oh, yeah.
[00:35:18] Speaker E: Yeah. That's funny.
[00:35:20] Speaker B: Doesn't take care of the chickens.
[00:35:21] Speaker E: Forgot that aspect of your life.
[00:35:23] Speaker C: And he also doesn't have to take care of the children because he just feeds them to the chickens.
[00:35:28] Speaker A: Yeah.
Sorry, guys.
[00:35:31] Speaker B: Yeah.
[00:35:33] Speaker E: Intermittent fasting.
And so now I'm really hungry for human children.
[00:35:40] Speaker B: Yeah.
[00:35:41] Speaker E: I'm not eating human children after 5:00pM Now. And usually I would.
[00:35:48] Speaker B: I'd chow down prime children Snacking time.
[00:35:52] Speaker E: Yeah, but I have to wait till the morning now. To eat a human child.
[00:35:58] Speaker C: The ladies haven't answered whether or not they are witchers. Witchers? Witches.
[00:36:03] Speaker A: They asked, what kind of a question is that?
[00:36:05] Speaker C: I know that's not an answer.
[00:36:09] Speaker A: And then from the stairs above. I'm coming, I'm coming.
And another woman about the same age as Ofalia comes down. What's going on?
Well, we found out that these people feed human children to their chickens.
[00:36:28] Speaker C: No. What?
[00:36:29] Speaker B: That is not what any of us said. Said.
[00:36:34] Speaker A: And they all turn and look at you. That's just what a child chicken feeder would say.
[00:36:42] Speaker B: Are you insane? Okay, let's leave this weird.
[00:36:46] Speaker G: Excuse me.
I'm sorry. I. I'm. I've been blanching for way too long now.
[00:36:54] Speaker E: Do you have any.
[00:36:55] Speaker G: I'm sorry.
[00:36:55] Speaker E: Do you have anything we can help? Do you have any, like, Blanche dressing?
[00:36:59] Speaker A: Oh, my God.
[00:37:00] Speaker B: Wow.
[00:37:03] Speaker E: Wow.
[00:37:05] Speaker C: Let's just roll back to how long ago Adam said that he looked up the word Blanche? He has been working on a Blanche.
[00:37:12] Speaker B: Joke since then for one hour.
[00:37:14] Speaker A: It's either that or he's really striving for a shift in his character.
[00:37:19] Speaker C: I know.
[00:37:20] Speaker B: It doesn't want to be mustard anymore. Dressing.
[00:37:22] Speaker A: Yeah, that was the point.
[00:37:27] Speaker B: That's a character arc if there ever was one. Yay.
[00:37:30] Speaker E: From mustard to Blanche Tritzy. You're welcome.
[00:37:36] Speaker C: Now you can be like Blanche Devereaux in the Golden Girls.
[00:37:39] Speaker A: Yeah, I've been trying to work in Rue McClanahan for about an hour and a half.
[00:37:44] Speaker B: You. McLaugh? Rue McCluckahan.
[00:37:47] Speaker C: I was going.
[00:37:48] Speaker B: One of the chickens. Yeah.
Cockadoodle Doo McClanahan.
[00:37:54] Speaker E: Roscoe's really concerned, though, because he. He was told that if his blanche lasts more than six hours, he should consult a cleric.
[00:38:04] Speaker B: Blanche.
[00:38:05] Speaker E: He's blanching if it lasts more than six hours.
[00:38:09] Speaker B: I was. I had moved on to branch dressing. I did not follow the. The actual blanching anymore. I thought it would turn. I was just dressing now. All right, I'll dare you.
[00:38:19] Speaker F: Yes.
[00:38:20] Speaker A: Maybe you should leave.
[00:38:22] Speaker B: Sure. Thank you. Where's the door? I just walk to the door.
[00:38:28] Speaker E: Oh, my God. Roscoe's cool with leaving.
[00:38:32] Speaker B: Yeah.
[00:38:33] Speaker A: Yeah. You're all sweating at this point. It's very hot in here.
[00:38:36] Speaker B: Yeah.
[00:38:38] Speaker C: Okay, so Rafina's hanging back by the chicken cages while you all file out.
[00:38:45] Speaker A: I think you should leave, too.
[00:38:47] Speaker C: Oh. Oh, okay. I'm going. Rafina's eyes dart from side to side.
[00:38:54] Speaker E: Oh, my God. Yes. Set them free. Set them free.
[00:38:59] Speaker C: She suddenly.
[00:39:02] Speaker D: I'm Gonna. Oh, I'm gonna distract her. Rafina. Should I do that?
[00:39:07] Speaker C: Wait, are you telling Rafina?
[00:39:08] Speaker D: No, no, no.
[00:39:09] Speaker C: But can you tell what I'm gonna do? Like, is it.
[00:39:11] Speaker D: I have no idea what you're gonna do, but I was gonna talk like.
[00:39:14] Speaker E: Bathlek wouldn't leave you alone in. Probably waiting until we all leave. So he's still there now.
[00:39:19] Speaker C: Okay, because the reason I'm waiting. The reason Rafina is waiting for everyone to get to the doors. She wants a clear path to run after what she does.
[00:39:31] Speaker E: Not for the chickens to run.
[00:39:33] Speaker C: Well, it's gonna be up to them.
[00:39:36] Speaker E: Sure.
[00:39:39] Speaker C: So. So Bathwack is there.
[00:39:41] Speaker D: I think. I think you dropped this somewhere.
I'm gonna hold out the mother's milk vial.
[00:39:51] Speaker C: Oh, Rafina, what is this? Like, lightning fast unlatches all the doors and then knocks all the cages over and runs like hell for the door.
[00:40:04] Speaker A: Okay, give me a dex check, not a save.
[00:40:09] Speaker C: Look at all the things I get to. All the things I get to roll today. Yeah, I'm probably still gonna hit the save, but I'll try.
[00:40:16] Speaker A: Don't do it.
[00:40:17] Speaker C: I'm gonna try not to.
[00:40:18] Speaker A: Don't do it. Everybody always does it every time. Yep, just don't click the one that says save.
[00:40:27] Speaker C: But I don't see the other one. It doesn't exist. There it is.
[00:40:32] Speaker A: Yay. You did it.
[00:40:35] Speaker C: And then I almost closed my browser.
[00:40:40] Speaker B: Good dexterity.
[00:40:41] Speaker A: Exactly. She almost did, but didn't. That's what a 17 gets you, folks.
[00:40:47] Speaker B: Wahoo.
[00:40:49] Speaker A: So we're free.
[00:40:50] Speaker F: We're free. We're free.
[00:40:56] Speaker C: As Rafina runs out, she yells, I'm sorry. I'm sorry.
[00:41:01] Speaker F: Bella. Ophelia, get the birds. We can't lose them. We need them.
[00:41:07] Speaker A: And there's a huge flutter as the birds explode out into the room. There's feathers everywhere.
And, yeah, Rafina runs for the door. Bathwack, you were offering the mother's milk. But before they can respond, this chicken apocalypse happens, and they're all distracted. So I don't know if you still try to offer that to them or if you're going to redirect.
[00:41:35] Speaker D: No. Okay, I'm gonna see where Rafini goes and everyone else goes and tag along.
[00:41:43] Speaker A: So you all. You all head out the door into the basically now night air.
There's the sound of crickets all around, barely audible over the cacophony from within. There's. You look back and there's these small windows, sort of with this glowing orange light from within. And there's bits of feathers popping Out. Every so often they're screaming. There's occasionally some birds make their way out, but it's a bit of a madhouse in there.
And you make your quick escape. You see, there's. To your left, there's a few pens with goats in them. One of them looks at you with its weird square eye, square pupil as you hurry past. And if any of you care to look, you see that the pens are labeled with the different names of the goats. And one of them is named Mother.
[00:42:47] Speaker C: Mother's Milk.
[00:42:48] Speaker A: And you head off into the woods.
So I feel like you're at the.
[00:42:53] Speaker E: We were just like. We were just, like, walking away. And then Rafina, like, runs past us.
[00:42:58] Speaker B: Like, run, run, run.
[00:43:01] Speaker A: What did you do? That's perfect.
She's car. Maybe you're carrying a chicken. Maybe you grabbed one.
[00:43:08] Speaker E: No.
[00:43:09] Speaker A: Go.
[00:43:09] Speaker E: Go.
[00:43:09] Speaker C: For sure.
[00:43:11] Speaker B: Oh, my God. Oh, my God.
[00:43:13] Speaker E: Oh, we're eating dinner tonight.
[00:43:14] Speaker C: What does Gonzo call his chicken?
[00:43:18] Speaker A: Oh, the one that he's in love with.
[00:43:20] Speaker C: Yes, the one he. He's always with.
[00:43:22] Speaker A: Camilla. No, Camilla.
[00:43:25] Speaker C: Camilla. Yep. I've got my Camilla.
[00:43:28] Speaker A: Yeah. What kt, what breed of chicken does Rafina have?
[00:43:33] Speaker B: It's probably a Rhode island red, but that doesn't. It's a. It's a.
A Gully's End red. I don't know.
[00:43:40] Speaker C: Does it have Uggs on?
[00:43:44] Speaker B: Oh, if you want one with Uggs. Let's see. That would. You could have a. You could have an Easter Egger. Would it be a. Some other holiday egger? A Norton Fish Festival Egger? It's a Norton Fish Festival Egger.
[00:43:56] Speaker C: Yes.
[00:43:58] Speaker B: It lays blue eggs.
[00:43:59] Speaker A: Does that festival not have a name? What do that. I guess that festival didn't have a name.
[00:44:06] Speaker B: I don't know.
[00:44:07] Speaker A: To the wiki.
[00:44:09] Speaker B: The well dressing. It's a well dressing Egger.
[00:44:12] Speaker A: That was just part of the festival. That wasn't what it was all about.
[00:44:16] Speaker C: Kt, I promise never to liberate your chickens because I know they like their coupe.
[00:44:21] Speaker B: Yeah.
Oh, I'm sure they're always mad. They're dinosaurs.
[00:44:26] Speaker C: Yep, they're dinosaurs.
[00:44:29] Speaker A: The Festival of the Rainbow Trout.
[00:44:30] Speaker B: There we go. All right. Well, it's called a Norton Fish Festival Egger.
[00:44:35] Speaker A: Okay.
[00:44:36] Speaker C: So that's what I wrote down. So it's canon.
[00:44:40] Speaker A: So, yeah, you head off into the. I mean, I said woods. That's a bit of a generous term. It's more of this sort of scrubby, scraggly overgrowth of not like huge massive trees, but like a lot of thorny, sticky bushes.
[00:45:02] Speaker B: And so it's like unpleasant.
[00:45:06] Speaker A: It depends on what you're used to.
[00:45:08] Speaker B: Well, I think picture, like, it's interesting. If it's, like, ugly out here and this lighthouse is up here. And I thought it was cozy, but really maybe it is negative. Maybe we should just burn the lighthouse down. Guys.
[00:45:22] Speaker A: You don't. It's not. It doesn't seem like poisoned or anything like that, but it's not like a lush, verdant expanse of.
[00:45:30] Speaker B: Of green the hell out of here.
[00:45:32] Speaker C: And it's wild. It's all. It's not tended.
[00:45:35] Speaker A: Correct.
[00:45:37] Speaker B: And they're not coming after us or anything.
[00:45:40] Speaker A: Not yet, anyway. They seem preoccupied. In the.
[00:45:43] Speaker B: Rafina stole one of their chickens. I love it. Too bad they won't. They can't keep track.
[00:45:48] Speaker A: You do see that at the top of the lighthouse at the point of the sword, there is a bright white light emanating forth for travelers to see.
And it casts its glow over the lands before you. Things are. You can kind of see away from you that the cliff looks like it kind of rises to this point. There's these rolling sort of hills leading off. You don't see any obvious major throwaway fairs or settlements. From here, you see like a. Maybe like some sort of a swamp. Off up to your left, there is a path. Though it's not just. There is some way to get here that is somewhat established that you can.
That you can travel down.
[00:46:38] Speaker B: Okay.
[00:46:40] Speaker A: But it's.
It is darkening. And without having to make a check, you can see that those among you who are not blessed with the.
The lack of need for slumber are starting to drag. Maybe not. Maybe not.
Mo. But Gnar and Reed and.
[00:47:09] Speaker B: Oh, I didn't realize they were with us.
[00:47:11] Speaker A: Yeah.
[00:47:11] Speaker B: Okay.
[00:47:12] Speaker A: This was the only place to go from the dock.
[00:47:14] Speaker B: Okay. Yeah.
[00:47:15] Speaker C: Ah.
[00:47:17] Speaker B: Okay.
What do we gotta camp somewhere and there's just nothing. Should we go back and knock them out and use the place to sleep? What should we do?
Sleep outside again?
What do we do? Guys.
Hey. People who sleep.
Yeah.
[00:47:44] Speaker D: Let's move away from here and off the path. In camp.
Yeah.
[00:47:50] Speaker B: Yeah. You guys need rest.
[00:47:53] Speaker A: I'm okay. We're all right. We can keep going.
Well, I mean, it's been a bit of a trek. We were riding on that eye for a while and watched a guy die and fought about it for a while and then walked up, like, 7,000 stairs, and now it's, like, late, so I don't know.
[00:48:17] Speaker B: You need rest.
Okay.
[00:48:21] Speaker C: He only has one eye, so he has to sleep twice as much or half as much.
[00:48:28] Speaker B: But to get 40 winks.
[00:48:30] Speaker A: Oh, you're right.
[00:48:31] Speaker B: He has to sleep longer.
[00:48:33] Speaker A: Yeah. See, we figured it out.
[00:48:35] Speaker B: Yeah. Okay, division, multiplication, something.
[00:48:38] Speaker C: Adam's confusion faces are very great.
[00:48:42] Speaker A: He wasn't a math major. It's fine.
Is that what you do? Do you follow your kings?
[00:48:52] Speaker C: I guess we have to.
[00:48:53] Speaker B: He's the weirdo that sleeps outside probably all the time. So, yeah, let's listen to him.
[00:48:57] Speaker A: All right, so you guys head off the path into the scrub here at the top of the cliff. Try to get far enough away from the path so that if I guess you're trying not to be detected or found. And, yeah, you set up whatever camp you can. One of you has a tent at least.
[00:49:18] Speaker B: I do have a tent. It's so nice.
[00:49:21] Speaker C: You're like, wait, everyone, we have to set a watch.
[00:49:25] Speaker B: Yeah, exactly. Yeah.
Well, good thing none of us need to really sleep.
[00:49:32] Speaker E: Good thing Roscoe would inflate the rutabago for people to sleep in the thing.
[00:49:40] Speaker B: Yeah, that's so nice.
[00:49:43] Speaker C: Rufina sleeps under the rutabaga.
[00:49:45] Speaker D: Rutabaga.
[00:49:47] Speaker C: She sets the chicken free. By the way, it's gonna go die.
[00:49:54] Speaker B: We'll just watch as the chicken go by. Like, I think that chicken stands about as good a chance out here as I do.
[00:50:00] Speaker A: Runs away from all of you, and then, like, kind of flaps up into a. A tree.
[00:50:05] Speaker B: Okay.
[00:50:07] Speaker C: And it gets eaten by an owl.
[00:50:09] Speaker B: Exactly.
[00:50:11] Speaker E: Owls don't eat meat.
[00:50:19] Speaker B: So.
[00:50:20] Speaker A: Yeah.
[00:50:20] Speaker C: Intermittent fasting Batwack.
[00:50:24] Speaker A: For the first time in quite some time, you realize it as you sort of set to the business of setting up camp. You find yourself standing on gullies and soil.
There's something familiar about it, the texture, the color that you haven't seen in quite some time. The rest of you maybe notice him sort of contemplating.
[00:50:48] Speaker B: Why are you licking the dirt? Bathwack.
[00:50:53] Speaker G: Ah, he's got pica.
[00:50:55] Speaker B: Saul's got pica.
[00:50:57] Speaker D: Told you I was a veg vegetarian.
[00:51:04] Speaker A: And, yeah. The rest of you, this is your first time on.
On Gully's end?
[00:51:10] Speaker B: Yeah.
[00:51:10] Speaker A: Earth.
[00:51:11] Speaker B: And is it, like, spilling down? Like. Like. Because you said we're on a cliff and it was, like, headed down, so we're.
[00:51:17] Speaker A: It's like a steep thing, but, like, do we see, like, land exposing.
[00:51:21] Speaker B: Wow.
[00:51:22] Speaker A: Spreading out, you know, the. The moon is high in the sky above, and it's sort of shining down on. On everything below. There's not much to make out from here, but, yeah, there's this broad expanse, this new river state that you're about to head off into. And with that we have begun. Chapter two of season two of Pork Fried Dice.
[00:51:53] Speaker E: Oh, my gosh. Whoa.
[00:51:54] Speaker A: Once entitled Gully's Shuffle.
[00:51:58] Speaker C: Nuh.
[00:51:59] Speaker E: Ellie's Shuffle.
[00:52:02] Speaker A: And we're gonna find out what happens next time on Pork Fried Dice.
[00:52:07] Speaker E: That's exciting.
That doesn't happen often.
[00:52:12] Speaker B: No.
[00:52:13] Speaker C: What was the first chapter called? Loose Change.
[00:52:15] Speaker E: No, Bear.
It was Delta.
[00:52:19] Speaker B: Yeah, the bear toggle. Delta.
[00:52:21] Speaker A: Correct.
[00:52:22] Speaker B: Yeah.
[00:52:24] Speaker A: Loose Change.
[00:52:26] Speaker C: That's what I thought.
[00:52:28] Speaker B: Shuffle is not a change. I was. I thought it was going to be another, like, change pun.
[00:52:32] Speaker E: Well, shuffle get shuffled up. Yeah.
[00:52:35] Speaker B: Yeah.
[00:52:35] Speaker C: That makes sense.
[00:52:36] Speaker E: It changes the order of things.
I think it makes sense.
[00:52:39] Speaker C: I was hoping for a dance, but.
[00:52:41] Speaker B: Like, Delta was a river, but what else could a shuffle be? Will there be dances that we did? The shuffle. I hope so.
[00:52:48] Speaker A: The Truffle Shuffle.
[00:52:49] Speaker B: The Truffle Shuffle.
[00:52:50] Speaker E: The Golden Shuffle. Juliet Resch's first order of business was no dancing. And this is a footloose.
[00:52:58] Speaker B: Footloose. Yes.
[00:52:59] Speaker A: Nice.
[00:53:00] Speaker B: Oh, my God. Yes. I want to dance again. I love it. My favorite picture I ever drew was Rafina.
[00:53:06] Speaker E: What if I just accidentally spoiled, like, Eric's story for.
I'm sorry. If that's what it is.
[00:53:15] Speaker C: Great. I think you did.
[00:53:16] Speaker A: Yeah. I'm gonna have to call John Lithgow and tell him. Nop. We don't need you anymore.
[00:53:21] Speaker B: Is he in the.
[00:53:22] Speaker A: I think he's in the other one.
[00:53:24] Speaker E: You had John Lithgow lined up to guest star in Pork Fried?
[00:53:27] Speaker A: Yes.
[00:53:28] Speaker B: God, I love John Lithgow, but. Oh, well, I love him.
[00:53:34] Speaker A: He'll understand. That's fine.
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