366: This Is an Intervention About You Saying Nar All the Time

366: This Is an Intervention About You Saying Nar All the Time
Pork Fried Dice - A Dungeons & Dragons Podcast
366: This Is an Intervention About You Saying Nar All the Time

Oct 21 2024 | 01:15:23

/
Episode 201 • October 21, 2024 • 01:15:23

Show Notes

Subscribe to us on Ko-Fi for an exclusive podcast, behind the scenes content, and art from KT!

Our community Discord!

Our fan-run (thanks, Mark Jesson!) PFD wiki!

Our merch store!

 

Alternate Titles

I Wasn't Listening, I Was Thinking About My Accent

Substance Abuse Disorders For Broads

Pork Fried Discretion/Pretty Fuckin' Discrete

I Think We Need To Have an Intervention for Adam

Imagine a Rainbow With Spikes On It That Wiggles

I'm Gonna Catch It For Sure Now!

 

View Full Transcript

Episode Transcript

[00:00:00] Speaker A: The dog was licking a spud hole. Just be careful with your pops. It does matter, but, yes, let's chill. We can do this by being cool. I just completely. Look at that. Did you see that? [00:00:09] Speaker B: Just a magnet. [00:00:10] Speaker A: Okay. My microphone just fell apart. And you know what? That's a good segue into a segue right at the beginning because we can't even. It's like how we can introduce ourselves in the podcast. We can't ever get to what the point is in the intro. It starts off as a mess. But please listen, because guess what, everyone? [00:00:27] Speaker B: What? [00:00:27] Speaker A: Are you excited to be able to support? Are you excited? Shut up, Eric. Okay, I'm talking to listeners. [00:00:34] Speaker B: All right. You want to talk to them, too? [00:00:35] Speaker A: But sure. Okay. No, I want you to say, okay, listen, listeners, listeners, I'm putting my microphone stand back into place. You can now support pork fried dice and get extra goodies for doing so. [00:00:50] Speaker B: Yep. [00:00:50] Speaker A: If you go to ko fi.com pork fried dice or if you don't know how to spell ko fi. Cause it is a weird thing. What the. I don't even. Some people don't even. Is it coffee? Is it ko fi? Who knows? It's ko dash fi.com pork fried dice. I hope you know how to spell pork fried dice. I don't know how to spell it. So we're screwed if you don't know it. I don't know it. Oh, God. [00:01:15] Speaker B: Leave us a five star review and tell us how to spell pork fried dice. [00:01:18] Speaker A: But if you can't figure ko fi out, we have a tiny URL as well. [00:01:22] Speaker B: Yep, tiny URL. [00:01:26] Speaker A: We have been working on some little treats. [00:01:28] Speaker B: There's some different tiers. [00:01:30] Speaker A: Yes, there are different tiers. You can just support us by throwing us a buck and a month. That just is amazing. You don't get anything extra, but you do get our love if, like, we love you. If you do that. [00:01:42] Speaker B: A few of you did that, that would pay for the podcast. [00:01:45] Speaker A: Oh, my gosh. If a few of you even just gave a dollar a month, man, that would help us out. [00:01:49] Speaker B: The cost of a cup of coffee for the cost of a cup of coffee. [00:01:53] Speaker A: In the arms of the angels. Fly away. I was trying to support you with you talking about cost of a cup of coffee. [00:02:04] Speaker B: Oh, I don't know enough of the. [00:02:06] Speaker A: That's the. I know we were combining two different charity commercials there, but come on, work with me. All right, everybody. Our coffee is better than this adoptee dog. Yeah. This dog that is our DM, needs your dollar or more, because guess what? You could be a sluggling. You could be a slug page, a slug knight, or even dun dun dun, just like me. [00:02:30] Speaker B: A slug lord. [00:02:31] Speaker A: A slug lord. You have that opportunity. If you go to kofi.com porkfrieddice, you can give us some dollars, and in return you can see funny comics that we've been working on. Yep, you can have access to the digital files for the recap songs that we write or our fake ads from a while ago. You will have access to a secret discord channel on our discord. [00:02:57] Speaker B: That's right. [00:02:58] Speaker A: Where you get to participate in polls and things like that. And guess what? I promise I'll be there. I'll show up. I know that technology doesn't always work for me, and I'm afraid of it and I don't like being on it. But for you, if you are there to support us, I'll be there for you. [00:03:20] Speaker B: I wasn't sure where you were going with that. You were looking at me beseechingly for support. [00:03:24] Speaker A: I was acting. I was beseeching because I'm terrified of technology. But I'm going to be there because I'll be there to answer your questions. But Eric is going to do polls and stuff. [00:03:32] Speaker B: Yeah, stuff that could maybe even influence future episodes. [00:03:35] Speaker A: That's fun. Yeah. [00:03:36] Speaker B: Can you believe it? [00:03:37] Speaker A: So we don't need to list everything here. You just need to go over to tinyurl.com support pfD, not that. Go to tinyurl.com supportpfd. Don't go to fee FD. What the hell is that? Who's trying to steal our flood lords? It's damn, you know, fefty. [00:04:02] Speaker B: It's just us with mustaches on. [00:04:06] Speaker A: Where does the money go if they go to fee FD? [00:04:08] Speaker B: Oh, I don't know. [00:04:09] Speaker A: Buying me some new socks. [00:04:11] Speaker B: Uh, yeah, actually that could be where your money goes though, to buying KT new socks. Maybe they don't buy themselves new socks. [00:04:18] Speaker A: So far. If you give us any money, it's gonna go to just hosting the podcast. [00:04:23] Speaker B: Guys, we've been doing this for what, almost eight years? [00:04:25] Speaker A: Yeah. [00:04:26] Speaker B: Wow, that's a lot of content. [00:04:27] Speaker A: Yeah, it is. And we are so grateful to everybody who has ever like, written into us or is on our discord. But at this moment, we need your help to keep doing this podcast because it ain't free, unfortunately. And so we have come up with some fun things that we've already mentioned, and you should just go check it out. Just go check it out. I already made a couple little cute little drawings that you could just see there and just see how you want to see if you want. See if you want to check it out. I don't know if you want to check it out, but remember at the beginning of this, my microphone fell apart. So I think that that was just, like, demonstrative of what's going on over here. So head on over to one of those URL's. Check it out. We are grateful to you, even if you're just a listener. Thanks for listening. We think you're all great. We hope that you are enjoying the crazy story that we are throwing together each week. [00:05:30] Speaker B: Yeah, you just. [00:05:32] Speaker A: Eric made the most disgusted face. He's like, yeah, yeah, I guess I don't. I don't know what I'm doing here. This is the longest intro ever. Ever, as usual. [00:05:42] Speaker B: So thanks even just for listening to this intro. [00:05:44] Speaker A: Thank you. You know what? Doesn't this intro deserve us to pay you to listen to? [00:05:48] Speaker B: Yeah, that's right. Set up a ko fi. We'll donate. [00:05:52] Speaker A: All right. [00:05:53] Speaker B: Kofi.com pFD Intro listeners buy our listeners socks. Yeah. [00:06:01] Speaker A: Fee FD. That's what fee should be to buy our listeners socks. [00:06:06] Speaker B: Yep. [00:06:06] Speaker A: Because they have to listen to these. [00:06:08] Speaker B: Intros, and they put stuff up their ears with socks. [00:06:12] Speaker A: Whoa. We could just, like, buy regular crappy cotton or, like, something else. But we're buying socks and cutting them up and putting them in our ears still costs money. [00:06:22] Speaker B: We live in a capitalistic hellscape. [00:06:24] Speaker A: It's true. It's true. Boo. But if you love us, show us. [00:06:29] Speaker B: Yep. [00:06:30] Speaker A: Show us. [00:06:30] Speaker B: We can keep putting art out in the world. How else are we gonna destroy a capitalistic hellscape if not with art, if not with Rufina? [00:06:37] Speaker A: Cause I think that if Rufina can't beat capitalism, who can? [00:06:41] Speaker B: No one can. [00:06:42] Speaker A: No one can. That should be, I think, Rafina for president. Rafina 2024. American president. And every places president. [00:06:51] Speaker B: Yeah. Or whatever you have. [00:06:53] Speaker A: God. [00:06:53] Speaker B: Rafina for king. [00:06:54] Speaker A: Rufina for king. [00:06:55] Speaker B: Rufina for dictator. [00:06:57] Speaker A: Oh, no. Oh, no. But you know what? She'd probably be a pretty good dictator. [00:07:03] Speaker B: Yeah. [00:07:04] Speaker A: I think will would even be. He'd be like, yeah. Anybody. If anybody should be a dictator as Rafina. Cause, like, she's not gonna hurt anybody. She's just gonna make you drink some shitty dirt twig tea. [00:07:15] Speaker B: But she loves you and Rafina for grime minister. [00:07:20] Speaker A: Rafina for grime Minister 2024. [00:07:24] Speaker B: Maybe that'll be a comic. [00:07:25] Speaker A: What'd you say? [00:07:26] Speaker B: Maybe that'll be a comic. [00:07:27] Speaker A: It should be. [00:07:29] Speaker B: You can find out. [00:07:30] Speaker A: Yeah, you can find out. Check them out. Check out raffi.com. [00:07:33] Speaker B: Pork fried dice. [00:07:34] Speaker A: We got some pretty sweet stuff. We got some little podcasty things we've been working on. We got some comics. Check it out. This message paid for by the campaign for Rufina for grime minister 2024. [00:07:48] Speaker B: Yeah, you're listening to the show about looking at the walls. It's pork fried dice. I'm Eric, and I'm the dungeon master. [00:08:00] Speaker C: I'm Abby, and I play Rafina. [00:08:03] Speaker D: I'm Alex, and I play batweak. [00:08:06] Speaker A: I'm kt, and I play will. [00:08:09] Speaker E: I'm Adam, and I play Roscoe. [00:08:14] Speaker B: Hold on to your haversacks. Let's roll. [00:08:21] Speaker A: Whatever. You know what? That person that said, that can just be australian, and that's okay. You're american. You say it however the fuck you was. Right? Kooky bar. That's how I say boom berry, boom berry. [00:08:48] Speaker D: I should have never. Boom berry, boom berry, boom berry. [00:08:52] Speaker C: Beautiful. [00:08:57] Speaker A: I can't figure it out. Was it just from last session, or was it, like, when we saw. Wait, I didn't even see him recently. [00:09:04] Speaker B: It was when we had these. [00:09:06] Speaker A: But what was boom? Oh, it's strawberry shortcake. I could not remember what the heck boomberry was. [00:09:11] Speaker C: Right. That's right. [00:09:12] Speaker B: And now Craig can join. Now recording, Craig. [00:09:16] Speaker C: Hi, Craig. [00:09:18] Speaker B: Okay. Hi, guys. [00:09:20] Speaker A: Hi. Like, I took a few, like, super. [00:09:25] Speaker D: Deep breaths and boom berry, boom. [00:09:27] Speaker B: Just listen to this. [00:09:28] Speaker D: Boom berry, boom berry, boomberry. Boom boom boom berry, boomberry. Boom boom berry, boom berry, boomberry. [00:09:37] Speaker B: I love that last one. Just. Let's just listen. [00:09:39] Speaker C: That last one's perfect. [00:09:40] Speaker B: Really good. Can I do that? [00:09:42] Speaker A: It's so quiet. [00:10:00] Speaker C: Beautiful. [00:10:02] Speaker A: He's dying laughing. [00:10:04] Speaker B: Adam's loving this. [00:10:05] Speaker A: Yeah. Adam looks sad about it, but I'm glad that Alex is happy about it. [00:10:10] Speaker E: Horny about it. [00:10:12] Speaker A: He's horny about it. [00:10:16] Speaker B: I also. I wanted to hear. I actually haven't listened to this. How similar Abby's new oof. Rufina. Oof. Is to her yell that I have on my soundboard. All right, so here's the first one, and here's the other one. [00:10:34] Speaker C: Wow, they're identical. [00:10:42] Speaker A: What is happening? I find this so funny. Eric is so excited that he added these sounds. It was some kind of gaspy situation. [00:10:52] Speaker B: You heard that last. [00:10:54] Speaker A: I'm pretty sure that's why I'm the great gaspy. [00:10:57] Speaker C: The great gasp. [00:10:58] Speaker A: That's what we're doing tonight. [00:11:02] Speaker B: Right? Our holiday special, the great gaspy. [00:11:08] Speaker A: All right. [00:11:14] Speaker B: I should just put all of my words on the sound board. And then I just type instead of talk. Previously on Pork Fried Dice. [00:11:20] Speaker A: Oh my God, that sounds like your perfect life. [00:11:23] Speaker D: I made a note. It says, pretend for your enjoyment that this is the aSCII art of a cross and an albatross instead of an acrostic, which is what it actually is. Also, if you wanted a picture of what I would have put the ascii art. Just search albatross front view. But anyway, here's the acrostic, what I just searched for. [00:11:47] Speaker E: Albatross front view. Yeah, now I'm aroused. Weird. [00:11:54] Speaker D: Albatross supine. All right. Batwack. Ziggy is not dead and the albatross knows the info to evade Juliet rusher. There's some heavy discussion about tits for tats. Also butts and broken quarter staffs and some jokes about international waters. He roscoe needs a formal apology. I need something too, says the albatross. There is a young winged owl bear to find dead or alive. And I will also need five fresh fish. Another tit or tat. A barristers wig for ruffina. I kick put four fish in the dresser and pray to the cross trough above deck. Later, I catch a boring boot. Sue Broadmoor convo ongoing. Meanwhile, Valencio searches and hears get me home. That's the whole thing. [00:12:56] Speaker A: That's, it's, that's. [00:12:57] Speaker D: It spells out bird shit antics. [00:13:04] Speaker A: Oh my God. Okay, read it. Read it again. [00:13:09] Speaker E: I want to hear all the. I want to hear the beautiful. [00:13:14] Speaker D: So out here, I'll paste it in. [00:13:16] Speaker A: Yeah, please. [00:13:16] Speaker E: Okay, yeah, let me see. [00:13:17] Speaker C: But you can read it too. [00:13:19] Speaker D: Here, wait, I gotta go to discord. The first letters were all highlighted in my. They were all like, everything was, everything was centered and the letters were bold. [00:13:33] Speaker E: That's amazing. Bird shit. [00:13:35] Speaker D: I totally would have. If I had had time, I would have ASCII arted this into an albatross. [00:13:39] Speaker C: Oh my gosh, that would have been very fun. [00:13:41] Speaker A: That was so cool. Well, you still, I guess, I don't know how long. Something like there a thing that can do that for a generator? [00:13:49] Speaker D: Oh, probably. There probably could. [00:13:50] Speaker B: Alex only has 2 hours left in his life though, so. [00:13:56] Speaker A: I was just saying you could still do it because it's something we could share with people. Like I'm sure they would. They could. [00:14:01] Speaker B: And also we totally kill on the wiki. [00:14:05] Speaker D: Wait, this is amazing. Actually, I just, I just opened chat GPT. I'm like, hey, can you turn text into ASCII art of an albatross? It's like, oh sure, I can create Esquire out of an albatross for you. [00:14:16] Speaker B: Here it is. [00:14:17] Speaker D: And it's. It's a smiley face. [00:14:23] Speaker A: Wow. [00:14:24] Speaker B: You motherfucker. That was the most sarcastic I've ever heard. [00:14:32] Speaker A: Yeah, I know. Can you submit? Sure I can. [00:14:34] Speaker B: Here you go. [00:14:36] Speaker A: Fuck you. [00:14:41] Speaker D: And then it goes on to tell me, this is a simple representation of an albatross in flight. [00:14:46] Speaker A: Yeah. Imagining it. Yeah, totally. [00:14:53] Speaker B: I'd be happy if I were an albatross in flight. [00:14:55] Speaker A: Oh, my God. I'm an albatross. You want to see my impression of an albatross in flight? [00:15:03] Speaker E: I'm going to do that. I'm going to do that on stage and see what an audience does. [00:15:09] Speaker C: Check levels, because I've been screaming with laughter. [00:15:11] Speaker D: It is a. It is a front view, for sure. [00:15:14] Speaker B: Yeah. [00:15:16] Speaker E: Guys, we gotta play before I pass. [00:15:19] Speaker A: Yeah. [00:15:20] Speaker D: Sorry. [00:15:21] Speaker C: All right. [00:15:22] Speaker E: Sorry. [00:15:23] Speaker A: It's all you. [00:15:28] Speaker B: All right. So will is being given the sales pitch. It's actually kind of an off. An offhand sales pitch. You were left to browse the merchandise. [00:15:39] Speaker C: Yeah. [00:15:41] Speaker B: In the pet room. The rest of you are in the, as we so lovingly dubbed it, the drinking room with Sue Broadmoor waiting for Will to reconnaissance the room. So, Will. Okay, you're in this room. [00:15:59] Speaker A: Okay. [00:16:01] Speaker B: What are you doing? [00:16:02] Speaker A: Well, you said that I heard a small voice that said, get me home. [00:16:07] Speaker B: In your head? [00:16:07] Speaker A: Yeah, in my head. Can I tell a directionality if it's in my head. Okay. Can I tell a distance? No distance, no direction. [00:16:19] Speaker B: It's like message, basically. [00:16:21] Speaker A: Okay. [00:16:21] Speaker B: It just appears in your head. [00:16:22] Speaker A: Okay. [00:16:23] Speaker B: So if it is. If it is message, you know that it's within, what, 500ft? I can't remember what the range? [00:16:29] Speaker A: No, it's pretty close. It's like closer than. [00:16:32] Speaker B: Okay, well, whatever. [00:16:33] Speaker A: Actually, you should know that, though, because if you. I guess we fuck with all the rules, so it doesn't really matter. All right, let's see. I'm going to just try not to just whirl around and just casually see if I can tell if any of the creatures in the cages are talking to me. Like, is this an owl there? Or is this some other shit I'm going to have to handle? You know what I'm saying? [00:17:01] Speaker B: I do know what you're saying. Well, give me a nature check. [00:17:07] Speaker A: Okay. [00:17:08] Speaker B: Has will ever made a nature check? [00:17:10] Speaker A: Probably, yes, I have. I rolled a natural one, didn't I? [00:17:14] Speaker B: Alrighty. [00:17:15] Speaker E: Oh, my natural. [00:17:18] Speaker A: I am. I am. Wait, is that a one? Yeah. I thought it was a seven for a second. I love when the rules match my writing of what I want. Will has no idea what anything I know. That was. That was very interesting. You want to hear it again? Yeah. [00:17:32] Speaker E: Yeah. [00:17:34] Speaker B: Oops. [00:17:35] Speaker A: I deleted everything. [00:17:39] Speaker C: Oh, you melted the trumpet. [00:17:41] Speaker A: Thank you. Natural one. Okay. I love it. Thank you. Thank you, sir. May I have another? [00:17:50] Speaker B: You feel like every animal in this room is dangerous. Oh, and maybe you're not even sure about. No, that wouldn't be on a nature check. You just feel like you don't want to get close to any of these things. They might bite or. You've never seen any of these things. Actually, yeah. You've never seen any of these things. [00:18:08] Speaker A: I thought you said that there was a cat in the room. [00:18:11] Speaker B: No, I didn't. Never said that there was a cat. Did I? [00:18:13] Speaker A: What? You not like walking around, but in the. [00:18:16] Speaker B: You had said, all right, you make you recognize the cat, but not personally, just as a cat. [00:18:23] Speaker A: Normal. Some more normalish animals. [00:18:25] Speaker B: If I mentioned animals, you recognize them. The rest you feel like are like. [00:18:30] Speaker A: This is a dangerous place. Okay. Uh. Okay, then. I mean, that's a natural. Do you need me to, like, somehow, like, am I scared now? Like, do I need to roll a constitution safe or something? Like, uh. To not, um. Sure, leave the room? Am I not talking into the mic? I don't think I am. [00:18:51] Speaker B: Better be. [00:18:52] Speaker A: I know. So what, am I rolling or do you. [00:18:55] Speaker B: Wisdom save. [00:18:56] Speaker A: Beautiful. Wisdom save. Okay, wait, where the hell is that? [00:19:00] Speaker B: That was the first natural one since I updated my sound. [00:19:03] Speaker A: Yeah. [00:19:04] Speaker B: Oh, well, there's the second one. [00:19:07] Speaker A: Are you serious? [00:19:10] Speaker E: Oh, my God. [00:19:10] Speaker C: Where's the sound? Where's the sound? [00:19:12] Speaker A: Oh, my God. Is he gonna catch me and put me in a cage? I think that's what's gonna happen. [00:19:16] Speaker B: It was stinky. [00:19:17] Speaker A: What the f. Oh, it's Jack black in nacho libreous. Right? Okay. [00:19:26] Speaker B: Yeah, you're scared. You're very, very scared. You think maybe one of these could, like, spit something in your face? [00:19:34] Speaker A: Um. [00:19:34] Speaker B: Okay, then you're not wearing the proper ppe. [00:19:37] Speaker A: I feel like I genuinely will says, get me home. Yeah. Yeah, exactly. I, um. I am going to, like, scramble backwards. I guess if I failed my wisdom saving throw, like, I have to listen to the fucking dice, even though I don't want to. And I guess I am scared. I have to go to the door. [00:20:01] Speaker B: Okay. [00:20:01] Speaker A: And then say excuse. You have to go just, like, going, she me sounding motherfucker. I slammed the door. That's what I say to the closed door. [00:20:14] Speaker B: So wait, you do what? [00:20:15] Speaker A: I went out the door. Did he lock me in or something? [00:20:18] Speaker B: No, I wasn't listening, thinking about my accent. [00:20:24] Speaker A: And so was will. So was will. [00:20:26] Speaker E: So Stan is not what he. [00:20:29] Speaker B: Sheesh. [00:20:32] Speaker A: Yeah. At least that's what I'm trying to do, if that's okay. I literally leave and close the door and say what? I said. [00:20:39] Speaker B: What did you say? [00:20:40] Speaker A: I said, you she me sounding motherfucker. [00:20:42] Speaker B: You actually said that? [00:20:43] Speaker A: Yes. [00:20:43] Speaker B: Okay. In character. Okay. [00:20:45] Speaker A: Yes. All right. [00:20:46] Speaker B: I, um. You feel the door? He's trying to open the door behind. [00:20:51] Speaker A: You for a second. I hold it like I don't want him to come out either. I'm like, there must be something. He's got an animal with him. He's got him to attack me. The fuck? [00:21:00] Speaker B: He's trying to jiggle that. [00:21:02] Speaker A: I let it go, and I back away from the door. This is a bad cruise for Will. This is the nicest place we've been for weeks, and so far, it's just lots of bad things. Okay. [00:21:12] Speaker B: Anyway, so, yeah, the door opens behind you, and I. Sean comes out. What's wrong there? You get a scare in there, mate? [00:21:24] Speaker A: Yeah. How many? Do you have a license for those things? I'm sure that you are not supposed to have this many vicious creatures on an enclosed vessel. [00:21:34] Speaker B: Oh, no, it's fine. Oh, yeah, it's fine. [00:21:37] Speaker A: All right, well, I can't deal with this right now. Why don't you go back in there and make sure none of those things escape? [00:21:44] Speaker B: Oh, that's fine. [00:21:45] Speaker A: I. [00:21:46] Speaker B: Are you sure you don't want to take another look? I can step you through to explain each one to you. [00:21:51] Speaker A: No, thank you. Who are you? Are you some kind of thrill seeker? Like what? [00:21:56] Speaker B: Oh, I wouldn't turn down a good thrill. [00:22:00] Speaker A: Okay. [00:22:01] Speaker B: No, I do, but I wouldn't say I seek em. [00:22:04] Speaker A: But you have all of these animals. Do you go and collect them yourself or what? I'm, like, backing away from. Just every once in a while, I'm backing away from, like, taking a step just to get some distance between me and that door. So what'd you say? [00:22:19] Speaker B: Oh, I'm just a savvy businessman. [00:22:22] Speaker A: You don't, you don't collect the animals? [00:22:24] Speaker B: No, I do. Of course I do. [00:22:26] Speaker A: I'm Sean. [00:22:27] Speaker B: Indigo. [00:22:27] Speaker A: I look at his outfit. What is the fucking outfit? I picture him in, like, camouflage shorts, and I'll read it. Cargo pockets on the side. [00:22:36] Speaker B: Come on. That's not far off. [00:22:38] Speaker A: A snake tied around his waist like a belt. [00:22:40] Speaker B: He wears a crocodile skin hat, vest, and chapst. Yeah, just khaki underneath it. [00:22:45] Speaker A: He's like crocodile Dundee, kinda. He's about to say daddy, like. Cause, like, you're my kids, but daddy. [00:22:53] Speaker B: Hi, guys. [00:22:54] Speaker A: Daddy made a crocodile Dundee character for Daddy Master. Isn't that crazy? The daddy master. Okay. This is like, he just eyes him up. Like, is he bare chested? Like, he doesn't have a shirt on. [00:23:07] Speaker B: Oh, he has a shirt on underneath the vest. [00:23:09] Speaker A: He does. What is it made of? An animal material? [00:23:11] Speaker B: Okay, it's khaki shirt, maybe muzzle. [00:23:15] Speaker A: Let me do it. Let me do a wisdom check on the shirt. It's made of some horrible creatures. Hair, flesh. [00:23:22] Speaker E: How does Sean Indigo pronounce khaki, though? Is it cocky? [00:23:26] Speaker B: No car key. [00:23:28] Speaker A: Nor perception. Would it be perception? Joking about the. [00:23:32] Speaker B: I wouldn't say that. I'd say khaki. [00:23:36] Speaker A: Nice, cocky perception of his shirt. [00:23:43] Speaker B: Are you actually wanting to look at a shirt? [00:23:44] Speaker A: Yeah, I'm looking at him. [00:23:45] Speaker B: Another natural one, are you? [00:23:47] Speaker A: Businessman. Natural one. Oh, perception. I'm asking you which one. [00:23:51] Speaker B: Yeah. [00:23:52] Speaker A: Yeah. Because I'm not bad at judging that. [00:23:56] Speaker B: It's a six. Yeah. Some kind of skin. It's like a light brown color. [00:24:02] Speaker A: What the fuck? [00:24:04] Speaker C: It's such a latinus cubelet skin. [00:24:07] Speaker B: You know, like the film. Carefully fillet it off. This seems a renewable resource. [00:24:16] Speaker A: Like, I want to be will still and, like, be somebody who could read people. But I feel like all the bad roles I have will still. I mean, like, I want to be a. [00:24:25] Speaker B: It's been a while since you've been flustered by your surroundings. [00:24:27] Speaker A: Yes, very true. And will, like, I feel like that last detail, the shirt also being made of an animal thing, will is like, I wanted to say that he's suddenly like, is this guy, like, is this a costume? Like, this seems ridiculous. And should I roll another role for that? Or should I assume that I don't think that I'm just too scared and freaked out? [00:24:52] Speaker B: You're allowed to think whatever you want. [00:24:54] Speaker A: Okay, well, maybe he's wearing a costume, but, like, that's okay. Businessman. I'm just, like, eyeing him up and down. That's what I say. I'm just a good businessman. I think is the last thing you said. [00:25:02] Speaker B: Oh, yeah. I gather these creatures out in the bush. You know, I hawk em. So are you interested? I can't tell. [00:25:17] Speaker A: No. They're awful. Excuse me? I mean, what you're doing is great, but for me, awful. None of those things can comfort a person. I am in mourning, okay? I don't need something to bite me on the ass. I need something I, you know, you can pet. [00:25:35] Speaker B: Let's be real here. There's no one around. Why are you so sad about your king dying? What's the big deal? [00:25:43] Speaker A: What? Why am I so sad that my. [00:25:46] Speaker B: King, he wasn't like your dad? [00:25:49] Speaker A: You don't have any allegiance to anybody, okay? [00:25:53] Speaker B: Allegiance is one thing, but sadness because of it. [00:25:56] Speaker A: Like, he was my best friend. [00:25:59] Speaker B: Oh, well, that's a little different, I suppose. [00:26:03] Speaker A: A little different? [00:26:04] Speaker B: I think so. Well, he was your best friend, really? But you're his servant. That seems a little fucked up. [00:26:12] Speaker A: No, I wasn't really. Just like, a servant. That's not what a ballet. Like, a real valet. [00:26:16] Speaker B: Nudge, nudge, wink, wink. [00:26:18] Speaker A: No, no. [00:26:20] Speaker B: I always thought that's what that word really meant. It was like, royalty code for, you know, somebody who helps you accomplish the things that the public can't see you doing. [00:26:34] Speaker A: Oh, wait. And I thought you were implying something else. Wait a second. [00:26:38] Speaker B: Sex? [00:26:39] Speaker A: Wait a second. Wait. Yeah, no, that was the right thing. And just. You made it sound entirely something different for a second. [00:26:45] Speaker B: No, no. [00:26:45] Speaker A: Log, you are strange. [00:26:46] Speaker B: You were fucking the king. [00:26:48] Speaker A: No, I was not. Thank you. [00:26:50] Speaker B: So then why are you so sad? [00:26:52] Speaker A: You don't want to not have friends in your life? [00:26:54] Speaker B: You don't know what. Yeah, but I don't make them carry my bags and get me food. [00:26:59] Speaker A: I didn't carry his bags. Do I look like somebody who carries bags around? [00:27:04] Speaker B: I think that's, like, the definition of a valet. [00:27:07] Speaker A: No, no, no, those. When you're somebody like king, maybe for, like, a piddly king, somewhere in podunk. Six rivers, but this is King Bathwack on Pidley's end. [00:27:18] Speaker B: What's the root of the term? Valethe valet? [00:27:21] Speaker A: Yeah, that's old. That's an old word. I mean, it's, like, weird. And we were kind of thinking of changing it, like, you know, stewardess and stuff like that. [00:27:29] Speaker B: You're gonna be a stewardess? [00:27:30] Speaker A: No, I'm saying I'm gonna be a stewardess. [00:27:34] Speaker C: A stewardess. [00:27:35] Speaker B: No, what I'm saying is that what he was into? [00:27:39] Speaker A: What is your deal? [00:27:40] Speaker B: What do you mean, what's my deal? I told you my deal. I'm a businessman, okay? [00:27:45] Speaker A: And you just harass people in the hallway about, um. [00:27:47] Speaker B: You came to me, sir, and then told me what I do is gross and disgusting. [00:27:52] Speaker A: Oh, well, you're the first person in this entire campaign to push back, so I'm just a little surprised. [00:27:57] Speaker B: Well, I'm Sean. Indigo. [00:28:00] Speaker A: You're grown up. She me? [00:28:02] Speaker B: Would I be Sean Indigo if I let you push me around? [00:28:05] Speaker A: Gnar, gnar, gnar. [00:28:08] Speaker B: I gotta get an in somehow. I can't do it. [00:28:11] Speaker A: Gnar. God damn it. You say gnar, and now it's like, gnar, gnar. That's ridiculous. Okay, um, what was the last shoot? [00:28:25] Speaker B: What was the last thing I said? Fosters. [00:28:31] Speaker A: It's from the nineties. [00:28:33] Speaker B: Uh, probably. [00:28:34] Speaker C: I still think about it every time. [00:28:36] Speaker B: Every time what? [00:28:38] Speaker C: Every time I hear any Australian anywhere speak. [00:28:41] Speaker B: Oh, okay. Like me right now, that's all you can think of? [00:28:46] Speaker E: That's right. [00:28:47] Speaker A: Bonafide, Australia. [00:28:48] Speaker B: The Sydney Opera house. [00:28:53] Speaker A: I'm sorry, I can't actually remember what you said. [00:28:55] Speaker B: Yeah, check the shared notes. [00:28:57] Speaker A: Oh, I could check the shared notes. Let's see. [00:29:01] Speaker C: Yeah, we've been taking down word for word. [00:29:03] Speaker A: Whoa. Oh, yeah. What's the big deal about your king dying? He was my friend, and then he was like, I'm just trying to follow the thread. Yeah, if it was important. [00:29:13] Speaker B: Insinuating. [00:29:14] Speaker A: Oh, yeah. He was insinuating that we were sleeping together and will's like, we were talking. [00:29:19] Speaker B: About the root of the word valet. [00:29:21] Speaker A: Like, yeah, and I'm like, that's an old word. We're gonna update it because I'm. I don't just carry bags around. [00:29:28] Speaker B: No, you're still some other position that's subservient to him. [00:29:32] Speaker A: Yeah, kind of. Okay. I mean, you can't be a king. Sure. Okay. [00:29:36] Speaker B: You're not gonna be like the kings. The. You're not gonna be co kings. [00:29:42] Speaker A: Oh, man. I'm sure wrestling weird, slimy, disgusting creatures in the mud is far superior. Then sleeping. [00:29:49] Speaker B: No judgment. I'm just ask. [00:29:52] Speaker A: And eating the. Why you're so sad and traveling across. [00:29:55] Speaker B: The country when we have to go. [00:29:56] Speaker A: On like, you lose your job. What? [00:29:59] Speaker B: Do you lose your job? Because he's dead? Is that what you're sad about? Because he's dead? [00:30:06] Speaker A: Yeah, sure. Part of it is that. Absolutely. I need new employment. What do you want? Looking to hire somebody? [00:30:11] Speaker B: No, just, it seems a little suspicious, is all. [00:30:15] Speaker A: Suspicious of what? [00:30:16] Speaker B: So sad about just a king dying. Like you keep, like. No, it's like you play in the morning. How? [00:30:22] Speaker A: Oh, well, maybe I wouldn't be so wrong if I was. But also, I'm not like, I just. [00:30:28] Speaker B: Want to call you on it. I could see myself doing that sometime. [00:30:31] Speaker A: Yeah, well, sure. I mean, it would be nice to be treated a little kindly and with, I mean, like, yeah, of course. Yeah, let's get extra stuff. Why not? [00:30:40] Speaker B: Captain seems to kiss your ass anyway. But maybe it's because of that, but I think it's cuz he wants to fuck that. That old lady. I don't know what that has to do with you, but I guess I wanted to say any port in a storm, but I don't think that fits this current situation. But I thought. [00:30:59] Speaker A: Does this face. [00:31:00] Speaker C: Adam, thank goodness Rafina is not in the room. [00:31:05] Speaker A: Yeah. Oh, man, I need to defend her honor, says will sarcastically in his head. Cause she overheard abby saying that. [00:31:14] Speaker B: Yeah, sure, but get me home. [00:31:20] Speaker A: Will feels like he's completely lost track of what he wants out of this conversation. I think because he was so scared, he really got flustered, had no idea what was going on. But now he's like, okay, wait a second. What am I supposed to be doing? This conversation? I was supposed to either find out whether he was in the room and if he was in the room, to distract him so somebody could go in. So. [00:31:42] Speaker B: And while you're thinking, the guy's like, all right, well, clearly you're not interested in my wares, at least for now. I would never turn down a customer. So if you can't, if you find the need, just come find me. I'm gonna close up shop here. He goes back to the door, and. [00:31:56] Speaker A: You hear, ooh, can I roll to see if I think it's just a regular locker or casting some kind of spell? Let's see how many natural ones I can get in. [00:32:07] Speaker B: One. [00:32:07] Speaker A: Nine. [00:32:08] Speaker B: Got a one, a one, and a five so far. Now you got an 18 plus one, so 19. You don't think he's casting any spells, but you think the locking of the door is noisier and it's taking longer than a normal lock would. [00:32:25] Speaker A: Do? I. Okay, can I roll a history check to see if I have any familiarity with different kinds of weird locks because of the kind of things that I do. Rich people, places to get into. [00:32:36] Speaker B: I would say if you're gonna do that, you would want to investigate the lock. [00:32:39] Speaker A: You just investigate it. [00:32:40] Speaker B: No, no, I'm saying to make that check, you would need to be. [00:32:44] Speaker A: Okay. I just was wondering if, by what the hell he's doing, I could figure it out. [00:32:48] Speaker B: Give it a shot. [00:32:49] Speaker A: Regular door. No, no, no. [00:32:51] Speaker B: Give it a shot. Just the difficulty would be very high, so go try it. [00:32:55] Speaker A: Ah, it's the noisy, long taking lock. Unlock. [00:32:59] Speaker B: Safe lock. [00:33:00] Speaker A: Tm. What was I rolling again? Listen, history of my own history. Like, my own history. [00:33:11] Speaker B: I mean, you certainly know of within 18. You know of some locks that. That take a while and are a little louder than others. I mean, but. Okay, maybe it's just multiple locks or, you know, you'd have to get a closer look if you wanted to see if you were more familiar with it. [00:33:29] Speaker C: A lock. Look. [00:33:32] Speaker B: Well, I'm gonna go to the, what do you call it? The drinking room. So I'll see you later. And he taps his tips his hat to you, then leaves and he goes through the door. So, guys, you're in there with Sue Broadmoor, and all of a sudden, the door bursts open, and in walks none other than Sean. Indigo. You hear? Later as the door opens and he comes in. Oh, crikey. I can't believe all you see in here. I'm just completely shitting the bed on it and loving it. [00:34:05] Speaker E: Hey, we were just in the middle of a conversation here. Rude to. Just storm in. [00:34:11] Speaker B: What are we talking about? He storms up to you. [00:34:15] Speaker E: Nice. [00:34:16] Speaker C: What was her name? Broadmoor. [00:34:17] Speaker B: Sue something. [00:34:18] Speaker C: Broadmoor. Sue. Thank you. [00:34:20] Speaker E: Well, we were talking about, uh, Sue's last name. [00:34:26] Speaker B: Oh, it's Broadmoor. Yeah, I knew that one, if you think about it. Were we talking about. That says sue as you're talking? [00:34:39] Speaker E: Sue's more broad than a lot of guys would know what to do with, if, you know. Um, excuse me, just like more of a. More of a. Of a broad. I'm not saying you're broad, scout, but if. And if you were, that would be okay. Be great. [00:35:00] Speaker B: Deception. I don't think you do. [00:35:02] Speaker A: No. [00:35:05] Speaker E: And I'm not saying that it's good or bad to be more less of a broad. I'm just saying you seem like a pretty cool broad. [00:35:18] Speaker B: Is that word acceptable where you come from? All of you? [00:35:23] Speaker A: Cool? [00:35:26] Speaker C: He may have been into the brown treat recently. [00:35:28] Speaker B: The what? [00:35:30] Speaker C: We're just pretzels. [00:35:32] Speaker B: Is that drugs? Are you carrying illicit drugs aboard this vessel? [00:35:36] Speaker C: That was just a figure of speech. [00:35:39] Speaker E: They're more like implicit drugs. [00:35:44] Speaker B: In what way? [00:35:48] Speaker E: Well, because, like, the effects of them are more implied than biologically direct. [00:36:02] Speaker B: Oh, what is it called again? Brown what? [00:36:05] Speaker E: Brown tree. [00:36:06] Speaker B: I've never heard of it. [00:36:09] Speaker E: Yeah, it was never supposed to be a real thing. [00:36:12] Speaker A: Oh, no. [00:36:15] Speaker B: Oh, I don't know what that means. I guess I bet a lot of people would say that about some of the terrible drugs they've encountered. Is it terrible? Is one of you overcoming an addiction? [00:36:29] Speaker E: I mean, I prefer substance use disorder. [00:36:34] Speaker C: Polite to talk about these things in your culture. [00:36:38] Speaker B: Well, yes, sue, yes, it is, actually. [00:36:42] Speaker E: Wow. [00:36:42] Speaker B: Well, why wouldn't it be? [00:36:44] Speaker C: Pretty cool. [00:36:44] Speaker B: It's just a facet of mental health, I think, which should be Roscoe never shied away from. [00:36:50] Speaker E: Roscoe was over by the door. I think last, he was trying to make sure Will had a chance to get into the room, okay. To look for the Albert. So. [00:37:01] Speaker B: So maybe as he bursts in, you would see if you want to look back in, you see Will standing there. [00:37:07] Speaker E: Roscoe is trying to, like. Yeah. Peek out and see, like, what's going on with. Okay, like, this will is this will's chance? Like, do we need to distract Sean now? [00:37:17] Speaker B: All right, so, will you see Roscoe's head peeking out of the door? [00:37:22] Speaker E: I am floundering in here. I'm talking about broads and substance use. [00:37:28] Speaker A: What? [00:37:31] Speaker E: I don't know. I've had so much wine. I'm in the drinking room. [00:37:36] Speaker A: Oh, no, it's Cannon. Okay. It's Canon. That looks nice. God. Roscoe, could you. Can you hold him in there? Probably not. [00:37:46] Speaker B: How. [00:37:47] Speaker A: God damn it. Can I rely on you guys? What do you need me. [00:37:51] Speaker E: What do you need me to do? [00:37:52] Speaker A: I just sneak over to the door slightly to see if I can check the lock. And see, like, as he's looking at me, I'm checking the lock to see if it's something I recognize. [00:37:59] Speaker B: Okay. [00:38:02] Speaker E: Okay. I'm gonna see will do that. And I'm gonna close the door and assume that I'm distract. But we have to distract Sean. [00:38:09] Speaker B: Got it. All right, give me. [00:38:13] Speaker A: If I see him closing the door, I want to be like, no, that's fine. [00:38:17] Speaker B: No, no message. [00:38:19] Speaker A: I don't know if I was too distracted. That's okay. If he just closes the Roy, that's fine. I have to trust him. I have to trust him. [00:38:24] Speaker B: It's okay, Katie. [00:38:26] Speaker A: No, I trust Adam. [00:38:28] Speaker B: I wasn't talking about Adam. [00:38:28] Speaker A: I wasn't trusting Roscoe. Kt also barely. [00:38:32] Speaker E: I don't. I don't even trust Roscoe Riddle. [00:38:35] Speaker B: I do. [00:38:38] Speaker C: I really want it to be that sue actually works at a place called substance abuse disorders for broads. [00:38:45] Speaker A: Oh, my God. [00:38:48] Speaker E: She sells disorders. That's why. That's why it's polite in her culture to talk about this stuff. Because she's a drug dealer. [00:39:04] Speaker B: Sorry. [00:39:05] Speaker C: Just thought I'd throw that in there. [00:39:06] Speaker A: This is great. I love that. [00:39:08] Speaker B: I'm sorry. So, is one of you suffering from substance abuse disorder? [00:39:12] Speaker C: We don't know. We haven't checked. [00:39:14] Speaker B: Oh, do you know how to check? [00:39:17] Speaker E: Funny you should mention that. [00:39:19] Speaker B: Why? [00:39:20] Speaker E: Because I think one of us and Roscoe looks at Sean might be. And that's why we are here to intervene. [00:39:34] Speaker A: Oh, my God. Oh, you want to know what I was going to shout? [00:39:39] Speaker B: You, Adam. [00:39:40] Speaker A: I was gonna shout. Not shout, but brain text, get him drunk. So this is literally the opposite, and it's hilarious. That. That was great. I love that so much. That's hilarious. [00:39:54] Speaker B: And she says, oh, well, I just remembered. And she starts walking towards the other door. There's two doors out of here. She's walking towards the. There's, like, one goes towards the left, and one gorge goes up the right side of the ship, basically. Will's at the left one, and she's heading towards the right one. I just remembered I have something in my room that I. And she turns, and mo. [00:40:26] Speaker E: I've been motioning to mow the block. Nobody. Nobody leaves this intervention. Oh, you are friends with Sean, and you have to be here. [00:40:36] Speaker B: Um, so, wait, Sean, Sean, you or she turns, are suffering from substance abuse disorder. Well, no, substance. [00:40:48] Speaker E: Again, substance use disorder abuse is kind of judging. [00:40:53] Speaker B: I'm learning. Okay. I had no judgment behind my words, but I understand the use of them could be perceived as such, and so I. Eric, I'm not being sarcastic about this. I am roleplaying. [00:41:06] Speaker A: You are role playing. [00:41:07] Speaker E: Absolutely. [00:41:08] Speaker B: I love it. [00:41:09] Speaker E: It's great. [00:41:09] Speaker B: I completely agree that people should use and be comfortable with the words that they want to use and be comfortable with. No, I've got my editor to my right. [00:41:22] Speaker A: No, I think it's. What you're saying is beautiful, actually. [00:41:24] Speaker E: No, no, it's great. I think you're doing a job. [00:41:26] Speaker A: What you just said is sweet. All the clarification is great at the D and D table. That's what we advocate for. Thumbs up. [00:41:34] Speaker B: That's what the D stands for. PFD. Discretion. [00:41:38] Speaker A: Wait, fried discretion? [00:41:39] Speaker E: That wasn't really fucking discreet. [00:41:41] Speaker B: It was. It wasn't. Discretion isn't even the right word. It was discussion. All the clarification, closures. [00:41:49] Speaker C: Wait, no. Pork fried disclosure? [00:41:53] Speaker B: If it started with a D, that's what it. [00:41:55] Speaker E: Somebody just deleted all the notes. [00:41:58] Speaker A: What? These notes? So. [00:42:06] Speaker B: All right, I'm fine. What are you. What are you not talking about? [00:42:14] Speaker E: Don, why don't you have a seat? [00:42:18] Speaker B: Nor. I don't think I will, Sean. [00:42:22] Speaker E: All right, this is no longer an intervention about drugs. This is an intervention about you saying nar all the time. [00:42:30] Speaker B: Oh, I'm always. I'm always gnar saying. [00:42:33] Speaker E: I'm doing an audible. Okay, guys. [00:42:37] Speaker B: Oh, okay, then I think I will leave. Says sue. Yeah, I see that. No, steps aside. [00:42:45] Speaker A: All right. [00:42:46] Speaker E: No, no, no. [00:42:46] Speaker C: Drugs. [00:42:47] Speaker A: It's drugs. [00:42:47] Speaker B: It's drugs. You don't. Substances, Roscoe. [00:42:56] Speaker A: Sure. [00:42:57] Speaker E: Substances. Okay, no one needs to sit down. You don't need to sit down. If you don't want to, Sean. [00:43:03] Speaker B: Oh, I don't? [00:43:05] Speaker E: I just want you to be as comfortable as possible so that I am not comfortable. That's all right. We just want to make sure. We just want to make sure that the things that we express to you don't go Indigo and not another. [00:43:22] Speaker B: Oh, my God. All right, I think we need to have an intervention. [00:43:30] Speaker A: For Adam. For Adam. Amazing. [00:43:37] Speaker B: No one's allowed to leave this chat mo. [00:43:44] Speaker E: Meanwhile, Sean, I'm just gonna say this is serious business, will or not. Sorry, that's not what I said. [00:43:54] Speaker A: Wait, is that real? [00:43:56] Speaker E: No, I didn't say that. Roscoe didn't say that. That was Adam. Okay, Valencia and I saw you coming out of a room earlier, and we could tell you were up to no good. You know who comes out of secret rooms after spending time in them? [00:44:14] Speaker B: No. [00:44:17] Speaker E: People with substance use disorders. People who are secretly doing substance use in a disorderly way. [00:44:26] Speaker B: Or you're saying that when I come out of my room, the only explanation is that I'm using substances in a disorderly way? [00:44:37] Speaker E: Now, I just say, in my line of work as a. As a circus worker for many years, that is was and continues to be a fairly common explanation for secret room activity. [00:44:58] Speaker B: I mean, I don't know that me coming out of my room qualifies as secret room activity. Do you? [00:45:08] Speaker E: You didn't come out of your room. You came out of some weird other. [00:45:12] Speaker B: No, that's my roommate. [00:45:17] Speaker C: Rafina says, excuse me, I'm going to leave the room right now. Is that okay? [00:45:22] Speaker E: Roscoe, let me check the intervention room. [00:45:28] Speaker B: What are you looking at? [00:45:30] Speaker E: My hand. [00:45:31] Speaker B: Okay, is that just your hand? [00:45:39] Speaker E: Grafina is allowed to go. It says. [00:45:48] Speaker B: I think that you all have been using the drinking room a bit too much. Or just enough. [00:45:55] Speaker E: Aha. You caught us. This isn't actually an intervention. It's a reverse intervention. We need your help, Shawn. Please help us. [00:46:04] Speaker A: Please. [00:46:05] Speaker C: Wait, was that she me or was that Sean? That time? [00:46:08] Speaker B: It's all been she me. Hasn't said a word yet this session. I don't know why you're confused. Abby. [00:46:14] Speaker E: Pay attention. [00:46:15] Speaker B: Abby. [00:46:15] Speaker A: Oh, my God. Abby. I said it last time. You should say which character's talking first. [00:46:20] Speaker E: Sean. Sean, you gotta help us. I'm hooked on mustard and brown treat and wine. Rafina's hooked on Twiggy. Mo's hooked on religion. Sue, I'm sure is hooked on something. Sue, what are you addicted to? [00:46:36] Speaker B: No, I just want to leave. I think you can't. [00:46:40] Speaker E: Revia's allowed to. But you're you're not allowed. [00:46:42] Speaker A: Ok, bye. [00:46:44] Speaker B: Are you sure you didn't check the rules for the regular intervention and not the reverse intervention? Oh, my hands on her hips, says Sue. [00:46:54] Speaker E: Roscoe looks. Roscoe looks at his other hand. [00:46:57] Speaker B: Okay, I'm leaving. Goodbye. Stop her. [00:47:05] Speaker E: Uh, no mo. It's fine. [00:47:08] Speaker B: No mo. [00:47:09] Speaker A: What? [00:47:10] Speaker E: No money. [00:47:14] Speaker B: Okay, the end. [00:47:17] Speaker E: That's goodbye. [00:47:19] Speaker B: Sue leaves. [00:47:20] Speaker A: Okay, see you soon. [00:47:22] Speaker E: You're more broad than a lot. [00:47:27] Speaker C: Okay, Roscoe. [00:47:28] Speaker A: Nice. [00:47:29] Speaker C: Okay. Okay. [00:47:31] Speaker B: Well, that was strange, wouldn't you say? [00:47:38] Speaker E: Yeah, that's what happens when you storm into rooms, Sean. [00:47:41] Speaker B: What? I think a drinking room is one you're allowed to storm into. [00:47:47] Speaker E: No, you storm out of them. You don't storm into. [00:47:49] Speaker B: Oh, I beg to differ. [00:47:53] Speaker E: Well, anyway, why don't we talk about something else that matters? [00:47:59] Speaker B: Oh, yeah? What's that to you? Buying an exotic pet? [00:48:05] Speaker E: No. Oh, unless you've got some kind of. Do you happen to have, like, a complete list of your inventory? Let me look at your hands. Let me see your hands. You don't have anything written on these hands. [00:48:21] Speaker B: It would get washed off in the water when I'm wrestling all the animals that I capture, the ones that are aquatic anyway. [00:48:30] Speaker E: Well, I do think that we would be interested in maybe hearing a complete list of all the animals. [00:48:37] Speaker B: All right, well, and while he inhales, we're going to cut to the deck above, almost directly above, where kick is trying to catch some fish. How many fresh fish have you provided to the albatross so far, kick? [00:48:58] Speaker D: I fed him one, and I put four into the dresser. [00:49:02] Speaker B: Oh, okay. Oh, no, you're doing something else. You're trying to. [00:49:07] Speaker A: Trying to catch a really weird fish. So Shawn Indigo can be Castro. [00:49:11] Speaker D: Yeah, yeah, I'm on a. I'm on a very useful mission that will be pivotal to the story. [00:49:17] Speaker A: Aw. [00:49:18] Speaker B: So you hauled up a boot earlier, and with a nine survival, you reel in, and it feels like you got something good and big, and it's fighting you, and you pull it up and there's just nothing there. And the. The captain walks up behind you and he claps you on the shoulder and he says, what? Having a little bit of trouble back here. Looks like you've been trying to haul in a good catch. [00:49:46] Speaker D: Yeah. Did the. Did the fish, like, go around the boat? [00:49:53] Speaker B: Well, I mean, yeah, I don't know how many you'll find here in the wake, per se. You might want to try off one of the sides. Or we could. We've got a nice spot down on the. On the lowest level where you don't have to cast so far down. I don't know if you've been losing them on the. On the reel. Up. [00:50:11] Speaker D: Can I. Do you have more of these things that I can put the rod into down there? [00:50:17] Speaker B: Oh, sure. Yeah, yeah. We got a spot designated for fishing, actually. We got to keep the kitchen stocked after all. [00:50:25] Speaker D: What. What's it called? [00:50:27] Speaker B: Oh, the fishing spot. [00:50:29] Speaker D: Oh, like. Well, are there signs? [00:50:33] Speaker B: No, no, we just all. It's not for the guests. It's for the crew. But, I mean, we certainly be willing to let you utilize it if you'd like. [00:50:43] Speaker D: Oh, yeah. Can you. Can you give me directions? [00:50:47] Speaker B: I'll just take you there myself. [00:50:49] Speaker D: Oh, well, thank you. [00:50:52] Speaker B: Sure, sure. Well, what is it you're trying to catch, anyway? He says as he starts to take you towards the stairs. Down. [00:50:59] Speaker D: Well, close your eyes, but don't, because we're walking. [00:51:05] Speaker B: Okay. [00:51:07] Speaker D: Imagine a rainbow with spikes on it. [00:51:13] Speaker B: Okay. [00:51:15] Speaker D: That wiggles, and it's iridescent. Oh. [00:51:21] Speaker B: Uh huh. [00:51:21] Speaker D: And. And. And the rainbow has a mouth on it because it has to, so I can catch it. Imagine that. That's what I'm trying to catch. [00:51:31] Speaker B: Is this real? [00:51:35] Speaker D: I hope so. [00:51:38] Speaker B: Where'd you hear about it? [00:51:40] Speaker D: Well, I made it up. [00:51:43] Speaker A: Oh, my God. That's amazing. I hope so. I made it up. [00:51:50] Speaker E: I made it up. [00:51:51] Speaker B: All right, well, um, good luck, son. You know what? Here. And he fishes into one of his pockets, and he pulls out. It's a little pin in the shape of a. Like, a ship's wheel on, like, a galleon or something like that. And he pins it to your. To your loose fitting clothes. [00:52:19] Speaker A: Okay. [00:52:19] Speaker D: Oh, so I don't have to worry about him realizing that my clothes are. [00:52:22] Speaker A: Your clothes are not. [00:52:23] Speaker D: Clothes are real. [00:52:24] Speaker A: Yeah. Your clothes are real right now because you did change. [00:52:26] Speaker B: Yeah. [00:52:27] Speaker C: Is this is the sort of thing that he would give to, like, a four year old? [00:52:30] Speaker B: That is absolutely correct. [00:52:32] Speaker C: Yeah. [00:52:32] Speaker E: Okay. [00:52:32] Speaker A: Yeah, yeah. [00:52:33] Speaker E: Okay. [00:52:34] Speaker D: Oh, I'm gonna catch it for sure now. Thanks, captain. [00:52:42] Speaker B: All right, well, you come with me. You stay close. Okay. [00:52:48] Speaker A: I love this character. [00:52:50] Speaker B: All right. And so he leads you. [00:52:52] Speaker A: Scene. [00:52:54] Speaker B: So he leads you down the stairs. And I will. You hear steps coming down the stairs near you. [00:53:01] Speaker A: Shit. [00:53:02] Speaker B: As you're taking a look at this lock. [00:53:04] Speaker A: Oh, man. Has Rufina was trying to leave? Did she come out? [00:53:11] Speaker B: I don't think she's left yet. [00:53:12] Speaker C: No, not. Not yet. Things just keep happening. Oh, but what's happening now? Maybe she'll come out. She wants to find. [00:53:25] Speaker A: Her actually happens. [00:53:26] Speaker E: To before she left. [00:53:28] Speaker A: Okay. Oh, God. [00:53:29] Speaker C: Yeah. [00:53:30] Speaker A: Okay. Um. I. There's nothing around, right? It's just this room. I. Uh huh. I. [00:53:42] Speaker B: There's this door, the stairs up to the deck, and then the stairs into the drinking room. And then the hallway. [00:53:50] Speaker A: Okay, I'm outside of the room. This is the stairs that they're presumably coming down, like, right here. Right. And then this is the drinking room. And what is this? A hallway. [00:53:59] Speaker B: A hallway open down towards where you sleep. These are the stairs down which you took to get to the dining hall. [00:54:08] Speaker A: Okay, I am going to use my. I'm going to try to stomp my foot and warp across the floor over here or whatever to make it look like I'm coming out of the rooms because we sleep over there. Is that right? [00:54:22] Speaker B: This place that you just clicked down, the red carpeted. [00:54:26] Speaker A: Down the red carpeted hallway. So, yeah, I'm basically. I'm trying to zip myself over there, so when whoever comes down these stairs and turns the corner sees me just coming this way. [00:54:35] Speaker B: Okay, so you do your little foot stomp with your ankle, and you go about 5ft in that direction. You don't quite make it. [00:54:44] Speaker A: Okay. And they're down. They're. They're already here. [00:54:48] Speaker B: Yep. So then they're bat whack as kick and the captain are down. And the captain. Oh, Valencia, I don't believe your room is quite ready yet. This is. This is Sean's room. [00:55:03] Speaker A: Hmm. What? I'm. He looks like he's. He's looked like he's distracted, like he was looking down. [00:55:10] Speaker B: Sure, sure. [00:55:10] Speaker A: Wasn't paying attention. [00:55:11] Speaker B: And give me a performance check. [00:55:13] Speaker A: Okay. Nine. Oh, shit. [00:55:18] Speaker B: Nine. [00:55:18] Speaker A: It's not terrible. [00:55:19] Speaker B: It's not terrible. Good. [00:55:20] Speaker A: Dude. [00:55:21] Speaker B: Insight. [00:55:24] Speaker A: And what did you actually say to me? You said, this is Sean's room. [00:55:29] Speaker B: Yeah. Well, your room's not quite ready yet. [00:55:31] Speaker A: Oh, okay. So it must be something similar to. This is what he's trying to say. [00:55:38] Speaker B: Wait, did you say anything? [00:55:41] Speaker A: Um, I think I had said. Huh. What? Like I was distracted, like I had been walking, because again. [00:55:46] Speaker B: Oh. [00:55:46] Speaker A: I zip my foot, and then I try to look like I'm walking toward him. [00:55:50] Speaker B: I, um. I I'm sorry, I thought you were. I don't know. I must have missed. Are you. What can I do for you? I'm just taking a young lad kick here down to the. The fishing spot. [00:56:06] Speaker A: Nothing. Nothing. You don't need to do anything for me. I'm just trying to go up to the upper decks and get some air. [00:56:14] Speaker B: Well, actually, the. The fishing spot is open to the air. It's it's quite nice. It's a bit of a secluded spot. Fishing could find some. Some peace. Yeah. We have a deck lower down on the ship where you're a bit closer to the. The surface. Perfectly safe. There's some. Some seats there. Maybe you. You'd find that refreshing. [00:56:33] Speaker A: Is it maybe covered in fish guts, I mean. [00:56:36] Speaker B: No, no, we keep it very clean. We don't gut the fish there or anything. Certainly not. [00:56:40] Speaker A: That job is catch the fish there. I think I'm going to go up to the top deck. [00:56:46] Speaker B: I mean, I was just thinking, I mean, kick, would you like someone to keep watch? I mean, keep company? Keep you company down there. [00:56:58] Speaker D: Who do you have in mind? [00:57:00] Speaker B: Oh, I was. I was thinking maybe Valencio here could spend some time with you on the fishing deck. Would that be nice? [00:57:17] Speaker D: Hey, Valencio. [00:57:19] Speaker A: Hello, kick. Let's go. Sure. [00:57:22] Speaker D: Do you want to fish? [00:57:24] Speaker A: No, I don't. This is why. This is what I was saying, captain. I don't really want to get fish slime on me, but if it's wide enough of an area, sure, I'll go down. Is there something happening above decks that I'm not supposed to be? [00:57:36] Speaker B: Oh, no, no. I just. I was thought I would offer as an amenity of the ship that is not necessarily available to the general public. [00:57:46] Speaker A: All right. I like the sound of it. [00:57:48] Speaker D: I already gave Valencia a bunch of fish. [00:57:52] Speaker A: I look at you like, what does that mean? Fisherman. [00:57:59] Speaker B: Oh, that's nice. [00:58:02] Speaker D: Yeah, he likes fish. [00:58:04] Speaker B: Were they the rainbow spiky kind? [00:58:07] Speaker A: Oh, like. [00:58:08] Speaker D: No, no, they were regular ones. [00:58:10] Speaker B: Oh. Valencio, kick here is trying to catch a rainbow, spiky fish that wiggles. Right, right. Kick. [00:58:19] Speaker D: Yeah. And it has a mouth. [00:58:20] Speaker B: And it has a mouth, of course, because it needs a mouth if you're gonna catch it. [00:58:24] Speaker A: Wilfrid finds himself grinning, like doing this, almost like admiring grin of what the fuck bathwack is doing. He's like, this takes skill. Like, what the fuck is this guy doing? [00:58:38] Speaker D: Now I have to do a performance draw. [00:58:39] Speaker A: He's like, critically fail. Dirty, dirty rotten scoundrels. Ruprecht from dirty rotten scoundrels. [00:58:46] Speaker E: Silly will, kicks are for kids. [00:58:51] Speaker A: I was just talking about tricks to one of my kids about. Because I guess, I don't know if they still do those commercials where the don't let the rabbit have any tricks. And Conan had seen, we were looking at some eighties and nineties commercials, and he was like, why don't they let the rabbit have any tricks? And I'm like, I always thought the same thing like, what the fuck? It's just a cartoon rabbit. It's not like advocating feeding your pet tricks. It's a cartoon rabbit. And they were so meand to. To it, and I wondered if they got rid of it that, like, whole trigger for kids, because it always seems so bullshit. I'll look it up later. [00:59:23] Speaker B: Okay. If I remember, they have good wi fi down on the fishing spot. You can look it up there. [00:59:30] Speaker A: Okay. Yeah. I said, yeah, I like the sound of that. I don't know. And then he. Yeah. Oh, no, I admired what Bathwick was doing. He's ruprect. [00:59:37] Speaker B: And then, Abby, if you want, Rufina can come out the door at this point. [00:59:44] Speaker A: Oh, okay. [00:59:47] Speaker C: Oh, that was. That was awkward. [00:59:49] Speaker A: Hello? [00:59:50] Speaker B: Hello, Rufina. It's turning into quite the party out here. [00:59:53] Speaker C: Oh, Valencio, I was hoping to have a word with you, but I see you're. You're occupied. [00:59:59] Speaker B: Yeah, he was about to go down to the fishing spot with. With kick here. [01:00:03] Speaker C: The fishing spot? That sounds delightful. [01:00:05] Speaker B: Oh, maybe I'll. Would you like to see it? [01:00:08] Speaker C: I'd love to. [01:00:09] Speaker B: All right. Let me escort you. [01:00:13] Speaker C: Thanks. [01:00:14] Speaker B: You're welcome. [01:00:14] Speaker E: This is just what will want. Is Roscoe completely unattended. [01:00:22] Speaker C: Not being able to speak freely? Exactly. [01:00:27] Speaker A: Oh, man. [01:00:28] Speaker B: So he. He gestures for you, Rafina, to join the group, and then, should you acquiesce, he will lead you down the stairs to the level below. [01:00:40] Speaker C: I acquiesce. I'm imagining he's prattling along sort of as a tour guide as we head down to the fishing spot. And if that is the case, then Rafina casts surreptitious glances at Valencio every once in a while, and sort of with the side of her head that the captain isn't on. She sort of points to her brain. To Valencia is like, talk to me. [01:01:07] Speaker E: Yeah, I've never heard of that spell. Surreptitious glances. [01:01:11] Speaker A: I know. That really casts surreptitious glances. I love that. It did sound like a spell. Yeah. I'll just be like, what in the message? Like, I'll do the spell. [01:01:21] Speaker B: If we. [01:01:21] Speaker A: If we are able. Is the captain walking right next to us, or is there a time that we could. [01:01:25] Speaker B: He's leading you. [01:01:26] Speaker A: He's leading us. So, yeah, we. Can I push kick in front of us? Like, I try to. I don't know if I can push bathwhack at all, but I kind of just try to guide kick to go between the captain and us. And then I cast the spell to say what to Rafina okay, excellent. [01:01:42] Speaker C: And I'll say. What is going on with the owl bear search? Has anything happened? Roscoe's creating a diversion, and we're just hanging out in the hallway. [01:01:50] Speaker A: What's happening, Rafina? It's been, like, five minutes. Am I supposed to do anything about this in five minutes? Find a whole shazam. Room. [01:01:58] Speaker C: Weren't you in there? Were you in there? Did you find his room? [01:02:01] Speaker A: I was in there. And it's full of awful creatures the likes I have never seen. And cats, but also horrible other things. Yeah, there's some cats, there's some things that look semi familiar, but most of the things in that room are incredibly dangerous. From probably some disgusting cave somewhere. From probably the woods that where if you enter them, you just get eaten by a thousand different fucking things. It's a room of horrors, Rafina. [01:02:32] Speaker C: But it's okay. I have that wand. I've got that wand. We can talk to them. And they're probably restrained in some way. I mean, they're not just roaming free, like in and out of his hotel. [01:02:43] Speaker A: Bathroom, if you want. They are all in cages. But what I'm telling you is that it is. It's. It's not a pleasant place. It is full of danger. It is full of creatures that are so horrid. I don't know if I'm gonna be able to sleep tonight. Haha. Get it? But still. No, seriously. But still. Yeah, well, we're. [01:03:05] Speaker C: Okay, well, how. What should we do next then, will? What's the plan? I'm gonna go there, I guess. [01:03:11] Speaker A: Yeah, you want to go to the room? Okay, but, like, the captain's in love with you, how do I get the captain to fall in love with me? So we'll stay with me. Ha ha. Just kidding. I don't want the captain. What do we do? I can get him to stay down here if you just say, hey, Rafina, just say you've got to go to your room for a second and get something and come back with a sexy shawl. Do you have another sexier shawl? Sexier than this one you're wearing right now? [01:03:35] Speaker C: I have one in my sock, but then I'd have to take off my whole shirt to get to my sock. [01:03:39] Speaker D: I picture a sexy shawl and cast my fishing pole over the seat. [01:03:45] Speaker B: You're in the stairwell. [01:03:51] Speaker A: Oh, my God. We can. [01:03:54] Speaker C: But. Wait, you want me to seduce him? [01:03:56] Speaker A: Well, no, no, no, not well. I mean, if you are look sexy, then maybe he'll just stand there like a moron, like he does every single time he sees you. Maybe we could set up a thing where I'm gonna say. You would say, hey, meet me at the front of the ship in 20 minutes. So we have 20 minutes? You'll have 20 minutes. We'll keep the captain down with us for 20 minutes. You get ready, and then it's a game of chess or something. You're just playing chess with him. I don't care. You don't have do anything with him. But if you think he's cute, he's kind of adorable. [01:04:25] Speaker C: Rufina, why don't I just go ask him to make me some ratatouille? That'll take him, like, an hour and a half. Wouldn't you rather that we have an hour and a half? [01:04:32] Speaker B: Oh, God. What is in Rafina's ratatouille? [01:04:36] Speaker A: Oh, God. [01:04:38] Speaker B: Rats. It's called Remy Tooey. [01:04:42] Speaker A: Remy Tooey? [01:04:43] Speaker C: Remy Tooie. [01:04:45] Speaker A: Oh, my God. Amazing. Okay, I'm gonna see if he'll make it. [01:04:48] Speaker C: Make us some. [01:04:51] Speaker A: Food. Well. Oh, wait. Yeah, like, wait, no, no. Did you say you were gonna make food or. He will make you. Are you just hungry right now? [01:04:58] Speaker C: I'm gonna ask him to make the food so that he goes away. [01:05:03] Speaker A: But, Rafina, we want to keep eyes on him. I feel like if we piss the captain off, we're likely to be thrown overboard. Like, somebody needs to be able to get in that room without him seeing, without everybody seeing. And now we're all split up and fucking everywhere. This is awful. If I keep the captain here. Oh, my God. And Rafina, the door is all locked, too. I don't. I don't think you're just gonna be able to meander on in there. Do you have a way to get in the room? [01:05:26] Speaker C: Did you look at the lock? [01:05:28] Speaker A: I did, and I don't actually think you ever told me. He never told me anything, I think. I don't. Wait, no, no, you said it was actually. No, I feel like. Did you actually. I had one that was standing out for a while. It was like. [01:05:39] Speaker B: All right, you can. You can give me another history check. [01:05:42] Speaker A: The lock on the door to see if he can recognize. [01:05:44] Speaker B: But you were basically interrupted when they came down. But you can give me one more as you. He did leave history check. [01:05:51] Speaker A: Did you say? [01:05:51] Speaker B: Yeah, come on. [01:05:53] Speaker A: History. [01:05:55] Speaker B: A nine keys? I mean, yeah, you think this is a pretty secure lock? You don't think it's just a normal key and a lock? Picket, you're good. That kind of thing. [01:06:08] Speaker A: I'm trying to think if I have a spell that could make her be able to, like, slide under the door. I could turn you into an animal that could get under the door. But then what if Sean Indigo finds you in there and he captures you and puts you in a cage or something? Do you have a way of getting in that door without unlocking the door? Because the door is. It's. I think I've seen something like this lock before. It is. You're not gonna be able to, like, pick it. [01:06:32] Speaker C: Doesn't Shimi have a lot? Oh, that was Nick. [01:06:34] Speaker A: Shemi might be. Oh, you know what? Go find Shimi. He might be able to break in, and then you could go in and. Okay, but God damn it, the animals, I'm telling you, they're vicious and disgusting. [01:06:46] Speaker C: I can't wait to see them. No, I love vicious and distressed. [01:06:49] Speaker A: Let them all out, please. It'll be like a ghost ship by the time. We'll just, like, we'll run into Bathwax waterfall to get to. When we get to Gully's end, because there will be no one left on the ship. It'll just crash into a mountainside or into the gully or whatever is there. Bathwax wife will kill her with our ship. If we all die from these animals in Sean Indigo's room. [01:07:10] Speaker B: Yeah, but then behind the king's fall, the dead shall rise. [01:07:14] Speaker A: All of us will just rise right up. It'll be great. No, Rafina. God, I mean, all I know is that he wants me to go down with Kik. [01:07:22] Speaker C: I think I should go talk to Shimi. [01:07:26] Speaker A: Okay. [01:07:26] Speaker D: Bathroom break. [01:07:29] Speaker C: Kik has to pee over the side. [01:07:30] Speaker D: Of the ship and picture a toilet. Cast my rod. [01:07:34] Speaker A: Whoa. He does cast his rodental. [01:07:39] Speaker C: Oh, the sound board is so. [01:07:42] Speaker A: I love the ending on that, though, because, like, Rafina saying, I think I'm gonna go talk to Shimi. I kind of love that, so. Yeah, I think it makes the most sense. She, me, probably, maybe can break in, and then you can handle the animals and we'll figure it out. We'll do it. That's it. [01:07:55] Speaker C: Right? [01:07:56] Speaker A: And then now you gotta get away from us, though. And I have to keep the captain down with us. Or kick does kick. I hope you have lots of fishing line antics prepared. [01:08:06] Speaker B: We'll find out. [01:08:07] Speaker D: I'm just gonna. I'm gonna follow asleep in the fishing spot. [01:08:13] Speaker A: BRB. Will tells Rafina about how horrible the animal room is and pushes her to take advantage of the captain's crush on her. I'm so sorry if I really am doing that. I kind of am, but I'm also, like, there are ways. [01:08:26] Speaker B: Whose notes were those? [01:08:27] Speaker A: There are. I don't know. [01:08:29] Speaker B: Sounds like Adam. [01:08:31] Speaker A: I'm just saying, Will, like, has had. He had to flirt with people in that town. You can flirt with people and then get them the fuck away from you. Yuck. Not interested. Flirt and then be like, gross. Poor Abby. We can't even hear at all. [01:08:46] Speaker B: Nope. [01:08:48] Speaker D: Boom berry boom berry boom berry. [01:08:50] Speaker B: Boomberry. [01:08:53] Speaker D: Boom berry boom berry boom. [01:08:56] Speaker A: And you can hear Abby laugh in the back of it. That's so great. [01:08:59] Speaker D: Boom berry boom berry boom. [01:09:01] Speaker A: That's so great. [01:09:02] Speaker D: Boom berry. [01:09:04] Speaker A: You hear your little laugh in the back, Abby. [01:09:07] Speaker D: Boom berry boom berry boom. [01:09:09] Speaker A: It's just the softest little laugh. That's so cute. [01:09:13] Speaker C: Can you hear me now? [01:09:15] Speaker A: Uh, yes. [01:09:16] Speaker B: Oh, yeah. [01:09:17] Speaker C: Okay, stop it. [01:09:20] Speaker B: Can I hear you? Yes, I did. [01:09:25] Speaker E: Yeah. [01:09:26] Speaker B: Yes. [01:09:27] Speaker E: Yeah. [01:09:28] Speaker B: Yes. Yes. [01:09:33] Speaker A: Okay. [01:09:34] Speaker B: Yeah. [01:09:34] Speaker A: Let's all just stare at him. [01:09:35] Speaker B: At me? [01:09:36] Speaker A: Yeah, you. [01:09:37] Speaker B: I wasn't sure who we were staring at. [01:09:38] Speaker A: I don't know. We were all just. [01:09:44] Speaker C: Scary. Alec's eyes. [01:09:46] Speaker A: Ooh. Oh, he's not shouting out at all. He is wired af. [01:09:53] Speaker B: Mm hmm. Mm hmm. All right. Welcome back, y'all. [01:09:57] Speaker A: Cha cha reverse. [01:09:59] Speaker B: Turn it up so cha cha real smooth. Rufina was going to try to hunt down she me for his engineering skills. And so you do. So are you just going to leave? Are you going to try to sneak away without the captain noticing? Are you going to excuse yourself politely? [01:10:24] Speaker C: I am. I'm going to say to the cap, I'm going to say to everyone, oh, I forgot. I was not done talking in the drinking room, so I'm afraid I can't go to the fishing spot right now. See you later. [01:10:35] Speaker A: Bye. [01:10:36] Speaker C: Okay, well, it's. [01:10:38] Speaker B: It's down here if you want to come catch up with us later. [01:10:42] Speaker C: I probably will. [01:10:43] Speaker A: Bye. [01:10:45] Speaker B: Thank you for giving him a response. [01:10:50] Speaker C: I feel like Eric feels emotionally tied to this poor captain. [01:10:54] Speaker A: I feel ever since we cast him as Dan Aykroyd, I am invested. I want Dan Ackroyd to date Rafina. Dan Ackroyd? [01:11:02] Speaker B: Dan Ackroyd from Christmas with the cranks? [01:11:04] Speaker A: I don't. I know he's annoying in it, but he's still adorable, and he gets the whole town together and brings Christmas to the Kranks. [01:11:10] Speaker B: We're here for your frosty. [01:11:11] Speaker A: Yeah. Weird. Weird as fuck, but it's a great movie. Except for freaking. Oh, man, it's such a good movie. Yeah. [01:11:17] Speaker E: Anyway, even with Tim Allen, I was. [01:11:19] Speaker A: Just about to say that that was literally that who I was like. Even though it has. And I'm like, no, it's a good movie. [01:11:24] Speaker B: Yeah, he's the worst part of the movie, but he's fine. [01:11:32] Speaker A: Oh, my God, this is never gonna stop. All right, so Rafina says she for. She forgot she wasn't done talking in the drinking room, so she can't go to the fishing spot right now. And the captain was like, okay, bye. Here we are. [01:11:48] Speaker C: So, okay, so Rafina has gone back to the drinking room. Is there any. Anything that keeps her from doing that? [01:11:55] Speaker B: Well, let's find out what's happening in the drinking room. So, yeah, okay, Roscoe, she me has left. Or she mean Rafina left, Sue left, and you're here with shimi, moe, clockface and Sean. Indigo. [01:12:13] Speaker A: Oh, no. [01:12:16] Speaker B: Ar nar ar. [01:12:20] Speaker A: Several blood vessels are bursting in will. [01:12:22] Speaker E: Eyes when we cut back in. [01:12:25] Speaker B: Yeah. [01:12:26] Speaker E: Moshimi, Roscoe and clockface are all doing their best to learn how to say r n r. Shawn is leading them all at a chorus of rhino. [01:12:37] Speaker B: You don't say. Oh, no, you just say it like you should say it. Or. No, I know. Am I getting close or nor my portfolio. [01:13:00] Speaker E: My portfolio, warrior. [01:13:02] Speaker B: All right, that's close enough, Mike. [01:13:05] Speaker A: Oh, my God. [01:13:06] Speaker E: Well, this has been fun. Yeah, it's good we don't have to go back and act out everything we just did. [01:13:11] Speaker B: Yeah. I mean, how we got from it was my intervention about drugs to my intervention about saying no to my intervention about drugs to your intervention, all of. [01:13:23] Speaker E: You combined, and then all of us did brown treat. [01:13:27] Speaker B: Yep, yep. [01:13:28] Speaker E: Together. [01:13:29] Speaker B: Now we're doing dialect work. [01:13:32] Speaker E: Yeah. Hey, hey, she me. Why don't you. [01:13:37] Speaker B: Yeah. [01:13:37] Speaker E: Have a conversation with Sean Indigo right. [01:13:40] Speaker A: Now just to ask you to leave. I was like, can you get shimmy to leave? No. [01:13:46] Speaker E: These every time dialects. [01:13:49] Speaker B: I mean, I could. Suppose I could talk to this little toy here. [01:13:55] Speaker D: Yeah. [01:13:55] Speaker B: I mean, we could talk about, you know, me and Sean here. We could discuss, like, do you have to, like, when you get these animals, like, do you get them out of the wild? Did you like stealing from places? Oh, no, she. I don't steal them. I do get them from the wild. I can't believe you would think that I would steal them. Well, I mean, I don't know. I don't know where. Like, how do you know where to get all these animals? Do you like. I mean, does someone have to tell you? Oh, no, no. I look it up myself. I do all the research, and I go out and find them. [01:14:36] Speaker E: All right, now, mo mama. Mo what? Now you. You jump in about what? [01:14:41] Speaker B: Where? Jumping where? [01:14:42] Speaker E: Well, I want to hear your noi. [01:14:44] Speaker B: What? My oi noi. [01:14:47] Speaker E: Yeah, your oinoi oi. [01:14:48] Speaker B: No. [01:14:51] Speaker E: Yeah. Was that it, Sean? [01:14:52] Speaker B: Oh, no. What the f. And then she. And then Rafina comes in. [01:14:59] Speaker A: Yay. [01:15:05] Speaker B: Hey, everyone, if you like what you hear, please leave us a kind review wherever you listen to us. Also consider supporting us by subscribing to us on Ko [email protected] supportpfD, where you can gain access to lots of exclusive treats and behind the scenes goodies. Thanks for listening and see you next time.

Other Episodes