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Episode Transcript
[00:00:00] Speaker A: You're listening to the episode about us trying to make a Patreon and the Patreon website absolutely failing us.
[00:00:07] Speaker B: It's pork fried dice.
I'm Eric, and I'm the dungeon dancer.
I'm Abby, and I play Rafina.
I'm Alex, and I play Bathwag.
[00:00:25] Speaker A: Oh, I'm kT, and I play will.
[00:00:31] Speaker B: I'm Adam, and I play Roscoe.
[00:00:34] Speaker A: We ran out of time. You know why? It's so janky, you guys, you wouldn't even believe.
[00:00:38] Speaker B: Oh, my gosh.
[00:00:38] Speaker A: What just happened to us?
[00:00:39] Speaker B: You wouldn't believe it.
[00:00:40] Speaker A: But, guys, we had a whole thing set up. We have all of our Patreon art and music and everything ready to go, and we were trying to set up the Patreon to become live. And there's a weird thing.
[00:00:54] Speaker B: There's some kind of billing issue or something where we have to wait.
[00:00:57] Speaker A: There's some kind of transition at Patreon where they're, like, converting accounts to something. And because we're just like, this brand new account that wasn't even live, we kind of got an issue that we're facing that we literally can't release our Patreon.
[00:01:09] Speaker B: Yeah.
[00:01:10] Speaker A: So super bummer. But we wanted to release this episode anyway.
If Patreon gets back to us, hopefully this week, we will hopefully have a brand new spanking Patreon full of extra bonus, extra bonus things. Hooray. Things. Like a new comic that I've been working on at pork Fried dice comic. We're gonna have some blog bloopers and stuff. You'll have access to that stuff.
[00:01:36] Speaker B: Yeah.
[00:01:36] Speaker A: And that's if you become a Patreon. A patron. A Patron. Guys, it's like, after midnight. I'm so tired, and Patreon failed us. But I'm not mad at Patreon. It's just the timing of this couldn't have gone crazier, I guess.
[00:01:51] Speaker B: So that's the story. Here's an episode we wanted to release, and I think next week, hopefully, we'll be back on track.
[00:01:59] Speaker A: Yes.
Reason we had to do the janky thing is because we literally had the episode all set up with an intro about Patreon and everything, and. And we can't even use it. So we just were like, let's just hop on and record this Janky intro.
[00:02:18] Speaker B: And you'll get a bespoke outro, too.
[00:02:20] Speaker A: Oh, my God. You guys can't even wait.
Amazing.
[00:02:24] Speaker B: Skip the episode. Go right to the end.
[00:02:25] Speaker A: Just listen to our us being stunned stupid at midnight past midnight.
[00:02:29] Speaker B: Let's record that now.
[00:02:30] Speaker A: Okay, here we go.
[00:02:31] Speaker C: Beep, beep, beep, beep, beep, beep, beep.
[00:02:36] Speaker D: Where's Craig?
[00:02:37] Speaker B: I'm getting there. Thank you for reminding me.
[00:02:39] Speaker D: You're welcome.
[00:02:39] Speaker B: I would have remembered, but it's good to check. Oh, you also just need to make sure everybody's leveled right, I guess.
[00:02:44] Speaker A: Oh, have we been done any? Oh, yeah, we just started recording here.
[00:02:49] Speaker D: Oh. Can we level? Can we level together now?
[00:02:53] Speaker A: Yeah. Thank you. I'll be level.
[00:02:55] Speaker B: Level, level recording. Getting back to level.
[00:02:58] Speaker A: We are level. Level, level.
Getting back to level.
Your friends talk to my friends, and we're all friends and not. We're not arguing.
Level, level.
Getting back.
[00:03:15] Speaker B: Mic's all level.
[00:03:17] Speaker A: Alex hasn't leveled when Adam has not made it. They didn't sing. They don't know that Taylor Swift song.
[00:03:24] Speaker B: Tell us about your favorite strawberry shortcake character.
[00:03:28] Speaker E: I don't remember any of them.
[00:03:29] Speaker A: Say boomberry, boomberry.
[00:03:32] Speaker D: What about sour grapes? You remember sour grapes?
[00:03:35] Speaker B: Got them. Sour grapes, sour grapes.
[00:03:39] Speaker A: You got sour grapes, sour grapes. Adam, where are you? I don't see you.
[00:03:43] Speaker B: Tell us about the Nicolas cage movie.
[00:03:46] Speaker F: In the 2023 film Dream scenario. Nicholas plage.
[00:03:54] Speaker E: You don't like macroface Paige?
[00:03:58] Speaker A: Well, then, Nicholas, Abby needs to turn down the tiniest bit.
[00:04:02] Speaker B: Alex turned Abby down slightly.
[00:04:05] Speaker A: Slightly there.
[00:04:07] Speaker E: How's that? How's that?
[00:04:09] Speaker A: And Adam also just a tiny bit. But I. I guess we're like it says he.
[00:04:14] Speaker E: We're actually saturating it. Can we. Oh, just back a little bit.
[00:04:19] Speaker F: What do you need me to do?
[00:04:21] Speaker B: Down slightly.
[00:04:21] Speaker A: Just down.
[00:04:22] Speaker E: Abby, it's in the red for you. When you talk.
[00:04:25] Speaker D: Isn't that a good thing?
[00:04:27] Speaker A: I would rather have it be that than in the invisible because I'm going.
[00:04:31] Speaker F: To try to use the physical gain knob on my mic.
[00:04:34] Speaker B: Okay.
[00:04:35] Speaker A: Physical gain.
Amount of amplification applied to a signal by any process that increases.
[00:04:42] Speaker B: Oh, so it's the difference between what goes in and then what comes out.
[00:04:45] Speaker A: Interesting.
[00:04:46] Speaker D: What goes in must come out.
Spinning wheel.
That's the end. Let's play.
[00:04:59] Speaker B: I don't know.
[00:05:00] Speaker A: Wait, you were just singing it because.
[00:05:01] Speaker B: They were singing it.
[00:05:02] Speaker A: How did you know?
[00:05:03] Speaker D: It's an old.
[00:05:04] Speaker F: I don't know it either.
[00:05:05] Speaker D: What? Yes, you do.
[00:05:06] Speaker F: I don't know what it is.
[00:05:07] Speaker G: I just recognize spinning wheel.
[00:05:09] Speaker F: What?
[00:05:09] Speaker A: By who?
[00:05:10] Speaker D: Spinning wheel from, like, seventies or Katy Perry by some people who sang back then. I don't, actually.
[00:05:16] Speaker B: Little NASA.
[00:05:16] Speaker D: But it's a famous song.
[00:05:18] Speaker C: Spinning up that wheel.
[00:05:19] Speaker A: Sometimes we all don't know famous songs.
[00:05:22] Speaker D: Well, you're not gonna know this one either, even though I've been so excited to sing it.
[00:05:25] Speaker A: Oh, I'm excited to hear it. I'm excited to hear it. Yeah.
[00:05:29] Speaker B: Previously on Pork Fried Dice.
[00:05:45] Speaker H: Screaming, Roscoe tries to get his hands round its neck.
Alas, he doesn't account for momentum. And splats right on his ass.
Alas.
[00:06:03] Speaker C: Whoa.
[00:06:04] Speaker H: Flapping wings produce incredible gusts of wind.
Oh, yeah.
Old Roscoe finds himself shoved up against the mast.
He's pronoun albatross.
I spoke out like my bit eyes.
He claps more and he blows them all away.
Now I'm angry.
Screaming in his moppid voice.
Muppet voice, muppet voice.
Mo and Ruffina want to meet this Birdie God.
They go.
They see that. Roscoe strikes it with his quarter staff with shatters.
[00:07:18] Speaker B: Oops.
[00:07:20] Speaker A: Whoa, whoa, whoa.
[00:07:21] Speaker H: Bird poop like a gingerbreadie blanket covers Roscoe.
[00:07:27] Speaker D: That's weird.
[00:07:29] Speaker H: But even weirder, Roscoe tastes the poop and it tastes like mustard.
[00:07:37] Speaker A: Gross.
[00:07:38] Speaker H: Yeah.
Opposites gingerbread and mustard are.
[00:07:49] Speaker A: Whoa.
[00:07:50] Speaker H: I've a dross.
Screams and deafens everyone.
Fishing. Kick brings his giant sea basket, offers it to the angry God.
Angry Bird. Birdy goddess gonna take advantage of this.
[00:08:25] Speaker D: Unusually lengthy bridge and use a k t trick to simply say the things I didn't squeeze into the lyrics. So let's see here. Roscoe does press to digitate himself free at the poop. Ruffina tries circus dialogue to talk Roscoe down off that anger spike he's on. And he cools off by speed. Walking around the deck will as Valencio talks to the captain, who mentions that seafarers worship the pleasant porters and also offers him a private room with a brand new shelf for those bones. Rafina covers up an accidental batwhack mention with an invocation to Saint Bathwack. She also offers the bird twig tea garnished with worm and kick asks Valencio to use his porthole. All right, well, that's it. We're just gonna wait for the bridge to match up.
[00:09:20] Speaker A: It'll be ready and unit now.
[00:09:27] Speaker D: Okay, here it is.
[00:09:28] Speaker H: Indigo ho has been hiding all this time?
We don't know.
So we blithely walk away.
Easy. Dropping on this drop he hangs covered scene.
[00:09:55] Speaker C: Whoa.
[00:09:56] Speaker H: Sean might have villainy on the brain.
Damn. He's dealing in exotic pets.
[00:10:10] Speaker D: Pseudo dragons and surges, crawling claws, micronids, all the wisps and gelatinous cubelets. Let's see what happens this time on pork fried dice.
Nice.
[00:10:29] Speaker A: Amazing. I definitely know that song.
[00:10:32] Speaker C: Who doesn't know.
[00:10:33] Speaker B: Eat them flow.
[00:10:34] Speaker F: I definitely don't. What song?
[00:10:37] Speaker C: It's even flow by.
[00:10:38] Speaker D: It's by Pete. It's Pearl Jam.
[00:10:43] Speaker A: Yeah. Like, I don't know.
[00:10:46] Speaker D: You would have been lead tune.
[00:10:48] Speaker B: And I know the word even flow.
[00:10:49] Speaker A: Yeah, exactly. That's it. That's for me. Yeah.
[00:10:53] Speaker E: And I think it's because even though the word.
[00:10:55] Speaker A: Yes, that's true.
[00:10:58] Speaker D: I'll put the lyrics in the chat.
[00:11:00] Speaker A: It was probably more on the radio when I was younger than you.
[00:11:03] Speaker D: Probably.
[00:11:03] Speaker B: Yeah.
[00:11:04] Speaker A: I'm 100.
[00:11:05] Speaker B: Yeah.
[00:11:06] Speaker E: Back in the strawberry shortcake days.
[00:11:09] Speaker A: Exactly.
[00:11:11] Speaker D: I shared the lyrics.
[00:11:13] Speaker F: That was a very cool recap, Abby.
[00:11:15] Speaker A: Yes, Abby. So cool. Oh, my gosh. And it was so detailed. And I can't believe how much I had forgotten of our last session.
[00:11:22] Speaker B: I can.
[00:11:23] Speaker A: That last moment was so fun. And I forgot about that. I mean, I remembered a lot of that stuff, but I had forgotten.
[00:11:30] Speaker D: Yeah, yeah, exactly.
[00:11:32] Speaker A: Yeah. What is up with that guy?
[00:11:34] Speaker C: What is up with that guy?
[00:11:35] Speaker A: That was really weird.
[00:11:37] Speaker D: We might find out.
[00:11:38] Speaker E: He's gonna. Oh, I can't say that.
[00:11:40] Speaker D: What can't you say?
[00:11:40] Speaker A: What'd you say? I can't hear.
[00:11:41] Speaker E: I'll have to cut it. He's gonna punch us all in the stomach.
[00:11:44] Speaker B: I could keep that. It won't make sense, listeners. I just had all of the cast record themselves in character, making the sound they would make as they got punched in the stomach. There. Now you can keep it if you.
[00:11:55] Speaker A: It was very interesting and I'm sure we'll probably release some of it. Whatever is. Whatever is. I don't know when you're.
[00:12:01] Speaker B: It's not in the same track, but I can put it in the same folder if you want.
[00:12:05] Speaker A: I mean, you. Oh, I thought you said you were recording us when we were.
[00:12:07] Speaker B: I started a new track.
[00:12:09] Speaker A: Okay, thank you.
[00:12:11] Speaker F: As we're recording this, Kelly from NJ just posted in the discord a picture of mustard earrings.
[00:12:21] Speaker A: Mustard earrings?
[00:12:23] Speaker F: Yeah.
[00:12:24] Speaker A: I want to look.
[00:12:25] Speaker B: It's right here.
[00:12:26] Speaker A: Oh, thank you. Those are so cute.
[00:12:29] Speaker B: You should get them, Adam.
[00:12:31] Speaker A: Oh, my God.
[00:12:32] Speaker F: Yeah, maybe I should.
[00:12:33] Speaker A: Oh, my gosh too.
[00:12:36] Speaker F: Can post pictures of mustard things on the discord by joining the pork fried dice discord server.
[00:12:43] Speaker B: Tinyurl PFD mustard. That is not true.
But the real link is in the episode description. We should get. I should get a tiny URL so I can just say it real easy.
[00:12:54] Speaker A: Cool.
[00:12:55] Speaker B: But I won't.
[00:12:56] Speaker C: Yeah, you should.
[00:12:56] Speaker B: Maybe I will, but I won't. You completely took all the wind out of my sails.
[00:13:02] Speaker D: I did.
[00:13:02] Speaker B: When you said cool.
[00:13:04] Speaker A: Oh, sorry. I didn't know. So, again, babe, it's technology stuff. I barely comprehend what you just said, but I do know what a tiny URL is. But I didn't know you could customize the name. I didn't realize that. That's pretty cool. That's why I was like, cool. And I was just trying to process it. Don't worry.
[00:13:18] Speaker C: Tiny URL says, x 9794 x two.
Cool.
[00:13:26] Speaker A: Cool.
Yeah. If I still react like that in the future, then you can feel bad, I guess, if you do that.
[00:13:34] Speaker B: Okay, I will.
[00:13:35] Speaker A: All right, cool.
[00:13:36] Speaker D: All right, guys. Does it make a difference when I have my pop filter up or. No. Should I use it?
[00:13:41] Speaker A: I think that I recently. It's just a different perspective for me because I literally listen to our history. I think recently you asked the same question on the podcast, and I said, yeah, it's great, but if you haven't been using it, I don't know what I've edited.
[00:13:56] Speaker D: Okay.
[00:13:56] Speaker A: I don't know what I've edited, whether I can tell the difference or not.
[00:14:00] Speaker D: But, I mean, can't see through.
[00:14:01] Speaker A: The most important thing is to keep the microphone like it is a stick. Like, if you're just sucking on a dick, but it's right.
[00:14:10] Speaker D: It's easier to do the sucking without the pop filter.
[00:14:14] Speaker A: I will remove that just for Alex's sake, I think. Because he's going to be like, I don't. I don't want anyone to know anything about any dicks. Any dicks.
[00:14:24] Speaker E: I know. And I'm gonna. Then I'm not gonna be able to keep my pop filter on.
[00:14:31] Speaker A: Like, just the direction.
[00:14:32] Speaker C: How else.
[00:14:33] Speaker A: I mean, come on, Adam. How else would you put that? You know what I'm saying?
[00:14:37] Speaker F: I don't know. Lollipop.
[00:14:39] Speaker A: What'd you say? Well, lollipop.
[00:14:41] Speaker G: Who eats all lollipop?
[00:14:43] Speaker F: Filter.
[00:14:44] Speaker A: Okay, but, like, I'm.
[00:14:46] Speaker D: What you mean is it needs to be right up at my middle.
[00:14:49] Speaker B: It's like if you're shooting yourself in the back of the.
[00:14:51] Speaker A: Yeah, it's like if you're killing yourself with a gun like that. Put at the angle like that.
[00:14:56] Speaker D: Wow, this is really great.
[00:14:59] Speaker A: Mine was better. All right, Alex, please. No, not like that. Because sometimes you do that, and then you're, like, down here, you want to.
[00:15:06] Speaker B: Get the barrel of the gun as deep in your mouth as possible.
[00:15:09] Speaker A: Legit, you guys, if we're trying to put a dick. Abby. Like the dick one. Okay. Like we put it.
[00:15:15] Speaker B: I'm speaking to my audience. You speak to yours.
[00:15:19] Speaker A: Abby. This will be really expensive content. Don't worry.
[00:15:22] Speaker C: Oh, the tear.
[00:15:26] Speaker G: I love it.
[00:15:27] Speaker A: But, like, okay, yeah, I mean. Lollipop. Adam. Yeah. You know what? Right now, Adam. Adam Laver. Look at that eyebrow move. Adam Laver. Of anyone cannot just.
[00:15:39] Speaker G: What I know about fucking dare.
I do declare.
[00:15:46] Speaker A: I do declare. I had a grandmother who literally said that. She's from Tennessee. My dad's mom. She taught. She spoke just like that. And she said that all the time. I too. Dick. Wow.
[00:15:58] Speaker F: She ever sucked to dick.
[00:16:00] Speaker A: Oh, man. I don't know. She was a southern belle. Like, it depends on if she was a sloppy southern belle or not, I guess. You know what I'm saying?
[00:16:07] Speaker B: Was she friends with Colonel Angus?
[00:16:09] Speaker A: That's just. Colonel Angus. Oh, that's such a great SNlangus. Colonel Angus.
[00:16:15] Speaker F: All right, we got. We gotta somehow get back on track here.
[00:16:18] Speaker A: We gotta get punched ten times in stomach.
I don't know how many times that was. Six or seven.
[00:16:25] Speaker D: Indigo. Well, we did that already.
[00:16:28] Speaker A: Yes.
[00:16:29] Speaker B: Was that your in into that song was Indigo?
[00:16:32] Speaker D: No, it was albatross.
[00:16:33] Speaker C: Oh.
[00:16:34] Speaker D: Well, I mean, the first line wasn't that.
[00:16:36] Speaker B: I just wondered if that's how you came up.
[00:16:39] Speaker A: Oh, how?
[00:16:39] Speaker D: Oh, I'm sorry. I misunderstood. No, I actually almost went with a heavy metal song that is called albatross because I wanted it to be albatross, but I didn't really know that song.
[00:16:50] Speaker A: Yeah, I hate it when that happens. Yeah.
Where you're like, I know this and I like it, but I don't know it enough to, like, sing a parody. Yeah.
[00:16:58] Speaker B: And write a parody.
[00:16:59] Speaker D: Right, exactly. Yeah. So I went with evenflow because that's a song I knew inside out and.
[00:17:05] Speaker B: It had the same amount syllables.
[00:17:07] Speaker D: Yeah. And I was able to even get some of the rhymes similar enough that, like, the backup singers on the karaoke track, it almost sounded like we were singing.
[00:17:14] Speaker A: Oh, cool.
That's funny. I like that. That's my favorite.
[00:17:19] Speaker D: Yep, yep. Woohoo. All right, all right.
[00:17:21] Speaker B: So go we find ourselves or you find yourselves crowding your way into Roscoe's room. Right? Wasn't it Roscoe's room?
[00:17:32] Speaker A: Right. I think. Are we all doing that? I have to go. Kick needs to go into. Oh, shit. I don't know.
[00:17:39] Speaker F: We're going below deck to talk with the albatross.
[00:17:42] Speaker A: Yeah.
[00:17:42] Speaker B: And I think it was gonna be mo's room because Roscoe's room is covered in feces.
[00:17:48] Speaker A: Yes, that is true.
[00:17:50] Speaker B: I think it was Moe's. He was honored to invite the albatross into his room. I think that.
[00:17:57] Speaker D: That sounds right to me.
[00:17:58] Speaker B: The thing.
[00:17:58] Speaker D: I didn't have it written down, though. Sorry.
[00:18:00] Speaker A: Unless I kick says he was gonna go fishing from my window.
[00:18:04] Speaker B: Were they all gonna go into Will's room?
[00:18:06] Speaker A: No, it definitely.
[00:18:07] Speaker D: Well, you're moving rooms.
[00:18:09] Speaker B: Yeah. And so you were. I mean.
[00:18:10] Speaker F: Eric, why don't you just decide where the albatross takes us?
[00:18:15] Speaker A: Whatever that. Yeah, whatever happened last time, it's okay if I guess it's not. I don't know, like, look at this.
[00:18:20] Speaker B: Oh, we're gonna go in some room.
[00:18:22] Speaker C: But let's go in this room.
[00:18:24] Speaker H: My bad. Voice.
[00:18:26] Speaker B: That was the biggest compliment I've ever gotten.
[00:18:30] Speaker C: Hey, come on, let's go to my room. I don't know what room you said we were going to go, but my room is identical to all the others, so I don't know why you're taking so long to decide which room to go to. Oh, except Roscoe's. It's covered in shit.
[00:18:44] Speaker D: All right, they're not Roscoe's.
[00:18:46] Speaker B: Not Roscoe's.
[00:18:47] Speaker A: So is anyone down here to, like, watch us? Nobody sees us.
[00:18:50] Speaker B: You come down here and you don't see anybody in the hall?
[00:18:53] Speaker A: I think Bathwick was being smart and saying, oh, we'll just do something different. We're not going to the same room, but we want to go in the room, I assume if we're trying to talk to this bird.
[00:19:03] Speaker B: Yeah. Is everybody going into this room?
[00:19:05] Speaker A: Is that why you suggested fishing from my window? Bathwack, if you remember. Or kick.
[00:19:12] Speaker B: Was it kick wanting to have a reason to go down without seeming like he was with everybody? Or did he want to be alone with will for a moment?
[00:19:20] Speaker A: Yeah, that's what I'm wondering.
[00:19:21] Speaker B: It was not. I don't think you expressly made that clear.
[00:19:24] Speaker E: No, I didn't even write it in my notes. That's really weird.
[00:19:30] Speaker A: It's because you were thinking of a way to come down to talk to the albatross.
[00:19:34] Speaker E: I mean, my thought was that because someone just used bathwax name.
Oh, it was Rufina, right?
[00:19:42] Speaker D: Yeah, it was Rufina.
[00:19:44] Speaker B: And the bird.
[00:19:45] Speaker E: And the bird. Yeah.
[00:19:46] Speaker A: Yeah, that's right.
[00:19:48] Speaker E: Yeah. And so I was trying to actually separate from the group so that it seemed like.
[00:19:57] Speaker A: So we could.
[00:19:58] Speaker E: Yeah, because if I. If I. If this just came out and then I stayed with, you would reinforce it. But if I carried on.
[00:20:06] Speaker A: Yeah. You know, I'll let him into my room so we can fish through the porthole. And, like. I mean, if you want us to go in there, they can you know, whatever you want.
[00:20:14] Speaker B: As soon as you get down here, you see that it's visibly empty. The hall.
[00:20:18] Speaker A: Okay.
[00:20:19] Speaker E: So I guess I'm. I guess I'm going to Will's room. I also just thought it was a funny idea to use Will's room.
And then I was. I was a little bit sad that Will just got a different stateroom, but I don't think I heard that.
[00:20:30] Speaker A: No, you haven't.
[00:20:31] Speaker D: That was private.
[00:20:32] Speaker B: Sad. Alex got sad.
[00:20:34] Speaker E: That's right.
[00:20:35] Speaker A: Exactly. Right now, you think you're messing my bed up by putting a thousand fish on there, but I don't give a shit.
[00:20:43] Speaker C: A thousand.
[00:20:44] Speaker A: I don't know. You can catch so many with that magic fishing line.
[00:20:48] Speaker E: My, like, armor and stuff is in this room, right?
[00:20:52] Speaker A: Yes, in my room. I think all your stuff is in there. Yeah.
[00:20:57] Speaker B: Okay.
[00:20:58] Speaker E: Yeah. So I'm over in that room, fishing out the porthole.
[00:21:02] Speaker B: So can you tell me, like, are you just intending to stay there?
[00:21:07] Speaker E: I was gonna sit here for a little while, and then maybe I'll move around again, I think. Let's say I. Let's say I give it. Let's say I catch a fish or something and I'll store it somewhere in Will's room.
[00:21:18] Speaker B: You have to let him in, at least.
[00:21:19] Speaker A: Yeah, I would let him in, and I think I would just prop the door open and lean against the doorway, because I don't know what's going on. I'm trying to find out why everyone's going after this bird. I just witnessed everything that happened. Right.
[00:21:32] Speaker B: So, yeah, I think, you know.
[00:21:34] Speaker A: Yeah. So I want to pay attention.
[00:21:36] Speaker B: Okay.
Um. All right, so Will is not in the room, then, with the bird, and neither is kick. Valencio and kick are not with the bird because they're not part of that group. Oh, wait, Valencia kind of is, but not really.
Anyway, okay, so we are.
[00:21:56] Speaker C: I'm not mo. I am Seagull. I am cross albatross.
All right, so I know that you're all trying to get to Gully's end.
Can we be clear about that now that we're in this room, or you're still trying to try to shut me up?
[00:22:11] Speaker D: I don't think anybody is in denial about that.
[00:22:15] Speaker C: No, but I mean, up on deck, you were like, hush, shush, hush, hush, shush, shush, shush, bird, remember? That was just, like, two minutes ago.
[00:22:24] Speaker D: It was because of another name you were saying?
[00:22:27] Speaker C: Yeah. Do you not want me to stay that still, even in here?
[00:22:31] Speaker D: Kind of.
Okay, so don't.
[00:22:34] Speaker C: All right. What name should I say instead.
[00:22:38] Speaker D: Um, Ziggy.
[00:22:40] Speaker C: All right, so Ziggy is actually not dead, and you're trying.
[00:22:46] Speaker D: You know that I know a lot of things.
[00:22:48] Speaker C: I'm a God, lady.
[00:22:50] Speaker D: I know a lot of things, and I'm not a God. But we can talk about that later.
[00:22:53] Speaker C: Okay.
[00:22:54] Speaker D: How do you know I didn't say I did?
[00:22:57] Speaker C: Yes, you literally just did.
[00:22:59] Speaker D: I said I know a lot of things, but I didn't say what I know.
[00:23:04] Speaker C: How do you know a lot of things?
[00:23:06] Speaker D: Experience.
[00:23:07] Speaker C: Exactly.
[00:23:09] Speaker D: Good.
[00:23:10] Speaker C: So we're in agreement.
[00:23:12] Speaker D: That was weird. Okay.
[00:23:15] Speaker C: Anyway. So anyway, you're trying to get to Gully's end for Ziggy reasons. Are we agreed on this point?
[00:23:25] Speaker D: Let's say, hypothetically, we are.
[00:23:29] Speaker C: You're still beating around the bush. Like, what?
[00:23:32] Speaker D: I'm just having fun with it. It's pretty fun. I'm pretending to be a lawyer.
[00:23:36] Speaker C: Oh, okay, I see. So your client, Ziggy, is trying to get to Gully's end.
[00:23:43] Speaker B: Hypothetically.
[00:23:46] Speaker D: And if I maybe. So bold, what concern is it of yours?
You're welcome to ask. Certainly. But why?
[00:23:56] Speaker C: Well, I mean, I've had to kind of steer clear from that area for a little while.
[00:24:02] Speaker D: Why is that?
[00:24:02] Speaker C: Because, as I believe you know, there is a bit of a.
[00:24:08] Speaker B: An issue.
[00:24:10] Speaker C: You know, there's some mean witch flying about? To put it bluntly, yeah.
[00:24:16] Speaker D: Okay. So what do you know about Juliet rusher?
[00:24:19] Speaker C: There we go. There's a name. There's a real name. I like that.
I mean, she's. She's tough shit.
And I suspect that she would have an issue if Ziggy were coming to Gully's end. What do you think?
[00:24:38] Speaker D: Hypothetically? Yes. For sure. That has been established.
[00:24:45] Speaker B: So I thought maybe you would want.
[00:24:48] Speaker C: Something that could help you with that problem.
[00:24:52] Speaker D: Information for offering us help. Because this will enable you to also get to go to Gully's end again sometime.
[00:24:59] Speaker C: Maybe. Eventually.
[00:25:01] Speaker B: I could go lots of places.
[00:25:02] Speaker C: I just thought you guys might want some help.
[00:25:04] Speaker D: I can go to lots of places, too. No, just kidding.
[00:25:07] Speaker C: Hypothetically.
[00:25:10] Speaker D: Hypothetically.
Okay. So what is it that you're offering?
[00:25:16] Speaker B: Like I said, I have some information that I think would be beneficial to you.
To work. To not be killed by her.
[00:25:28] Speaker D: Well, I guess we can't really argue with that, right? Mo and Roscoe. Mo and Roscoe. Do you want to argue?
[00:25:35] Speaker C: I would not dare argue with God.
This albatross is great.
[00:25:41] Speaker G: Yeah, I wouldn't dare argue with a God. This albatross is great.
[00:25:48] Speaker B: I mean, I might, uh. This is a little. You know, sorry to ignore you, shimi.
[00:25:53] Speaker D: Sorry, I forgot you were there.
[00:25:55] Speaker B: Oh, no, it's all right. I was hiding behind a clock. Face of clock.
[00:25:58] Speaker C: Face.
[00:26:00] Speaker A: Clock.
[00:26:01] Speaker C: Okay. Say, Clark.
[00:26:04] Speaker B: Anyway, yeah, it was time over here. No, um, it's a little troubling to me to try to, like, it seems like this guard here, in quotes, right? Roscoe, is trying to work up to some sort of a. An agreement, like a tit for tat sort of situation, right.
Or else he would have just come out with this info right from the start.
[00:26:33] Speaker A: Oh, my God. Can I peek in the door at that point and witness shimi do that and be like, yeah, sure. Like, just be proud of that moment? Like, yeah, that's right. He said the perfect thing.
[00:26:43] Speaker B: Yeah, it seems like he would be just offering us that information right from the start.
[00:26:50] Speaker C: Well, I think it would be fair if you all did a little something for me. That there's the tent. There's the tent.
And then I could give you the information and the tat.
[00:27:07] Speaker B: Q e D. Right.
[00:27:09] Speaker C: Barrister Rufina, show us the tit.
[00:27:17] Speaker G: I think we have to show him the Titan, and he's gonna give us the dad.
[00:27:22] Speaker D: Oh, really?
[00:27:24] Speaker C: Is this because tit is kind of bird like albatross?
I ate tit before.
Anybody else eat tit?
[00:27:39] Speaker D: Nope.
[00:27:40] Speaker C: Tit chewy.
Tit chewy?
[00:27:45] Speaker D: That was the wrong kind of tit, I think.
[00:27:47] Speaker C: Oh, what right kind of tip?
[00:27:50] Speaker G: I, uh, you know, I I'm no stranger to the occasional tit for tat arrangement. I think that we could, uh, get behind that, as long as we have some negotiating power around exactly what constitutes the tat.
[00:28:10] Speaker B: And the tit, if you ask me.
[00:28:12] Speaker G: Sure, sure. I'm just saying that the tat, in addition to information that may benefit us on our travels, must also, if you ask me, include, one, an official formal apology for shedding all over my room.
Toe, official formal cleaning of said room.
And three, a replacement for my quarter staff. In fact, I don't even want a new quarter staff. I'd like an upgrade. How about a half staff? I was gonna say, how about a whole one?
These are my tat demands.
[00:29:12] Speaker C: Well, that's an interesting place to start.
I would point out that your quarter staff was broken upon my paint.
[00:29:21] Speaker D: Hmm.
[00:29:25] Speaker F: It was what?
[00:29:26] Speaker C: As I say, that it sounds like that does indemnify me in some degree. But it was broken upon my pate by your.
Your swing, good sir.
[00:29:40] Speaker D: Pit for Pate.
[00:29:45] Speaker G: Yeah. Consider yourself indemnified.
[00:29:49] Speaker C: I I think that an assault against another personage, if anything, the repayment should go towards the assault d, not the assaulter, wouldn't you say that's true, Barrister Ruffina?
[00:30:07] Speaker D: Sustained.
[00:30:09] Speaker C: See, that means I'm right.
[00:30:13] Speaker G: Yeah, but we've also got stand your ground laws here in this area.
[00:30:23] Speaker A: Oh, God.
[00:30:24] Speaker D: But this. These are international waters.
[00:30:27] Speaker A: Ooh. Hello.
[00:30:34] Speaker G: Look, the only reason I tried attacking you was because you antagonized me.
[00:30:44] Speaker C: Well, I I would say that the only reason I antagonized you is because you so rudely ended our conversation in the aforementioned be shitted room.
Hmm. I mean, Roscoe, he do make good point.
Apparently, you ran away from him in the middle of a civil discussion.
[00:31:11] Speaker G: But it wasn't like a malicious runaway. It was a sort of a silly, intoxicated, sweaty, giggly run away.
[00:31:19] Speaker C: It was antics.
[00:31:21] Speaker G: It was antics.
That's my defense. It's the antics defense.
[00:31:28] Speaker C: And I mean, is. Is shitting in someone's room nothing but antics?
[00:31:36] Speaker A: Oh, my God, says will.
[00:31:38] Speaker G: I mean, it's but antics, that's for sure.
[00:31:41] Speaker C: Exactly. I rest my case.
[00:31:46] Speaker D: On my butt.
[00:31:48] Speaker G: So you're refusing to apologize?
[00:31:51] Speaker A: I.
[00:31:51] Speaker C: Listen, I had not addressed your first two requests. Slash. Demands.
[00:32:00] Speaker B: He gives air wings.
[00:32:04] Speaker C: Air.
[00:32:04] Speaker B: Air feathers.
[00:32:06] Speaker C: Air pinions.
[00:32:08] Speaker D: Air pinions.
[00:32:13] Speaker B: Demands are like air pinions. Everybody has them.
[00:32:19] Speaker C: Um, I was specifically referring to your third demand of a replacement of the assault weapon that raised this slight lump on my head.
[00:32:36] Speaker G: All right, all right, okay.
[00:32:38] Speaker C: You said this was a starting off point for negotiations.
[00:32:41] Speaker G: Sure, sure. The fact remains, I am gonna need a replacement for my quarter staff at some point, but. Okay, fine, that's true. I will take care of that.
[00:32:49] Speaker C: And, I mean, some would say it's a faux pas for someone to just whisk away the very means of your defending yourself in such circumstances where you're just a measly player in this game life, where there's a capricious entity that can willy nilly decide to take things away from you, it may be, in fact, an unwritten rule for such a thing not to occur.
[00:33:20] Speaker A: This is.
[00:33:21] Speaker C: But if that's the case, I'm sure that whoever that is would be willing in this moment, to issue to you an official comma, formal apology.
But that's not me.
As for your other demands.
Roscoe. What? What? Uh, barrister, what does your client's last name?
[00:33:51] Speaker D: Um, Lavur. Just kidding. Um, uh, la fleur.
[00:33:56] Speaker C: Laffer.
[00:33:56] Speaker B: Is that similarity intentional?
[00:33:59] Speaker F: No.
[00:34:00] Speaker B: I never realized that until right this second.
[00:34:04] Speaker F: It's not.
[00:34:06] Speaker C: Okay, la Fleur, I would like Roscoe Lafleur to officially and formally apologize to you for issuing my excretion, as wonderfully, deliciously smelling as it is throughout your bedchamber.
I found myself peeved in the moment, some would say cross, and so decided to take it out on your linens and your floor and your belongings and your walls and a bit of your ceiling.
And I do apologize.
I could understand why that would irritate you, though. Not physically, because it is a non irritant. In fact, it sues.
[00:35:01] Speaker A: Grafina's gonna go collect some.
[00:35:04] Speaker B: Too late.
[00:35:04] Speaker A: Oh, it's. Oh.
[00:35:06] Speaker D: What?
[00:35:07] Speaker B: No, she's already loaded up.
[00:35:08] Speaker A: Oh, she's already loaded up? I thought you were saying it was.
[00:35:10] Speaker B: She threw out all the rest of her gold, fill out the patches with.
[00:35:13] Speaker G: Okay, all right, apology accepted.
[00:35:22] Speaker C: Good.
As for the cleaning, I suppose something could be done about that. If you tit.
[00:35:40] Speaker G: If we.
Tithing sounds like the start of a song.
Doesn't it sound like a start of a song?
[00:35:53] Speaker D: It's the tit. It's the chat. It's time for this. Or that.
Is that the one you're thinking of?
[00:36:02] Speaker G: It's the tit. It's the time for that.
[00:36:05] Speaker D: And this.
[00:36:06] Speaker B: If we tit.
[00:36:11] Speaker D: No, that's not it. Shameye.
[00:36:13] Speaker C: That's not it.
[00:36:16] Speaker G: You know, you need tit.
That was some great improv.
[00:36:23] Speaker B: Good job, everyone.
[00:36:27] Speaker D: I would really like to know what the tit tat is going to be.
[00:36:32] Speaker G: Well, I already got two thirds of.
[00:36:33] Speaker D: The tat, so you're just waiting for the final third. But don't we get to. All right, fine. I'm going to let you.
[00:36:40] Speaker B: That was your personal tat. I think that the. This. This gull here, if I may be so bold.
[00:36:48] Speaker C: You may not. This. God. You use full term albatross.
[00:36:54] Speaker A: Whoa, mo.
[00:36:56] Speaker G: What is your background? Is it. Are you, like, an acolyte? You seem like an acolyte.
[00:37:02] Speaker C: What are you talking about?
[00:37:03] Speaker G: Your background. I fro when you select a background.
[00:37:08] Speaker C: I don't. Could you explain it to me? Is this something else you need to teach me about?
[00:37:14] Speaker G: No.
[00:37:16] Speaker C: Are you sure? We could go down this rabbit hole, or we could.
[00:37:23] Speaker A: Speaking of which, that's where I'm from. That's my background.
[00:37:26] Speaker C: Rabbit.
[00:37:27] Speaker A: Rabbit hole.
[00:37:30] Speaker C: My mother lay egg in rabbit hole, and then we hatch, eat all rabbits for sustenance and emerge fully formed.
[00:37:42] Speaker B: Good job, Roscoe. As I was saying, you were requesting some personal.
A personal trip tech of tat, am I right?
[00:37:55] Speaker G: Yeah, I wanted, like, a customized tat.
[00:37:57] Speaker B: Sure, sure. But there's another tat that this cross. Albatross. Is that better, mo? Yes, better was going to offer us in terms of our overarching goal in this ziggy paradigm.
[00:38:16] Speaker C: Right, sure.
[00:38:18] Speaker G: Yeah. That's the way you want to think about it.
[00:38:22] Speaker B: And I think that's what Rafina is referring to when she wants to know.
[00:38:26] Speaker C: The tat is that tat as well.
[00:38:29] Speaker B: As the Titan, which we haven't heard anything about.
[00:38:34] Speaker C: Right.
[00:38:34] Speaker B: Rufina, give me the tit. Yeah, it's wrong.
[00:38:37] Speaker G: No, we're supposed to give him the.
[00:38:39] Speaker C: Tit, but we need to know what.
[00:38:41] Speaker B: The tit is to give to him, is what we're saying.
[00:38:44] Speaker D: Exactly.
[00:38:44] Speaker B: We need to be given the tit structions.
[00:38:48] Speaker D: I think Shimi should be the lawyer. Actually, Shimi, here's the barrister's wig.
I passed the wig to you.
[00:38:59] Speaker B: I need to know if there's a physical wig being handed to Shimi right now.
[00:39:03] Speaker D: Rafina pulls on a ponytail, but it doesn't come off of her head.
[00:39:09] Speaker B: Okay, cool. Just need to know what realm we're living in right now.
[00:39:12] Speaker A: It's just, like, one strand of hair, like, from Galadriel. Well, it's three strands, but Rafina, she's pulling on her ponytail. Then one strand of hair goes. Sashimi. Yup. He's gotta be so excited, so honored.
[00:39:23] Speaker D: The face that you made right when you were waiting to know if it was physical or not. I thought that it was another egg nest situation. Nest of eggs. I was like, oh, crap, I broke Eric again.
[00:39:35] Speaker A: Yeah.
[00:39:36] Speaker F: I'd consider myself egg egg nest.
[00:39:38] Speaker A: Eck egg.
[00:39:40] Speaker B: Do you know the egg nest reference, Adam, in the pork fried dice mythos Abby referenced at one point handing a nest of eggs to an NPC? And I could not figure out what to do with that at all. And I. My brain, like, shut off, and I was unfunctioning for, what, five minutes?
[00:40:00] Speaker A: It was a long time. We actually even took a break, I think, in between.
I think that's included in the podcast. Like, I clipped down some of the silence because it was kind of. I wasn't going to just be like, let's have everyone sit in silence. But I think the break is in there.
Yeah.
[00:40:17] Speaker D: And it worked to our advantage, ultimately. Like, yes. We didn't have to fight those people.
[00:40:23] Speaker A: Yes. Yeah, it was great. It was awesome.
[00:40:26] Speaker D: Anyway, sorry.
Um, well, tat tit.
[00:40:32] Speaker B: Let's take a pause here. Uh, kick. Are you still in Will's room fishing out the porthole or not?
[00:40:41] Speaker E: So Will went back in, right?
[00:40:43] Speaker A: Yeah, I. Like, I went in. I mean, in where I was in the room.
[00:40:49] Speaker B: You did actually come in.
[00:40:50] Speaker A: Do you not want me to know?
[00:40:51] Speaker C: I'm just asking.
[00:40:52] Speaker B: You said you poked in.
[00:40:54] Speaker A: I like that she. I like witnessing this she me stuff was just watching.
[00:40:58] Speaker B: She may do this admired by your.
[00:41:01] Speaker A: I was with Bathwaite for a moment, but not very long.
[00:41:03] Speaker C: Okay.
[00:41:04] Speaker A: I mean, not. I don't know.
[00:41:05] Speaker B: So you're kind of like in the door.
[00:41:07] Speaker A: I was in the door for a while.
Oh, in. Well, in the other room. I think I probably would have closed the door because I understand that it's a private.
[00:41:15] Speaker B: Went in and closed the door. So will is in there. That's good to know. I did not know that or realize that. So you're alone. Kick.
Currently, you may safely assume that. Will you know where everybody went?
[00:41:28] Speaker E: I, uh. Yeah. So I put the fish that I catch in the dresser and then I'll walk down to.
[00:41:35] Speaker A: Oh my God. Amazing.
[00:41:38] Speaker E: Can I get into clock faces? Rue?
[00:41:41] Speaker B: Uh, the door is locked.
Oh, um, that doesn't mean you can't get into it. But it is locked.
[00:41:50] Speaker E: Yeah.
[00:41:51] Speaker A: Try hard.
[00:41:52] Speaker E: If I walk a little further down, I don't know where clock faces. I'm not gonna find him. I can't like, listen for him and hear him talking and be like, oh, there he is.
[00:42:01] Speaker B: You could kind of assume that he's with everybody else, but I guess you don't know that for sure.
[00:42:05] Speaker E: Is anyone.
There's no way I'm gonna notice anybody watching me. All right, is anyone. Does anyone see me?
[00:42:13] Speaker B: Uh, roll a perspective.
[00:42:14] Speaker E: I'm in the hallway.
Oh, yes, my strong suit.
[00:42:19] Speaker B: A four.
[00:42:22] Speaker E: Exactly.
[00:42:23] Speaker B: Uh, you don't think anybody's watching or listening or anything? You don't see anybody? It's quiet down here.
[00:42:29] Speaker E: The ship is completely vacant.
[00:42:31] Speaker B: You hear some very, very low muttering from behind the door of mo's room.
[00:42:37] Speaker E: Oh, excuse me. Has anyone seen them?
Never mind.
And then he'll just stand awkwardly at the half open door.
[00:42:50] Speaker A: Into that in the room we're in?
[00:42:52] Speaker B: Yeah, he opened the door. Oh, I mean, we might have seen it in here.
[00:42:56] Speaker C: You could come look.
[00:42:57] Speaker B: Just close the door behind you.
[00:43:01] Speaker E: Hmm. Okay. And then I'll walk over and there's clock face, and I'll lean over and say, can I have the key to your room?
[00:43:14] Speaker B: He reaches into some weird compartment on his body somewhere and hands you a key.
[00:43:20] Speaker E: Oh, great.
Thanks. Bye.
And then I'm going to walk into the next room and I'm going to sit on clock faces bed, if that's okay. And I'm going to fish out that window, but I'm going to listen through the wall.
[00:43:36] Speaker B: Okay, cool, cool.
[00:43:38] Speaker D: Do you need to roll perception again.
[00:43:42] Speaker B: Yeah, sure. Roll another perception. Let's see.
[00:43:45] Speaker D: Disadvantage. No, I'm kidding.
[00:43:47] Speaker E: All right, come on down.
[00:43:48] Speaker B: Are you a DM?
[00:43:50] Speaker E: You must be paying attention.
[00:43:51] Speaker B: Bumbleberry county.
[00:43:55] Speaker E: All his might. He's straight. Aims to listen at the wall.
[00:43:58] Speaker B: 17.
You'll be. You can pick up most of this.
[00:44:04] Speaker E: All right?
[00:44:05] Speaker B: All right.
[00:44:07] Speaker C: Okay, so I think we were talking about before that person came in and walked out, who we all have Ziggy feelings about. Right?
[00:44:19] Speaker A: Ziggy feelings? Yeah. Yeah.
[00:44:22] Speaker C: Yes, um, that you want to know the tit tit.
So, there is something I need for you to do for me.
I have.
I want to say suspicions, but that's not strong enough. I am relatively sure that somewhere on board of this vessel, there is a young winged owl bear.
I have heard the distinct cries of this creature. Now, it is very rare for an owl bear to be winged.
I mean, they have, like, arms that are kind of like wings, but I'm talking about, like, a owl bear capable of flight, and a very young one at that.
I would like you to determine if this is true and if it is free. It.
Also, I would like five fresh fish.
[00:45:44] Speaker D: Any particular kind?
[00:45:45] Speaker C: No, I'm flexible.
[00:45:53] Speaker A: But what's the tat?
[00:45:56] Speaker C: Oh, maybe you missed the beginning. I.
[00:45:59] Speaker A: No, you have information. Oh, maybe he did miss the beginning, but you. Whatever. Yeah, sure, go. Go ahead.
[00:46:04] Speaker C: I have some information that I think will help you.
As I had said before you came in, you were trying to get to Gully's end, for you may not know what this is referencing, but hopefully you can infer Ziggy reasons that we all are aware of, but some of us don't wish to say.
And I can give you data that will help you.
And I have already formally, officially apologized to Roscoe for defecating in his room. And I will, if this task is executed, will clean his room.
[00:46:59] Speaker B: Or have his room cleaned.
[00:47:01] Speaker C: I don't know if I'll do it. Is that okay, Roscoe?
[00:47:05] Speaker G: Honestly, kind of in my brain, I was picturing you cleaning it. I think that would be meaningful.
[00:47:13] Speaker C: Like, you want to watch me do it? Is this, like, a thing you have?
[00:47:17] Speaker G: Uh, something might be being awakened in me, but, uh, what's to be determined?
[00:47:24] Speaker C: That's fine.
[00:47:25] Speaker G: Okay.
[00:47:25] Speaker C: You don't have to shy away from it. I'm not gonna yuck your yum.
[00:47:28] Speaker G: Sure, sure.
[00:47:29] Speaker A: Oh, gosh.
All right, so this deal ends with some vague information, and Roscoe gets some stuff. All right, well, this sounds great, guys. Good luck with your little quest. I'm gonna go be a valet.
Bye.
[00:47:46] Speaker C: Are you a dead person?
[00:47:49] Speaker A: No, a valet in mourning. Okay. It's a big performance that I have to do.
[00:47:53] Speaker C: Are you sure?
[00:47:55] Speaker A: Well, I mean, I've done a good performance already, so.
[00:47:58] Speaker C: Your performance, I think.
[00:48:02] Speaker A: Is what? Going through a ship? I'm not gonna be able to walk through the ship.
[00:48:06] Speaker C: All I have to offer you will assist you in your performance.
[00:48:13] Speaker A: Oh, okay. Wait, wait, wait, wait. What do you mean?
Be more specific. You gotta convince me more. Right now. It doesn't sound like anything. You know, vague information doesn't help.
[00:48:26] Speaker C: To the dearly departed, much revered King Bathwak, your task is to bring his remains back to his homeland.
[00:48:43] Speaker A: Mm hmm.
[00:48:44] Speaker C: And if instead of his remains, they were instead ziggified, that would be a difficulty.
[00:48:57] Speaker A: Wait, are you saying you make my life harder? No, no, no.
[00:49:01] Speaker C: I'm saying that if there was a certain Juliet rusher, I think we're okay to say that phrase.
If she were to be aware that the remains were ziggified, that would be an issue.
[00:49:16] Speaker A: So you're threatening to give that answer? No, no, no.
[00:49:19] Speaker C: Okay, then what is saying? That she might find out. Not because of me.
[00:49:24] Speaker A: Right. Okay, that's. Let's go.
[00:49:26] Speaker C: She's not blackmail. I would like you to succeed, but I also. This is important to me.
[00:49:31] Speaker A: What is the inf. Okay, sure. You know what?
[00:49:33] Speaker C: These people tell people the information, or else then you'll have the tag.
[00:49:36] Speaker A: But what?
[00:49:37] Speaker C: What, and I won't get the tit?
[00:49:39] Speaker A: What is just some words coming out of a bird's mouth gonna do for our quest or whatever the hell we're on right now?
[00:49:46] Speaker C: Do you want to kill Juliet rusher?
[00:49:50] Speaker A: I mean, sure, but, like, that's not really. I don't really care if Julia Rusher doesn't show up. That's all the. You know, she probably will be around. Why? Just because the rest of us do. You know a lot about her? How about give us.
[00:50:01] Speaker C: You're going to dullize that.
[00:50:03] Speaker D: Do we have to kill her? Can't we come to some sort of agreement with her?
[00:50:10] Speaker G: This is the lady that in 1 second killed. I sin back at the quiet crossings in. I think we need all the information we can get and yeah, I don't know. I think we could look into whether there's now bear on board, but just unrelated, potentially question for you, albatross.
Do the woods, their coming, mean anything to you?
[00:50:46] Speaker C: Mm hmm. Um, I mean, I know what they mean, but in terms of some special meaning, but nothing comes to mind.
[00:50:57] Speaker G: Have you ever communicated with us prior to today?
[00:51:07] Speaker C: No.
[00:51:11] Speaker G: Okay.
[00:51:12] Speaker B: Do you want to roll insight?
[00:51:15] Speaker G: Yeah.
[00:51:16] Speaker B: Is anybody else?
[00:51:17] Speaker E: Yeah, there's a knock at the door.
[00:51:24] Speaker B: That's a six insight from Roscoe.
[00:51:29] Speaker A: And.
[00:51:29] Speaker B: A 17 insight from Will.
Um, Roscoe? I mean, you think the bird might be lying, but you don't really know. Gods are inscrutable.
Uh, will, you think the bird is telling the truth?
[00:51:47] Speaker F: Yeah. Okay, weirdly enough, uh, if Roscoe thinks that he might be lying, that almost makes him trust him more in this case, because.
[00:51:58] Speaker A: Hmm.
[00:51:59] Speaker F: Maybe this. Maybe this albatross is.
Is trying to help us and has our best interests in mind.
[00:52:11] Speaker E: So kick walks in and closes the door behind him. Yeah.
[00:52:16] Speaker G: Oh, hey.
Person we just met today.
What the fuck are you doing here?
[00:52:26] Speaker E: He's holding a fish, but it's kind of flipping, flopping around still.
But then in Bathrock's voice, he says, I don't want Juliet rusher to die.
[00:52:42] Speaker C: I mean, that's up to you. Is that fish for me?
[00:52:46] Speaker E: Sure.
[00:52:48] Speaker B: He snaps it.
[00:52:50] Speaker E: Okay. I didn't even have to offer it.
[00:52:52] Speaker D: Kik, could you get four more, please?
[00:52:56] Speaker E: Oh, yeah, sure.
But there must be some other way.
There must be some way to. Because I think she's just caught up in this.
[00:53:08] Speaker C: Well, I mean, my.
[00:53:10] Speaker E: I can see Katie looking like Will, like, yeah, yeah.
[00:53:15] Speaker A: He's just like, all right, bathrock. We get it.
[00:53:17] Speaker B: Like this conversation as a formality.
[00:53:21] Speaker A: That's the thing. Yeah. Like, Will is. Yeah, absolutely. That's why he didn't say anything.
[00:53:24] Speaker E: Will's like, yeah, let's get this over with.
[00:53:26] Speaker A: Yeah. Okay, here we go.
[00:53:27] Speaker E: Go catch some more fish, bathwater.
[00:53:31] Speaker A: All right.
[00:53:33] Speaker E: And then just kind of looking around, everyone in the room, he just turns around and goes back out.
[00:53:38] Speaker C: I mean, I don't know that.
[00:53:42] Speaker B: What.
[00:53:42] Speaker C: I have to give to you, you.
[00:53:43] Speaker B: Can do with as you wish.
[00:53:45] Speaker C: I thought that it would lead to the elimination of this threat for you in that regard. But does your all.
[00:53:54] Speaker A: Does she pose a threat to you? She seems to bother you a lot.
[00:53:56] Speaker C: I just kind of steer clear.
[00:53:59] Speaker A: Is she a threat to you?
[00:54:01] Speaker C: I suppose she could be. I don't really want to find out.
[00:54:04] Speaker A: So really, this is all tit or tat, whatever, that you want us to get rid of her as well. So this all benefits you. So why don't we get a little something extra?
[00:54:15] Speaker C: Well, I've already made some agreements with your friend Roscoe.
[00:54:19] Speaker A: Yeah, with Roscoe. That's an individual. I don't know how you gods work, but that guy is not me. Okay, maybe all the gods are one or two conversation.
Okay, so, okay, then I'll leave because I'm not part of this or luck finding the owl bearing with a shitty information. Guys.
[00:54:35] Speaker C: What? What tat do you want?
[00:54:38] Speaker A: I don't know. I'd have to think about it.
[00:54:41] Speaker C: I could probably whip up some tat for you.
Want some tat?
[00:54:47] Speaker G: Wait, he does good. Custom tats.
[00:54:52] Speaker A: Custom tats. That's great.
[00:54:56] Speaker C: I actually. I think I got something for you.
[00:55:00] Speaker A: Ew. Okay, so Eric just looked at me with, like, a knowing look, and will's like, does this albatross look at will in that knowing way? All right, listen, bird, you don't know who I am, and I don't want you to say anything in front of these straight relative strangers. Thank you very much.
[00:55:14] Speaker D: Okay, I need a visual. I don't often ask for a visual, but I need a visual of how the bird is looking at will because their eyes are sort of on either side of their head. Is the bird kind of like cocking his head?
[00:55:25] Speaker B: Yeah. So turning his head so one eye.
[00:55:28] Speaker A: Can look directly at him, and you see Will's reaction for sure. He probably starts for a second because he was feeling all like, who cares? I don't even give a shit about this conversation. And then he's like, hey, no, I don't need anything revealed right now, thank you very much.
[00:55:43] Speaker C: All right, well, I wouldn't reveal anything right now anyway. I haven't gotten my tit. But let's just say that when I'm given my tit, then I will.
I will.
[00:56:01] Speaker A: What the fuck does that mean?
[00:56:04] Speaker C: I will.
[00:56:09] Speaker D: Oh, he means eyeball at will.
[00:56:13] Speaker A: You know what that means? Yeah, I know.
What does that mean?
[00:56:17] Speaker D: Will at will. Like, at, like, will call what st path black. As you were.
[00:56:33] Speaker C: You don't want me to reveal anything, do you?
I won't now, but I will.
[00:56:41] Speaker G: Yeah. Valencio.
[00:56:44] Speaker A: Yeah. He's just saying that he knows who I am. Yeah, like, I get it. Is that. I don't. I don't know. This part is weird. I can't read his eyes either.
[00:56:51] Speaker C: He said, I don't know you. I thought.
[00:56:54] Speaker A: Oh, no. I'm assuming you know everything. I mean, that's part of the problem, right? Everyone's really stressed out in here.
[00:57:01] Speaker C: You're a bird that, like, I got a full belly. Well, a 20% full belly.
[00:57:08] Speaker A: Okay, all right. How are we gonna find a freaking animal? Okay, what about the Sean Indigo guy, right? He has a bunch of animals, is.
[00:57:17] Speaker D: I'm assuming it's in his room. I'm assuming it is. We should.
[00:57:20] Speaker G: Yeah. Shamey. Mo, go check Sean in the ghost room.
[00:57:24] Speaker C: Be sneaky.
[00:57:25] Speaker B: All right, which is his room?
[00:57:27] Speaker G: Uh, I don't know. The. The one over there.
[00:57:34] Speaker D: Can you listen for the owl bear cry? Do you know what it sounds like?
[00:57:39] Speaker B: Uh, I don't.
[00:57:41] Speaker D: Um, excuse me, uh, your holiness? God.
[00:57:45] Speaker C: Yes.
[00:57:46] Speaker D: Albatross.
[00:57:47] Speaker C: Uh huh.
[00:57:47] Speaker D: Do are only you able to distinguish the owl bear cry, or is it possible for us?
[00:57:53] Speaker C: Well, it's a very creature.
[00:57:56] Speaker D: Oh, okay.
[00:57:58] Speaker C: It's kind of like a mewling squawk.
[00:58:01] Speaker G: Is it like. Is it like mulingen mule lane?
Muling.
[00:58:10] Speaker A: Nice.
[00:58:13] Speaker G: Nice mule.
[00:58:25] Speaker A: Right? Sure. I don't know. What do you guys. You want to do this? Sure. I mean, maybe we'll get something. Can't be that hard. Rafina, go distract the captain so we won't have any trouble. Right.
[00:58:36] Speaker D: I saw you talking to him.
Waggle, waggle. Waggle.
[00:58:40] Speaker A: Well, what does that mean? Yeah, he likes you. I think he just is trying to be respectful of me. And he has a crush on you, Rafina. That's why it would be easier for you to do it. I don't want to talk to people.
[00:58:56] Speaker D: So now I have to go tit for tat for the captain.
[00:59:00] Speaker G: Yeah, but a different kind of tit.
[00:59:02] Speaker A: I mean. Oh, that's fine. Okay, I'll just go kill him. Is that better? Like, you know what I mean? I could go kill him, and we could have. You know, how many passengers are on this boat?
[00:59:10] Speaker D: Oh, for heaven's sakes. You know that we're not going to be allowed to kill the captain.
[00:59:16] Speaker G: Allowed?
[00:59:17] Speaker A: Allowed by who?
[00:59:18] Speaker G: That's one of the first rules of the ship, is don't kill the captain.
I didn't. Shared rule across both ships.
Don't kill the captain. You're not allowed to do that.
[00:59:30] Speaker A: Not allowed.
So, great.
[00:59:34] Speaker D: But those rules are written by captains.
[00:59:37] Speaker A: Guys. What is wrong with this?
[00:59:40] Speaker G: And religious texts are written by religious people, and gods make rules about gods. You see what I'm saying here?
[00:59:49] Speaker D: It's a conspiracy.
[00:59:51] Speaker C: This is.
[00:59:52] Speaker G: It's all. It's all carnival epistemology, if you ask me.
[00:59:55] Speaker C: Hmm.
[00:59:57] Speaker G: We'll like knowledge based on experience.
Yeah, I've had plenty of experiences in my life. I got years and years, decades of experience. You think I got any knowledge? I don't know shit. Carnival episteme. Carnival epistemology. Come on, Shamey and Mo, let's go find this Albert.
[01:00:16] Speaker A: Wait, wait, wait, wait. No, he'll. He'll say to Roscoe, like, wait, he's saying that to Roscoe?
Actually, I had a thought just because already. Sean. Indigo. Right? Animal guy. Me and you didn't. Wasn't it me and you? Forgive me out of character if it was not us. But didn't we see him come out of a weird fucking room? That wasn't one of the rooms where the rest of the rooms were. And there was, like, stuff behind him or something? Maybe it's in there.
[01:00:43] Speaker G: Yeah, okay. Yeah, yeah, yeah. It's that other room.
[01:00:45] Speaker F: It wasn't his room.
[01:00:46] Speaker G: I don't think it was even maybe a bedchamber. It was some other room. It was some other random ship room.
[01:00:53] Speaker A: Yeah. I think we just.
[01:00:55] Speaker G: I know exactly where to go.
[01:00:57] Speaker A: I think we should. But just, you know, let's fan out in the passageways to make sure that if anyone's going to come that way, we have distractions for them. Who wants to be an investigator? Yeah, right. Exactly. Like, who wants to investigate who can not. Who should note I. Who will not get eaten by an owl bear if they find the owl bear?
[01:01:18] Speaker G: All right. Yeah, yeah, yeah.
[01:01:19] Speaker C: Good.
[01:01:19] Speaker G: I like this.
[01:01:19] Speaker C: Okay.
[01:01:20] Speaker G: Three of us are going to be distractions. Three of us are going to be investigators, but one of us is secretly the werewolf.
[01:01:31] Speaker A: What?
[01:01:32] Speaker B: Clock face sticks up his hand.
[01:01:35] Speaker A: That's so great.
Have you played that game? The one night werewolf? That's what you're talking about, right?
[01:01:41] Speaker D: It's.
[01:01:42] Speaker G: Yeah.
[01:01:42] Speaker A: Isn't it good?
[01:01:43] Speaker D: It's fun, isn't it the same as mafia?
[01:01:46] Speaker A: I don't know.
[01:01:46] Speaker B: It's a similar kind of.
[01:01:47] Speaker F: Or secret Hitler.
[01:01:49] Speaker A: Oh, I haven't played that one. We just. We got one night werewolf, like, for Christmas last year or something. My kids love it. They love it. Of course, Eric hates it because he can't lie. He's so stressed when we try to play that game.
[01:02:00] Speaker F: He's just like, yeah, no, I suck at social deception games.
[01:02:04] Speaker A: Yeah, like, people.
[01:02:05] Speaker F: People just know exactly when to be suspicious of.
[01:02:08] Speaker G: It just pisses me off.
[01:02:11] Speaker A: So great.
[01:02:12] Speaker D: I love that.
[01:02:16] Speaker A: Yeah. Okay, so. But yes, minus whatever, the werewolf part.
Yes. Let's see.
I'm glad Adam's laughing.
It wasn't picked up at all.
Yeah, like, let's. I mean, I feel like I shouldn't be caught in that room. I think I am kind of key to our plan, keeping the deception up of, you know, everything. Ziggy. Whatever. So I will stand out in some hallway and make sure that nobody goes that direction, I think. Right? And then who else? Rufina, you'd be great if you could find the captain. You'll turn him right around from whatever he was intending to do, I will.
[01:02:57] Speaker D: Turn him right around and kick.
[01:03:00] Speaker A: He's not in this room anymore, right? I mean, Roscoe, do you want to distract or invest? God, Roscoe, I'm sure you could be a good distraction, but would you distract in the right direction?
We need a directionality to your distraction.
[01:03:13] Speaker G: Honestly, you know me. I'm a crapshoot.
[01:03:16] Speaker A: Fuck. Uh, yeah. What do we.
[01:03:18] Speaker G: But not as much as the Albatross is, if you know what I mean.
[01:03:23] Speaker B: That's pretty good.
[01:03:27] Speaker A: Um.
[01:03:28] Speaker G: Hey, I'm here all week. It's a cruise.
[01:03:35] Speaker B: Do comedians on cruise ships say that?
[01:03:38] Speaker A: I'm here all week. It's a cruise. It's a cruise. It's a cruise.
[01:03:43] Speaker F: If I ever am an entertainer, I'm gonna throw.
[01:03:48] Speaker A: Hi, everybody. I've always hated my outro, so it's nice that we're recording a new one, because soon we're gonna have a patreon. The Patreon isn't ready yet because of an issue that is out of our control. But I can't wait for you to see the art I've made and the comics and have you listen to maybe a secret extra content or two. I went longer than. I'm gonna hate this outro, too. But under the shelter of Steve Corral is genuinely a brilliant song that Abby wrote once, and I still can't get over it. It's one of my favorite things.
The end.
